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> <channel><title>Comments for On Landscape</title> <atom:link href="http://www.onlandscape.co.uk/comments/feed/" rel="self" type="application/rss+xml" /><link>http://www.onlandscape.co.uk</link> <description>The Online Magazine for Landscape Photographers</description> <lastBuildDate>Thu, 23 May 2013 16:26:14 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=</generator> <item><title>Comment on Seeing the wood for the trees by David Driman</title><link>http://www.onlandscape.co.uk/2013/05/seeing-the-wood-for-the-trees/#comment-11003</link> <dc:creator>David Driman</dc:creator> <pubDate>Thu, 23 May 2013 16:26:14 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16360#comment-11003</guid> <description><![CDATA[Thanks; a great article and beautiful, evocative images. I really liked this sentence: &quot;So, after a year or so of sunset chasing, I put away my bucket and spade, stopped visiting the seaside at sun up and start hacking away at my own creative path.&quot;]]></description> <content:encoded><![CDATA[<p>Thanks; a great article and beautiful, evocative images. I really liked this sentence: &#8220;So, after a year or so of sunset chasing, I put away my bucket and spade, stopped visiting the seaside at sun up and start hacking away at my own creative path.&#8221;</p> ]]></content:encoded> </item> <item><title>Comment on Joe Cornish Processing Loch Maree by Marc Elliott</title><link>http://www.onlandscape.co.uk/2013/05/joe-cornish-processing-loch-maree/#comment-11002</link> <dc:creator>Marc Elliott</dc:creator> <pubDate>Thu, 23 May 2013 15:31:52 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16300#comment-11002</guid> <description><![CDATA[Thanks Joe and Tim for putting this together.   What I find fascinating, and refreshing is listening to the way you, see and approach the picture,  hone in the target area&#039;s that will benefit, or require adjustment.  This considered, and reasoned approach I am very trying to adopt myself, instead of following the an arbitrary workflow ( more out of laziness) I have adapted.
Thanks again Joe and Tim, I truly appreciate the time and effort you have put into making this. Along with all the other articles, and tutorials, that I have gained some much from.
Marc]]></description> <content:encoded><![CDATA[<p>Thanks Joe and Tim for putting this together.   What I find fascinating, and refreshing is listening to the way you, see and approach the picture,  hone in the target area&#8217;s that will benefit, or require adjustment.  This considered, and reasoned approach I am very trying to adopt myself, instead of following the an arbitrary workflow ( more out of laziness) I have adapted.</p><p>Thanks again Joe and Tim, I truly appreciate the time and effort you have put into making this. Along with all the other articles, and tutorials, that I have gained some much from.</p><p>Marc</p> ]]></content:encoded> </item> <item><title>Comment on Seeing the wood for the trees by Simon Gulliver</title><link>http://www.onlandscape.co.uk/2013/05/seeing-the-wood-for-the-trees/#comment-10996</link> <dc:creator>Simon Gulliver</dc:creator> <pubDate>Thu, 23 May 2013 13:29:50 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16360#comment-10996</guid> <description><![CDATA[Thanks for an excellent article. I have a feeling that 600 book print run is going to sell out fast!]]></description> <content:encoded><![CDATA[<p>Thanks for an excellent article. I have a feeling that 600 book print run is going to sell out fast!</p> ]]></content:encoded> </item> <item><title>Comment on Visual Flow &#8211; Ian Plant and George Stocking by Simon Gulliver</title><link>http://www.onlandscape.co.uk/2013/05/visual-flow-ian-plant-and-george-stocking/#comment-10995</link> <dc:creator>Simon Gulliver</dc:creator> <pubDate>Thu, 23 May 2013 13:27:26 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16265#comment-10995</guid> <description><![CDATA[This is easily the best book I&#039;ve found on composition and it&#039;s really handy to have on my phone to delve into when opportunity arises. Thoroughly recommended.]]></description> <content:encoded><![CDATA[<p>This is easily the best book I&#8217;ve found on composition and it&#8217;s really handy to have on my phone to delve into when opportunity arises. Thoroughly recommended.</p> ]]></content:encoded> </item> <item><title>Comment on Joe Cornish Processing Loch Maree by David Barrett</title><link>http://www.onlandscape.co.uk/2013/05/joe-cornish-processing-loch-maree/#comment-10994</link> <dc:creator>David Barrett</dc:creator> <pubDate>Thu, 23 May 2013 13:25:21 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16300#comment-10994</guid> <description><![CDATA[Which some people may find more disorientating than processing with their computer monitor upside down :)]]></description> <content:encoded><![CDATA[<p>Which some people may find more disorientating than processing with their computer monitor upside down <img
