Tim Parkin

Alfred Stieglitz

Stieglitz may not be the best photographer that the century has ever seen but you would be hard pushed to find a more influential one or one that pushed the bounds of what photography meant. His obsessive hard work pushed   [ read ]

The Truth, the Whole truth and Nothing but the Truth?

‘Honesty’ and ‘truth’ are two descriptors which are applied very frequently to the subject of landscape photography. Typically, they will be applied by ‘scapers who fall into one (or both) of two categories: the chap who searches tirelessly for the   [ read ]

Hindsight – with David Ward

This issue we had the opportunity to spend some time with  David Ward at his home near Hereford and he chose three pictures for us to talk about (well, mostly avoid talking about to be honest). David has inspired a   [ read ]

Shooting for the Moon

If you’d like to take a telephoto landscape image of the full moon then hopefully this technical guide will help you to achieve that. An image of Staple Tor on Dartmoor shot at 560mm is being used as an example.   [ read ]

Outdoor Show versus The Wildlife Photographer of the Year 2012

Myself and Dav Thomas went to report on the Outdoor Show last week and planned on spending a couple of days looking around and chatting with the exhibitors in the Photographic Village. However, the photographic village turned out to be   [ read ]

Hugh Webster

This week sees a feature on Hugh Webster – originally born in Northumberland but having spent most of his life in Scotland, Hugh has his own stock photo library which used to be called the Scottish Highland Photo Library but   [ read ]

The Beautiful Square

What do Michael Kenna, Josef Hoflehner and Hengki Koentjoro have in common? I suspect many of you have guessed the answer already: they all work predominantly in black and white and use the square format. It’s popularity with arty landscapists   [ read ]

Why Size Really Doesn’t Matter

I had the pleasure of coming along to Tim’s Big Camera Comparison which featured in Issue 28. As we know, being the ultimate geek, Tim loves to compare pretty much everything photographic – cameras, resolution, film, colour, you name it.   [ read ]