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    on Joe Cornish – Reader’s Questions

    These interviews and Q&A podcasts are not only very enjoyable in their own right (like listening to a radio discussion), but also excellent to listen to while scanning or post-processing images. Thanks Joe for introducing the two wildlife photographers you mentioned: they produce different but equally inspiring and unusual work. Adam [...]

    - Adam Pierzchala, 22:12 11th Feb

    on Put Your Questions to Hans Strand

    Yes, medium format will have a tough future. Though there are still people (including myself) who think it is worth the extra cost to get an extra edge. The difference is more obvious when you make large prints. A one meter wide print from medium format will convince you about [...]

    - Hans Strand, 20:37 1st Feb

    on Samantha Gibbons

    Hi Samantha, it was great to see your images and to read how you feel about photography! I like what you say, "how beautiful the landscape around us really is.. It’s almost religious", as I feel almost the same! Your vistas have this subtle but intriguing light but I also like [...]

    - Beata Moore, 10:09 30th Jan
  • Loitering in the Countryside at Night
    Al Brydon braves the night...
  • Leeming and Paterson
    Sole Mates!
  • The Myth of Universal Colour
    Why different cameras record colours differently
  • John Parminter
    Featured photographer
  • David Hockney and the Yorkshire Wolds
    David Hockney Exhibition
  • Truth and Lies in Photography
    Tim Parkin follows up on Ian Thompson's earlier article
  • Joe, Andrew and an IQ180
    Video report - Joe Cornish and Andrew Nadolski try out the IQ180
  • On Meaning in Photography
    When an image is more than the sum of it's parts
Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

Tim Parkin

Content Issue Thirty One
07
Comments6

Loitering in the Countryside at Night

It was only a matter of time before I ended up loitering in the countryside at night. This series is my attempt at challenging my own relationship with and understanding of the landscape around me. When I was contemplating my   [ read ]

_1010350
Comments2

Leeming and Paterson

As landscape photographers we are fundamentally solitary predators. Away before the dawn and skulking home long after sundown. Shying the pack culture. Lost in “the zone” of image capture meditation. It is a personal space of peace and calm I   [ read ]

rhem
Comments14

The Myth of Universal Colour

While we were working on the Big Camera comparison, one of the things that became quite clear was that the different sensor devices we looked at were producing images whose colour was quite different. More importantly, when we tried to   [ read ]

76447-F
Comments11

John Parminter

We’re talking to a fell runner turned photographer this issue (I wish I was as fit!) and someone with a fascinating take on the classic mountain photography genre. What photographic moments have most transformed your thinking about photography (or have   [ read ]

BaileyDaleWarter
Comments19

David Hockney and the Yorkshire Wolds

I’m sure many of you are aware that the Bradford-born artist David Hockney has recently filled the walls of the Royal Academy with an exhibition of his landscape paintings, iPad drawings and multi-screen HD films most of which were produced   [ read ]

Daguerreotype1839 copy
Comments46

Truth and Lies in Photography

A recent article written by Ian Thompson on his wave photograph at Porth Cawl generated just a little bit more feedback than I or Ian expected. The main gist of the comments were along the lines of ‘this has gone   [ read ]

Gothic trees
Comments14

Joe, Andrew and an IQ180

At about the same time that we were testing the cameras for the Big Camera Test, Joe Cornish was pondering the possibly of purchasing the IQ180 and in the last few weeks has been getting to grips with it. Tim   [ read ]

Deadvlei tree
Comments17

On Meaning in Photography

Photographic description alone will never be inspirational, never make a heart beat faster, never bring a tear to another’s face. To achieve these things emotional messages must somehow be woven seamlessly into the photographic representation. But beyond what is baldly   [ read ]

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