src='http://www.onlandscape.co.uk/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /></p> ]]></content:encoded> </item> <item><title>Comment on Joe Cornish Processing Loch Maree by David Barrett</title><link>http://www.onlandscape.co.uk/2013/05/joe-cornish-processing-loch-maree/#comment-10993</link> <dc:creator>David Barrett</dc:creator> <pubDate>Thu, 23 May 2013 13:22:56 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16300#comment-10993</guid> <description><![CDATA[I&#039;ve watched the first 17 mins of this and found it as fascinating and informative as usual. Before I watch the rest I wanted to let you know that at 17 mins there an editing issue (with the video not the photograph). It jumps from discussion of luminosity being the way to go to further on when three adjustment layers are suddenly in place.]]></description> <content:encoded><![CDATA[<p>I&#8217;ve watched the first 17 mins of this and found it as fascinating and informative as usual. Before I watch the rest I wanted to let you know that at 17 mins there an editing issue (with the video not the photograph). It jumps from discussion of luminosity being the way to go to further on when three adjustment layers are suddenly in place.</p> ]]></content:encoded> </item> <item><title>Comment on Plustek Opticfilm 120 by Simon Gulliver</title><link>http://www.onlandscape.co.uk/2013/05/plustek-opticfilm-120/#comment-10992</link> <dc:creator>Simon Gulliver</dc:creator> <pubDate>Thu, 23 May 2013 13:15:22 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16189#comment-10992</guid> <description><![CDATA[I used a Minolta Scan Multipro for several years scanning 645 velvia and was happy with the output, but the extra quality of Tim&#039;s drum scanning blows anything I could achieve out of the water. I can either look on this as a lot of wasted time and expense or a learning experience. I don&#039;t intend to sound like an advert but given the low cost per drum scan and high equipment cost for a scanner I wouldn&#039;t be tempted to do scanning in house again.]]></description> <content:encoded><![CDATA[<p>I used a Minolta Scan Multipro for several years scanning 645 velvia and was happy with the output, but the extra quality of Tim&#8217;s drum scanning blows anything I could achieve out of the water. I can either look on this as a lot of wasted time and expense or a learning experience. I don&#8217;t intend to sound like an advert but given the low cost per drum scan and high equipment cost for a scanner I wouldn&#8217;t be tempted to do scanning in house again.</p> ]]></content:encoded> </item> <item><title>Comment on Tower Hamlets Cemetery Park by Duncan George</title><link>http://www.onlandscape.co.uk/2013/05/tower-hamlets-cemetery-park/#comment-10991</link> <dc:creator>Duncan George</dc:creator> <pubDate>Thu, 23 May 2013 12:51:19 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16301#comment-10991</guid> <description><![CDATA[Thank you Peter. I was surprised that this natural oasis exists in the heavily built-up and bustling East End. Good luck with Brookwood Cemetery. Do those restrictions apply even if your photographic intentions are non-commercial? I guess a distinction between there and TH is that the latter is now a park with permanent access. If you are able to circumvent the rules I hope Brookwood rewards with some good photography. Duncan]]></description> <content:encoded><![CDATA[<p>Thank you Peter. I was surprised that this natural oasis exists in the heavily built-up and bustling East End. Good luck with Brookwood Cemetery. Do those restrictions apply even if your photographic intentions are non-commercial? I guess a distinction between there and TH is that the latter is now a park with permanent access. If you are able to circumvent the rules I hope Brookwood rewards with some good photography. Duncan</p> ]]></content:encoded> </item> <item><title>Comment on Seeing the wood for the trees by Julian Barkway</title><link>http://www.onlandscape.co.uk/2013/05/seeing-the-wood-for-the-trees/#comment-10990</link> <dc:creator>Julian Barkway</dc:creator> <pubDate>Thu, 23 May 2013 11:53:50 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16360#comment-10990</guid> <description><![CDATA[As a fellow tree-lover, and long-time fan of your tree-stuff, it was interesting to read about your working methods. Not least because of how similar they are to my own. Although, it must be said, you do seem to get consistently better results than me.
