To me, the dots, the snow, and the galaxy of stars work so well because they create a veil across the image, adding mystery and intrigue to the forest in the background. The trees appear in a mist, their delicate branches adding refinement and detail. more
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Joseph Heathcott, Ken Fallu, Peter Delaney & Rob Sykes. more
Straddie (North Stradbroke Island, Queensland) is my go-to place. I have walked countless kilometres here and enjoyed every step. more
Long before roads and maps, the San people knew the quiver tree - choje - as both companion and resource. Its hollow branches carried arrows, its bark held moisture, its shade gave respite. more
the Québec Province, winter is not merely a season but a constant presence for many months, white and uncompromising, where the northeast wind sweeps across frozen fields and dense spruce forests. more
Based in northern Colorado after trading Washington D.C. for the American West decades ago, she has built a body of work that spans badlands and coastal cliffs, alpine meadows and desert night skies, migrating birds and nesting owls. more
From the Grand Boulevards of Paris to the stilt houses of the Louisiana bayous, I am fascinated by the immense variety of human creative expression written onto the land. more
I live in a rural area far enough away from the hustle and bustle of the rest of the Bay Area. On darker summer nights, I can look up at the sky and still see the galactic core of our Milky Way. more
Personal Photography as a practice is very much like growing and tending a garden. I cannot assume nature and the landscape are an infinite exploitable resource more
We should look, he said, to the open spaces close to heather or other cover, where they might venture out to clear ground to bask in the sun. “The edge is often where the action is,” he told me sagely. more
Click here to download issue 346 (high quality, 121Mb) Click here to download issue 346 (smaller download, 79Mb) more
Sella’s is often described as the mountaineer’s photographer. Many climbers have referred to Sella’s work in assisting them in planning how to approach a mountain, as the detail in his photographs is clear and informative. more
I am fascinated by subtle details, delicate light, and the intimate atmosphere of a place, seeking to convey the feeling of being fully present in the landscape rather than focusing on grandeur or spectacle. more
In this conversation, Tim Parkin and Joe Cornish talk to photographer Ted Leeming, exploring his journey from the Zero Footprint project to redefining his practice as a place-based photographer. more
I increasingly see myself as a place-based observer, asking questions through the lens as my chosen medium for conversing. In this context, images also express my wider interests in geography, plac more
February’s 365 challenge has sometimes needed a bit more effort to get out and about. The weather hasn’t been as ‘interesting’ for most of the month and it was very tempting just to stay inside. more
on The Pitfalls of Hero Worship
Hi there Chris! Nice to see your work! Inspiring as always.
- Krister Berg, 20:12 15th Maron 365 / February 2026
Wow, super images Tim! I love the mossy boulder - you've given me some ideas for when I next see such a subject to photograph... Also the birch in the quarry, Loch Leven and "faux birch tree & bark" are lovely.
- Adam Pierzchala, 14:32 14th Maron How Connected are we to our Local Landscapes?
Very well presented! Our surroundings are our world! Its always something interesting to be captured! Cheers!
- Fabio Rage, 22:54 11th Mar