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End frame: ‘Iona Sun’ by Paul Kenny
When asked to write for the End Frame section of On Landscape, one artist that sprung to mind among many of my favourites was Paul Kenny and especially the image ‘Iona Sun’. Born and educated in Salford, in the Northwest of England, Paul completed his Fine Art Degree at Newcastle upon Tyne in 1975. His own words probably describe best what he does: The work, building on themes developed over thirty-five years, tries to find the awe-inspiring more
The Perimeter
Quintin Lake has featured in a couple of articles about his adventures in "From Greenland to the Sahara" and a walking project on the Thames Waters in previous On Landscape issues and at the time he replied to a comment from one of our subscribers saying "it's actually reminded me how much I want to continue the journey". At the time, I'm not sure he thought 'continuing the journey' meant walking around the whole of the coastline more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Barry Rosof, Benjamin Stevens, John Higgs & Sanjeev Kumar Yadav. more
Stormwater Facility
This year, housebound due to the Coronavirus, I had limited reasons to leave the house. Walking the dog was an approved activity. Once the snow melted, I would slip a small camera into my pocket and visit the ponds on my daily dog walks. more
Outback Trees
I love their shapes and forms and the way in which they interact with the landscape. I love their bark, which comes in such a varied range of colours and textures. more
Colour of Nature
The weather in Dhanaulti can be unpredictable, but this results in it always being interesting. We could see an enormous amount of rainbows and rain being whipped up into beautiful clouds in the distance. more
Nature Without and Within
I have come to think of my photographic approach as that of losing myself to the experience of seeing, where seeing includes other senses, as well as that of the eyes. more
A Summons to Seriousness
Although we may differ in our preference of where and how we feel most at ease and most motivated to photograph, we all have the choice to consider such situations as “summons to seriousness.” more