Just a couple of weeks ago, I was making images in a pine forest and couldn&#039;t have been happier. There&#039;s definitely something about being surrounded by trees that is relaxing and good for the soul. Perhaps it appeals to our primal need for security somehow?]]></description> <content:encoded><![CDATA[<p>As a fellow tree-lover, and long-time fan of your tree-stuff, it was interesting to read about your working methods. Not least because of how similar they are to my own. Although, it must be said, you do seem to get consistently better results than me.</p><p>Just a couple of weeks ago, I was making images in a pine forest and couldn&#8217;t have been happier. There&#8217;s definitely something about being surrounded by trees that is relaxing and good for the soul. Perhaps it appeals to our primal need for security somehow?</p> ]]></content:encoded> </item> <item><title>Comment on Plustek Opticfilm 120 by David Tolcher</title><link>http://www.onlandscape.co.uk/2013/05/plustek-opticfilm-120/#comment-10989</link> <dc:creator>David Tolcher</dc:creator> <pubDate>Thu, 23 May 2013 11:53:26 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16189#comment-10989</guid> <description><![CDATA[Excellent review Tim, glad I didn&#039;t drop best part of £2000 on one, was worried about the lack of AF and glass holders which I think are essential on something this high end (or at least one of them anyway !)]]></description> <content:encoded><![CDATA[<p>Excellent review Tim, glad I didn&#8217;t drop best part of £2000 on one, was worried about the lack of AF and glass holders which I think are essential on something this high end (or at least one of them anyway !)</p> ]]></content:encoded> </item> <item><title>Comment on Seeing the wood for the trees by David Barrett</title><link>http://www.onlandscape.co.uk/2013/05/seeing-the-wood-for-the-trees/#comment-10988</link> <dc:creator>David Barrett</dc:creator> <pubDate>Thu, 23 May 2013 11:41:13 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16360#comment-10988</guid> <description><![CDATA[&quot;I’m not generally one for showing all of a tree ...&quot; Beautifully understated.
Your piece was a joy to read and look at, Dav.
More and more I&#039;ve been turning to trees, too – going bush, to use the vernacular of my new homeland. I spent my first long hot summer here in Victoria pining (!) for mist to make sun-blasted Yellow Box, Red Box, Stringy Barks and &quot;Mountain Ash&quot; less stark and bleached. And talk about cloudless blue sky! ... too hot to sit in beer gardens where the beer is, er, an acquired taste ....
Ironically, as autumn and nearly winter has delivered more or less regular mist, I&#039;ve set myself a challenge to make just as many satisfying woodland photographs with and without the murk. Use the conditions!
What you say about visiting, revisiting and spending time and seasons with your chosen woodland. In the unlikely event that I was asked what my &quot;epiphanic&quot; moment in photography was, it would be when I accepted and embraced &quot;slow photography&quot;. I&#039;ve never had a medium format camera, film or otherwise. But, like many of us here, I suspect, I have what you might call an &quot;LF MO&quot;. (If you did call it that, I&#039;d understand that you were using your frame of reference to make sense of my behaviour, and I&#039;d superfluously insist that slowing down just makes all kinds of sense unless you are on a mission to fill-up your &quot;free&quot; flickr terabyte before you die.
