Subscribers 4×4 Portfolios
Anthony Shaughnessy, Ian Smith, Leonardo Papèra & Phil Corley | Posted
Our 4x4 feature is a set of 4 photography portfolios from our subscribers: Anthony Shaughnessy, Ian Smith, Leonardo Papèra & Phil Corley more
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Latest Articles
Dancing Birches
Phil Corley | Posted
This series of 4 images were made at Hodge Close Quarry in the English Lake District and the combination of sunlit leaves with a stiff breeze gave me an impression of the trees dancing. more
Untamed Patagonia
Leonardo Papèra | Posted
Four pictures to represent the wilderness of Patagonia; in particular, Torres del Paine is for sure one of the highlights of this incredible region of Sud America. more
One Fine Day
Ian Smith | Posted
This is Simrishamn in the south east corner of Sweden where I live with my family. Photography is my daily routine as this region is well known for its incredible light. more
Rich Grey
Anthony Shaughnessy | Posted
I like taking tripod-mounted sunset shots as much as the next landscapist but grey days can be liberating. more
A Look at the Resurgence of Wet Plate
Alex Boyd | Posted
We asked Alex Boyd, a well-practised collodionist himself, about what it was about the medium that attracted so many people more
Tales of Abruzzo
Fabrizio Marocchini | Posted
I started photographing years ago, as it was just a passion that would allow me to bring home memories of what I was living. more
Floral Portraits
Rod Bennington | Posted
in recent years I have become captivated by the more cultivated and tranquil charms of Thorp Perrow Arboretum, Bedale. more
Karl Mortimer
Karl Mortimer & Michéla Griffith | Posted
Working my way through his website it appears that a more graphic emphasis is coming into his work – his use of the square format, the negative space in his compositions, and his macro minimals. more
Sally Mann
Joe Cornish | Posted
I have now read her memoir, Hold Still, twice and am pretty sure I could re-read it several more times, never be bored and continue finding new depths and insights. more
A Fool’s Errand
Guy Tal | Posted
To artificially impose some consistent look in all your photographs, rather than to let such a look emerge naturally from the way you experience and express the world and yourself, may result in a style, perhaps even a style unique to you, but it will not be your personal style. more
Holding an Exhibition
Christopher Pledger | Posted
Knowing how much work is involved from conceiving an exhibition to the opening, would I do it again? I’ve already booked my next two. more
Al Brydon
Al Brydon & Charlotte Parkin | Posted
You can only draw on your own life and experiences when creating something you feel is important enough to share with other people. I find myself thinking again that one of the most basic human needs is to be understood. more
Issue 162 PDF
Tim Parkin | Posted
Click here to download issue 162 (high quality, 155Mb) Click here to download issue 162 (smaller download, 94Mb) more
Realism and Honesty in Photography
Tim Parkin | Posted
The role of realism in photographs, as discussed in Guy Tal’s recent article on the morality and realism in photography, is as provocative as it is elusive. Guy’s article, whilst impeccably written and well received, stimulated debate and discussion both on our website and amongst many of my colleagues. more
End frame: Boreray, St Kilda by Scott Robertson
Alex Wrigley | Posted
I have never been to the St Kilda archipelago, but thanks to Scott's enormous efforts I feel like I have. more
on A Fool’s Errand
Well reasoned, well said. The best discussion of "finding one's style" that I have seen. Thank you.
- dick o'kell, 16:58 15th Julon Holding an Exhibition
As someone who's shown work now at various different events, the "is it a painting or a photograph" made me smile - this response, quite threw me at first. Sometimes hearing visitors comments are not, shall we say, encouraging, right through the spectrum to on one occasion spontaneous tears when a [...]
- Barry Edge, 16:58 15th Jul
on Sally Mann
Thank you so much Joe for the article. I have been a fan of Sally Mann for quite some time too. Very much at the opposite of the concept of "liquid photography" I wrote about recently on OnLandscape, hers is a work of "presence". I strongly recommend the film "What remains", [...]
- Rafael Rojas, 16:58 15th Jul