In photography, we can at least embrace the process of actively looking for the unexpected. That will give opportunities to expand the range of possibilities that our eyes permit us to see. more
We spent a week in the Kebnekaise mountains. Here you'll find Sweden's highest and most well-known peak, Giebmegáisi. When people in the early twentieth century realised that this was the highest mountain in the country, tourists started finding their way to the area. more
Having never been to Australia myself, I found myself really intrigued by the variety of scenes, compositions, and climates that Luke has been able to photograph there. more
Click here to download issue 239 (high quality, 170Mb) Click here to download issue 239 (smaller download, 105Mb) more
‘Your own photos are never enough.’ Robert Adams’ observation (from his book Why People Photograph) has adorned my profile page on Flickr since I joined in 2006. more
At grassroots level, as well as governmental. As photographers, we can share our ideas, our images, our concern and our determination. more
The scent of blossom drifted through the iron gate. No one stirred in the twilight forest but between shadowed boughs shone the heady colours of the painted bushes. more
The common denominator is that they are there to serve a general purpose. They’ve been put in that particular place to provide somewhere for us to sit, for us to take in the view. more
It is strange that although one is a natural lake and the other one is an artificial lake filled with poison, to me they have things in common, like the trees in the water. more
My photography has changed. Having been forced to work more slowly, I am more used to a slower, more considered approach to my image-making. more
Click here to download issue 238 (high quality, 110Mb) Click here to download issue 238 (smaller download, 54Mb) more
The photograph is not only about two trees. For me, it's more about the complexity of nature, that there is always something more to discover if one just takes the time to look. more
This issue our 4x4 landscape photography portfolio features are from subscribers: Christophe Wilmotte, Peter Dyer, Sandra Roberts Sara Harley more
I took it as a challenge: capturing the sunset in a way that could not be done with a smartphone. What better way to push the creativity and techniques. more
A short set based around the depth of green felt in woods during the late summer evenings as we draw into autumn. more
This set of images were taken whilst walking around the closed ski resort of Campocatino in Central Italy, on the day before Italy put in further lockdown restrictions for the Christmas holidays 2020. more
on Rush Oak Field Camera
I have greatly appreciated your article and the work that went into creating this camera. I am greatly fascinated with field cameras for landscape but am an impatient digital user. I have often looked into digital field systems but the cost always puts me off. I am a Sony shooter and [...]
- James Johnston, 20:00 19th Sep
on The Experience is All
Thank you very much, Dipak! I don't recognize the exact quote, but you will find the same sentiment in the writings of many creative thinkers and artists. One of my favorites, by Alfred Stieglitz: "For that is the power of the camera: seize the familiar and give it new meanings, a [...]
- Guy Tal, 12:31 19th Sep
on Benches in the Landscape
An intriguing set of images Adrian,in that they are very relatable. You’ve managed to convey the beauty of the locations so well to, the images in soft, overcast light bringing a sense of calm. Personally, I have quite a strong association with rural beaches, in that I often use them as [...]
- John Dominick, 06:31 13th Sep