Last week, I drove to an area of temperate rainforest just outside Marysville. This bit of bush has been regenerating since the horribly tragic, many human lives-taking 2009 Black Saturday fires. It was unsettling, overwhelming and exciting. All day, I walked and sat, and walked and one-eye-stared through my cutout viewfinder. I didn&#039;t get my camera out. This wasn&#039;t frustrating. It was enthralling and absorbing (even if I did find five engorged leeches on my legs when I got home).  I knew I&#039;d be back. Often.
With splendid serendipitous timing, your article has inspired me even more.]]></description> <content:encoded><![CDATA[<p>&#8220;I’m not generally one for showing all of a tree &#8230;&#8221; Beautifully understated.</p><p>Your piece was a joy to read and look at, Dav.</p><p>More and more I&#8217;ve been turning to trees, too – going bush, to use the vernacular of my new homeland. I spent my first long hot summer here in Victoria pining (!) for mist to make sun-blasted Yellow Box, Red Box, Stringy Barks and &#8220;Mountain Ash&#8221; less stark and bleached. And talk about cloudless blue sky! &#8230; too hot to sit in beer gardens where the beer is, er, an acquired taste &#8230;.</p><p>Ironically, as autumn and nearly winter has delivered more or less regular mist, I&#8217;ve set myself a challenge to make just as many satisfying woodland photographs with and without the murk. Use the conditions!</p><p>What you say about visiting, revisiting and spending time and seasons with your chosen woodland. In the unlikely event that I was asked what my &#8220;epiphanic&#8221; moment in photography was, it would be when I accepted and embraced &#8220;slow photography&#8221;. I&#8217;ve never had a medium format camera, film or otherwise. But, like many of us here, I suspect, I have what you might call an &#8220;LF MO&#8221;. (If you did call it that, I&#8217;d understand that you were using your frame of reference to make sense of my behaviour, and I&#8217;d superfluously insist that slowing down just makes all kinds of sense unless you are on a mission to fill-up your &#8220;free&#8221; flickr terabyte before you die.</p><p>Last week, I drove to an area of temperate rainforest just outside Marysville. This bit of bush has been regenerating since the horribly tragic, many human lives-taking 2009 Black Saturday fires. It was unsettling, overwhelming and exciting. All day, I walked and sat, and walked and one-eye-stared through my cutout viewfinder. I didn&#8217;t get my camera out. This wasn&#8217;t frustrating. It was enthralling and absorbing (even if I did find five engorged leeches on my legs when I got home).  I knew I&#8217;d be back. Often.</p><p>With splendid serendipitous timing, your article has inspired me even more.</p> ]]></content:encoded> </item> <item><title>Comment on Joe Cornish Processing Loch Maree by katebarclay</title><link>http://www.onlandscape.co.uk/2013/05/joe-cornish-processing-loch-maree/#comment-10987</link> <dc:creator>katebarclay</dc:creator> <pubDate>Thu, 23 May 2013 11:32:31 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16300#comment-10987</guid> <description><![CDATA[Very interesting to see how Joe processes his images and really surprised to see how little he does in lightroom. Also interested to see that he doesn&#039;t touch the white or black point and just wondering what his thoughts are on adjusting them or not as the case may be.
