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    on Joe Cornish – Reader’s Questions

    These interviews and Q&A podcasts are not only very enjoyable in their own right (like listening to a radio discussion), but also excellent to listen to while scanning or post-processing images. Thanks Joe for introducing the two wildlife photographers you mentioned: they produce different but equally inspiring and unusual work. Adam [...]

    - Adam Pierzchala, 22:12 11th Feb

    on Put Your Questions to Hans Strand

    Yes, medium format will have a tough future. Though there are still people (including myself) who think it is worth the extra cost to get an extra edge. The difference is more obvious when you make large prints. A one meter wide print from medium format will convince you about [...]

    - Hans Strand, 20:37 1st Feb

    on Samantha Gibbons

    Hi Samantha, it was great to see your images and to read how you feel about photography! I like what you say, "how beautiful the landscape around us really is.. It’s almost religious", as I feel almost the same! Your vistas have this subtle but intriguing light but I also like [...]

    - Beata Moore, 10:09 30th Jan
  • Wild Rivers – Peter Dombrovskis
    Book review
  • D800 vs D800E
    Which one is best?
  • The Diffraction Limit
    How small is too small?
  • Going with the Flow
    Evolving photographic study of the River Dove
  • Sea Change – Michael Marten
    Book review
  • Welsh Light – Glyn Davies
    Book review
  • Nigel Morton
    Featured photographer
Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

Tim Parkin

Content Issue Forty Three
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Comments5

Wild Rivers – Peter Dombrovskis

D800
Comments27

D800 vs D800E

There has been a lot of talk in the press recently about the new Nikon wunderkind and people have pondered on whether the D800 or the D800E should be purchased for different types of photography – the latter (E) having   [ read ]

A900 f/8
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The Diffraction Limit

I think most photographers will have come across various online resources, books, magazines and blog posts telling them that certain apertures are ‘out of bounds’ and that in order to get the sharpest pictures they need to use a narrow   [ read ]

Water Colour
Comments8

Going with the Flow

An evolving study of the River Dove and side-stream on the Staffordshire / Derbyshire border Sheets of rain and roads turn to rivers… Despite some recent respite, for much of the time it’s not been the kind of summer that   [ read ]

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Comments7

Sea Change – Michael Marten

Michael Marten’s “Sea Change” recalls Ariel’s song in Shakespeare’s Tempest Full fathom five thy father lies: Of his bones are coral made: Those are pearls that were his eyes: Nothing of him that doth fade But doth suffer a sea-change   [ read ]

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Comments4

Welsh Light – Glyn Davies

Glyn Davies has been living and working photography since an early age with a family connection with the arts that runs very deep. Educated in Photography, TV and Film he has taught photography and run a professional photography business for   [ read ]

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Comments22

Nigel Morton

Landscape Photographer of the Year’s loss is our gain this week where we’re featuring Nigel Morton’s images including a few classics that failed to get through the first round of Take a View. In most photographers lives there are ‘epiphanic’   [ read ]

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