Landscape Photography Magazine

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365 / February 2026

Tim Parkin | March 8, 2026

February’s 365 challenge has sometimes needed a bit more effort to get out and about. The weather hasn’t been as ‘interesting’ for most of the month and it was very tempting just to stay inside. more →

The Pitfalls of Hero Worship

Chris Murray | March 7, 2026

Critical in my growth as a photographer and artist has been educating myself on the work and philosophies of the giants on whose shoulders we stand. more →

Seeing Things Differently

Chris Nowell | March 6, 2026

I had a sense of purpose, which was particularly helpful given the challenges I had been facing with my mental health due to the loss of my career and sight more →

Issue 345

Tim Parkin | February 25, 2026

Click here to download issue 345 (high quality, 140Mb) Click here to download issue 345 (smaller download, 73Mb) more →

End frame: The Frozen Swan by Fortunato Gatto

Andrea Celli | February 23, 2026

Let creativity be the true driving force that transforms landscape and natural elements into art—not only for the photographer, but for each of us, rediscovering our personal ability to dream and interpret when confronted with such images. more →

Lightroom Insights

Tim Parkin & Joe Cornish | February 23, 2026

The last time Joe Cornish and I met up we were talking about Lightroom and how much it had changed since our original 'Creative Lightroom' series covering techniques and post processing creativity. more →

Trym Ivar Bergsmo

Tim Parkin, Joe Cornish & Pete Hyde | February 22, 2026

I don’t know if anything can be worthy of summarising a life, but I know I can describe the small part where our spheres collided for a while and ask some friends for a few words. more →

Joy Kachina

Joy Kachina & Charlotte Parkin | February 21, 2026

During my time with the Ciders, I often found myself deeply moved, sometimes to the point of tears, without understanding why. Later, after speaking with a Palawa elder, I gained a clearer understanding. more →

Abby Raeder – Portrait of a Photographer

Matt Payne | February 18, 2026

What does it mean to really see, not just to look, but to feel a place as it drifts through memory and emotion? Where does perception end and imagination begin? more →

Mystery

Hank Erdmann | February 18, 2026

A sense of mystery is a quality I strive to include in my imagery. In writing a rhetorical question provides interest and depth, in photography mystery is the rhetorical question. more →

Issue 344

Tim Parkin | February 8, 2026

Click here to download issue 344 (high quality, 216Mb) Click here to download issue 344 (smaller download, 79Mb) more →

End frame: Hashikui Rocks, Study 1, Kushimoto, Honshu, Japan, 2002 by Michael Kenna

Andrea Mazzei | February 7, 2026

Considering these many layers of interpretations, it feels almost as if the image is a statement on time: the smooth water surface indicates a long exposure. more →

365 / January 2026

Tim Parkin | February 7, 2026

I’ve restarted a practice I first tried about five years ago, taking one photograph a day for the whole of 2026. more →

Any Questions, with special guest Norman McCloskey

Norman McCloskey, Tim Parkin & Mark Littlejohn | February 6, 2026

In this episode, Tim Parkin and Mark Littlejohn talk to Norman McCloskey about his journey from sports photography to becoming a renowned landscape photographer in Ireland. more →

Spirituality

Michael Allan | February 6, 2026

Resonance was described as a relationship based on action and intuition with a practical description of three modes: Iconic, Schematic, and Conceptual. This article looks beyond the surface for a deeper resonance in the spiritual domain and the role photography plays. more →

Feli Hansen

Feli Hansen & Michéla Griffith | February 4, 2026

After about three months, I had some initial images, but apart from the subject, I missed the coherence. The iceberg was one of them and triggered me. Not much later, the ice cave appeared, and that’s when the idea for the "Guilty Trashures" slowly took shape. more →

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on Lightroom Insights

Would be interested to know if either of you have considered the adapative profiles for colour and mono. I realise from the video that Joe is using the landscape profile, but it would be interesting to see if anyone is using these new items in Lightroom's arsenal.

- andrewcooper, 21:26 26th Feb