Issue 311
Tim Parkin |
Click here to download issue 311 (high quality, 117Mb) Click here to download issue 311 (smaller download, 74Mb) more
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Latest Articles
End frame: Zen Shadows in Snow by Nicholas Bell
Chris Murray |
Beyond aesthetics, Nicholas’s work embodies the qualities that I value and strive for in my own photography. Subtlety, nuance, simplicity, and stillness are all traits that characterize his work. more
Matt Redfern
Matt Redfern & Michéla Griffith |
Even within an hour's radius of my home, I can point out the subtle changes in the landscape, such as the gradient of tree species encountered while driving through the Cascade Range. more
4×4 Landscape Portfolios
Josh Murfitt, Judith Linders, Xavier Arnau Bofarull & Steve Williams |
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Josh Murfitt, Judith Linders, Xavier Arnau Bofarull & Steve Williams more
The Only Day is Essex
Steve Williams |
I was inspired many years ago by Sir Don McCullin’s book “Open Skies” to take monochrome landscape images. more
Sustainability
Xavier Arnau Bofarull |
In the early 90's, I lost my reflex camera, a Miranda Sensorex, in an accident. Then I bought a second hand Pentax camera with a Pentax 50mm lens. more
Reeds throughout the seasons
Judith Linders |
I live in a rather unprepossessing part of the city of Nijmegen. A dull suburb. However, I am lucky in that I live just next to a park with plenty to photograph, especially close up and macro. more
Mull in September
Josh Murfitt |
In September 2023, I spent a week on the Isle of Mull with my partner, a welcome getaway after a busy summer. more
Printing With Carbon Inks
Michael Allan |
North Atlantic Cost of Spain: Dancer I learned to print on a Canon ImagePROGRAF PRO-1000: screen profiling, print adjustments using Red River ICC files, even some custom profiling. When I switched from color to black and white, it did not take long to realize that a printer designed for color, even with today’s technology, has its limitations. When I met Michael Gordon at his workshop in Death more
Jason Hatfield – Portrait of a Photographer
Matt Payne |
Jason has leveraged the trials and tribulations of trying to make full-time photography work by parlaying paid commercial opportunities to instill his goal of inspiring others into his work. I think he’s doing a fabulous job. more
Making the most of your photography with older equipment
Matthew Wardle |
Spending £1,600 on a compact camera with 40 megapixels or £6,000 on a 60 megapixel body is not something that the vast majority of amateur and professional photographers can justify. more
Issue 310
Tim Parkin |
Click here to download issue 310 (high quality, 78Mb) Click here to download issue 310 (smaller download, 40Mb) more
End frame: Weir, Hollyford River, Fijordland by Tony Bridge
Charlotte Bellamy |
The way that light sculpts the different areas of the image creates interest throughout the image and allows the eye to be guided to fall with the water through the image. more
Len Metcalf
Len Metcalf & Michéla Griffith |
The process of photographing and looking at your work, contemplating, and revisiting, is the basis of my artistic practice. It was how I was taught. It is how I teach too. more
Practicing Photography in a Strange New World
Eric Bennett |
Your photography, your mission, and your cause should be even greater than you are. Seek to change people’s minds and impact them in some way. Share your work because you honestly feel you are making a unique and meaningful contribution to the world. more
Any Questions, with special guest Paul Gallagher
Paul Gallagher, Joe Cornish & Tim Parkin |
This Eighth episode features Paul Gallagher and we had many questions about conveying messages through photography, the value of English landscape photography, the challenges of photographing green landscapes, exploring colour perception in landscape photography and more. more
on Making the most of your photography with older equipment
Hi Matt. Thought provoking article. I think photographers in general suffer from GAS (is it a gender thing?) but there is no question that it’s the eye that counts & not the tool in the hand.
- Geoff Kell, 07:34 9th Sepon Printing With Carbon Inks
What is Camera One? I've not heard of that processing software.
- dkosiur, 15:57 8th Sepon Practicing Photography in a Strange New World
Great insights about sharing our work. I identify with your thoughts about social media as well as the value of printing the images. It brings joy to us and others, elevating the satisfaction with our art. Beautifully written and wonderful images, Eric!
- Fabio Rage, 20:50 21st Aug