

Following on from previous articles we take a foray into grouped masks in Photoshop

Tim Parkin
Tim Parkin is a British landscape photographer, writer, and editor best known as the co-founder of On Landscape magazine, where he explores the art and practice of photographing the natural world. His work is thoughtful and carefully crafted, often focusing on subtle details and quiet moments in the landscape rather than dramatic vistas. Alongside his photography and writing, he co-founded the Natural Landscape Photography Awards, serves as a judge for other international competitions. Through all these projects, Parkin has become a respected and influential voice in contemporary landscape photography.
We’ve written about using masks in Photoshop before now (see links) and we’re still of the opinion that, combined with curves and hue/saturation adjustments, masks are the key building blocks of post production. Quite often it’s difficult to make the right mask selection though and we’d like to introduce a technique that allows a more fine grained control combining different masks together; and also over the way colour, tone and saturation can be adjusted together.
First of all, a quick recap of the way masks can be used.