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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

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Content Issue

Issue 132 PDF

Discussion of the Sublime usually drifts through what the concept actually means – literally a fascination with something that makes you fear, not just for your life, but also for your soul. Continue reading


Endframe: The magical forest by Sandra Bartocha

I don’t remember the large landscapes when I’ve been out. In those moments of tranquillity, it’s the small elements I remember – the light dancing through the leaves on the trees or the frost glistening on the grass in the sunrise. Continue reading


linhof studio Open Day

This year, our partners linhof studio are having an alternative to the Photography Show. This will be a special one-day event here at Linhof Studio on Wednesday 22nd February. Continue reading


Subscribers 4×4 Portfolios

Our 4×4 feature is a set of 4 landscape photography portfolios from our subscribers: Antonio Correia, David Ball, David Fearn & Peter Russell. Continue reading


Dungeness dereliction

Over many years I have been visiting and photographing Dungeness which has captivated me. The big skies, the desolation, the unpredictability of the weather and the feeling of isolation and abandonment. Continue reading


Traces of Botany

The four images presented here are part of a growing series interpreting and evaluating my emotional connection and reaction to horticultural decay. Continue reading


Isle Of Skye 

My Skye journey started off at Neist Point for sunset and being one of Skye’s most photographed places I was weary of it being very busy and everyone being crowded at the same place. Continue reading


Distant Mountains

These four images belong to a large series of photographs done during a travel in Ladakh, India in July 2013. Continue reading



We interviewed Timo for our Featured Photographer spot back in May 2014. He’s currently in the final stages of preparing a new exhibition of images of the melting polar ice cap which opens in London next week. Continue reading


Photography on the Trail

By its very nature, landscape photography requires the photographer to be outdoors. But what happens when you extend that time in the wild to days or weeks? How does that change your approach to photography Continue reading

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