Issue 255
Tim Parkin |
Click here to download issue 255 (high quality, 132Mb) Click here to download issue 255 (smaller download, 80Mb) more
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Latest Articles
End frame: Conception Rock by Michael Lundgren
James Popp |
In Michael Lundgren’s Conception Rock, two spherical shapes loom out of the darkness. While they appear large, the scale is not clear cut. At first glance, what they are or whether they even belong to this world or not is an open question. more
Subscribers 4×4 Portfolios
Peter Roworth, John Dominick, Mark Burley & Karin De Winter & Jo Van Rossem |
Our 4x4 feature which is a set of four mini landscape photography portfolios submitted by our subscribers: Peter Roworth, John Dominick, Mark Burley, Karin De Winter and Jo Van Rossem more
Crazy River
Karin De Winter & Jo Van Rossem |
These four photographs belong to a series we made about the scenery along the Rio Tinto in Spain. more
Celebration of Spring on the River Dart
Mark Burley |
This series of four images were taken on a stretch of the River Dart in Spring 2021. more
Ripples in Time, Harlech Beach
John Dominick |
A gift from the sea is how I feel about sand ripples. Each tide leaves, in infinite varieties, a signature of wave energy. more
Imagination
Peter Roworth |
I am now retired from a working life in nature conservation as a reserve warden in various locations across Great Britain. I always used a camera as part of my work, specialising in the photography of wildflowers, habitat management and the landscape of nature reserves. more
Chris Byrne – Portrait of a Photographer
Matt Payne |
In Chris’ own words in a well-produced video on his website, the root of risk, when we boil it down, is answered by a simple question: “What are you willing to risk to get what you want?” more
Helmut Pilo
Helmut Pilo & Michéla Griffith |
It must have been frustrating to have begun to explore the grand landscapes of the North only to have travel restricted by the pandemic, yet 2021 turns out to have had a silver lining and gave him the opportunity to spend more time on his photography. more
The Parallelism of Ferdinand Hodler
Keith Beven |
he photographer is more constrained. The choices are those of framing, light, and the length of exposure. These can all influence the degree of parallelism, symmetry, rhythm and the unity of nature evident in a final image. more
The Low Drone
Theo Bosboom |
In this article, I would like to zoom in on another, in my opinion much less widespread, application of the drone for landscape photography. This does not involve flying high - on the contrary. In this technique, the drone is used to create intimate landscapes more
Keep it Still
Adam Pierzchala |
In this article, I will look mainly at ICM i.e. deliberately moving the camera during a single exposure, but also at multi-exposure in one frame, in-camera layering of two or more separate images and combinations of all these techniques. more
Issue 254
Tim Parkin |
Click here to download issue 254 (high quality, 132Mb) Click here to download issue 254 (smaller download, 80Mb) more
Endframe: East Cumberland Bay, November 13, 1914 by Frank Hurley
John Brockliss |
Since childhood I have been fascinated by the history of polar exploration, intrigued by the tales of adventure, the discovery of the unknown and the mortal dangers faced in the most hostile and remote landscapes on earth. Among the heroic tales of polar discovery, there are none to compete with the plight of the ill-fated 1914 Imperial Trans-Antarctic Expedition led by Sir Ernest Shackleton in his bid to be the first to lead a team across the Antarctic Continent: a more
Szabó Zsolt András
Szabó Zsolt András & Michéla Griffith |
My favourite locations are remote and not easily accessed; for me, it was always crucial to not have any human traces in the landscape I photograph. For me the essence of landscape photography is to discover, to take on challenges, to be part of adventures. more
My Home Landscape
Neville Prosser |
One of those locations I came up with is a beautiful bay called Frazer beach, situated in Munmorah State Recreation Park. It's a bit more of a drive, 35-45 minutes in the car, but enough remoteness to put off many a landscape shooter who doesn't like to walk far. more
on Chris Byrne – Portrait of a Photographer
Thank you for another inspirational photographer to follow on Instagram. Although I hold a cautious attitude to social media I do appreciate those that don’t advocate it as the be all and end all of creative motivation. Personally, the experience is the reward but I will happily admit that it has [...]
- John Dominick, 11:52 yesterday
on Keep it Still
A fascinating insight into your artistic meandering and despite the gentle prod about - ahem - photocopying, I take issue with your suggestion that your scientific background in some way hinders your development has an artist. On the contrary I believe the images we make reflect who we are and we [...]
- valda bailey, 19:30 16th May
on Moving Day
Nice one mate ... still made one of my favourite images of 2021 the day after our natter over coffee and a choco-digestive ... down at your wee local beach .. that outflow would have me dancing a merry jig most mornings .... Hopefully catch up the next time our wheels [...]
- Nigel Cooke, 12:54 12th May