Kate]]></description> <content:encoded><![CDATA[<p>Very interesting to see how Joe processes his images and really surprised to see how little he does in lightroom. Also interested to see that he doesn&#8217;t touch the white or black point and just wondering what his thoughts are on adjusting them or not as the case may be.<br
/> Kate</p> ]]></content:encoded> </item> <item><title>Comment on Seeing the wood for the trees by Mike Green</title><link>http://www.onlandscape.co.uk/2013/05/seeing-the-wood-for-the-trees/#comment-10985</link> <dc:creator>Mike Green</dc:creator> <pubDate>Thu, 23 May 2013 11:06:58 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16360#comment-10985</guid> <description><![CDATA[Fascinating and informative article, Dav; lots of really useful insights there. I&#039;m very much looking forward to seeing the book.]]></description> <content:encoded><![CDATA[<p>Fascinating and informative article, Dav; lots of really useful insights there. I&#8217;m very much looking forward to seeing the book.</p> ]]></content:encoded> </item> <item><title>Comment on Plustek Opticfilm 120 by Paul Mitchell</title><link>http://www.onlandscape.co.uk/2013/05/plustek-opticfilm-120/#comment-10984</link> <dc:creator>Paul Mitchell</dc:creator> <pubDate>Thu, 23 May 2013 10:20:30 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16189#comment-10984</guid> <description><![CDATA[Excellent review Tim. When I first bought my Coolscan 9000 I too had issues with focus using the supplied holders, buying the FH-869GR holder solved this but it did cost me an additional £200! It bugs me somewhat that this type of holder should be supplied as standard!]]></description> <content:encoded><![CDATA[<p>Excellent review Tim. When I first bought my Coolscan 9000 I too had issues with focus using the supplied holders, buying the FH-869GR holder solved this but it did cost me an additional £200! It bugs me somewhat that this type of holder should be supplied as standard!</p> ]]></content:encoded> </item> <item><title>Comment on Joe Cornish Processing Loch Maree by CathR</title><link>http://www.onlandscape.co.uk/2013/05/joe-cornish-processing-loch-maree/#comment-10983</link> <dc:creator>CathR</dc:creator> <pubDate>Thu, 23 May 2013 10:16:43 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16300#comment-10983</guid> <description><![CDATA[Great to see another post processing video from Joe.  It&#039;s lovely to listen to his dulcet tones and I always learn a lot.  I was wondering if you definitely know what output format you are going to use whether it would be best to do the proof conversion very early on, perhaps as soon as you import into Photoshop.  Otherwise it just seems you put a lot of effort into the processing only for it to be wiped out if there is a massive change when you do the conversion.  And, as Joe says, you can never get back to what it was originally even if you do more processing.  Are there any downsides to an early conversion other than you have to start again if you change your mind about the output format?]]></description> <content:encoded><![CDATA[<p>Great to see another post processing video from Joe.  It&#8217;s lovely to listen to his dulcet tones and I always learn a lot.  I was wondering if you definitely know what output format you are going to use whether it would be best to do the proof conversion very early on, perhaps as soon as you import into Photoshop.  Otherwise it just seems you put a lot of effort into the processing only for it to be wiped out if there is a massive change when you do the conversion.  And, as Joe says, you can never get back to what it was originally even if you do more processing.  Are there any downsides to an early conversion other than you have to start again if you change your mind about the output format?</p> ]]></content:encoded> </item> <item><title>Comment on Al Brydon by Mike Green</title><link>http://www.onlandscape.co.uk/2013/05/al-brydon/#comment-10982</link> <dc:creator>Mike Green</dc:creator> <pubDate>Thu, 23 May 2013 10:00:04 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16297#comment-10982</guid> <description><![CDATA[Great to see you featured here Al. I&#039;ve found your work intriguing and thought provoking for some time now and hearing about the motivations and thoughts behind it makes a very interesting read.]]></description> <content:encoded><![CDATA[<p>Great to see you featured here Al. I&#8217;ve found your work intriguing and thought provoking for some time now and hearing about the motivations and thoughts behind it makes a very interesting read.</p> ]]></content:encoded> </item> <item><title>Comment on Seeing the wood for the trees by katebarclay</title><link>http://www.onlandscape.co.uk/2013/05/seeing-the-wood-for-the-trees/#comment-10981</link> <dc:creator>katebarclay</dc:creator> <pubDate>Thu, 23 May 2013 08:58:31 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16360#comment-10981</guid> <description><![CDATA[Excellent article - thank you. I also have a love for trees esp in the mist - it&#039;s just adds that extra dimension. I spend a lot of time looking for woods with no under growth as I love the simple shapes of the trees but after reading your article I think I need to learn to use the brackets / grasses in my shots also.
