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Latest Articles

End frame: L’Éclipse by Eugène Atget

| Eclipse

There is something immediately appealing about Eugène Atget’s 1912 albumen silver print L’Éclipse—a sense of spontaneity, playfulness, and ease with which the Parisian photographer pulls us right into the center of the crowd that gathered on Place de la Bastille to observe a solar eclipse. more →

Albanian Canyons

| Albania 09

The most exciting and most exotic destination for me was Albania. Although this country has been gaining increasing attention in recent years—primarily because of its beautiful beaches and low prices—it remains quite an unspoiled land, with few landscape photographers appearing to have an interest in it. more →

Sylt

| #6 Surf And Fog

The sea and waves were invisible in the darkness. We stood at the water’s edge, almost devoutly listening to the roar of the surf, feeling the wind and smelling the salty air. more →

 

Max A Rush

& | Tupelo Shower

This year, after Max won International Garden Photographer of the Year, it felt like a good time to check in again—to see how his work has progressed and hear about his latest project: building another 5x4 camera. more →

on landscape Join the conversation

    on The moment I said it

    Hi Joe, I'm glad you liked the article. Yes, I agree, these kind of story could have happened anywhere, anytime. And no, I'm not going to let them discourage or affect my future plans at all, quite the opposite ! Thank your for your words !

    - Francesco Carovillano, 19:58 17th Jun

    on Les Bisses du Valais

    Thanks for the comment Adam. Glad you found it interesting. The bisses do have a fascinating history - and plenty of potential for images like that. There are more jewels in the Panta Rhei book that can be found at the www.mallerstangmagic.co.uk site (just a few copies [...]

    - Keith Beven, 12:08 17th Jun

    on The moment I said it

    Love the article, hate the critics! Brilliant take-down of the pomposity and self importance of those who are part of the control establishment over the arts. It happened at the Orsay, Francesco, and perhaps Parisian critics are more self-important than most, however, I reckon the story you tell could have been [...]

    - Joe Cornish, 11:05 17th Jun

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