Kate]]></description> <content:encoded><![CDATA[<p>Excellent article &#8211; thank you. I also have a love for trees esp in the mist &#8211; it&#8217;s just adds that extra dimension. I spend a lot of time looking for woods with no under growth as I love the simple shapes of the trees but after reading your article I think I need to learn to use the brackets / grasses in my shots also.<br
/> Kate</p> ]]></content:encoded> </item> <item><title>Comment on Platinum in Genesis by Ebony1</title><link>http://www.onlandscape.co.uk/2013/05/platinum-in-genesis/#comment-10980</link> <dc:creator>Ebony1</dc:creator> <pubDate>Thu, 23 May 2013 08:15:23 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16268#comment-10980</guid> <description><![CDATA[Anyone visiting the Salgado exhibition should be prepared for hectoring programme notes from the great man himself, urging us all to lead less materialistic lives. And how does he put his principles into practice ?  Why, by giving us the chance to buy a limited edition of his book - for a mere £7,000. Clearly he intends to use the bank notes as simple wall paper.]]></description> <content:encoded><![CDATA[<p>Anyone visiting the Salgado exhibition should be prepared for hectoring programme notes from the great man himself, urging us all to lead less materialistic lives. And how does he put his principles into practice ?  Why, by giving us the chance to buy a limited edition of his book &#8211; for a mere £7,000. Clearly he intends to use the bank notes as simple wall paper.</p> ]]></content:encoded> </item> <item><title>Comment on Seeing the wood for the trees by shoey</title><link>http://www.onlandscape.co.uk/2013/05/seeing-the-wood-for-the-trees/#comment-10979</link> <dc:creator>shoey</dc:creator> <pubDate>Thu, 23 May 2013 08:10:11 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16360#comment-10979</guid> <description><![CDATA[Thanks for a wonderful article Dav. I have visited your website and love your photographs. It&#039;s great to hear your tips and explanations. We are in autumn here and it&#039;s definitely the best time in my opinion anyhow , for tree photography. I especially love the dew drops and mist you get at this time of the year. Would love to do an autumn shoot in Britain. Thanks for the inspiration . Shoey]]></description> <content:encoded><![CDATA[<p>Thanks for a wonderful article Dav. I have visited your website and love your photographs. It&#8217;s great to hear your tips and explanations. We are in autumn here and it&#8217;s definitely the best time in my opinion anyhow , for tree photography. I especially love the dew drops and mist you get at this time of the year. Would love to do an autumn shoot in Britain. Thanks for the inspiration . Shoey</p> ]]></content:encoded> </item> <item><title>Comment on Joe Cornish Processing Loch Maree by ice9001</title><link>http://www.onlandscape.co.uk/2013/05/joe-cornish-processing-loch-maree/#comment-10978</link> <dc:creator>ice9001</dc:creator> <pubDate>Thu, 23 May 2013 07:15:24 +0000</pubDate> <guid
isPermaLink="false">http://www.onlandscape.co.uk/?p=16300#comment-10978</guid> <description><![CDATA[Great post great image as usual , very impressed with the D800 (is it the E model ?) now all we need is Tim to show us how gets those beautiful web displaying images for the magazine . Also I see you never touched the white point or black point very interesting as most tutorials in magazines and online start with that first thing .]]></description> <content:encoded><![CDATA[<p>Great post great image as usual , very impressed with the D800 (is it the E model ?) now all we need is Tim to show us how gets those beautiful web displaying images for the magazine . Also I see you never touched the white point or black point very interesting as most tutorials in magazines and online start with that first thing .</p> ]]></content:encoded> </item> </channel> </rss>