Issue 317
Tim Parkin |
Click here to download issue 317 (high quality, 124Mb) Click here to download issue 317 (smaller download, 88Mb) more
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Latest Articles
End frame: Alaskan Arctic Circle in spring, Caribou wandering in a herd by Michio Hoshino
Bruce Herman |
One evening following dinner in the cook shack at the Alaska McNeil River State Game Sanctuary and Refuge, Michio Hoshino showed me a prepublication book of his photographs. more
Juan Tapia
Juan Tapia & Michéla Griffith |
Disconnecting allows me to return to photography with fresh eyes, appreciating the creative process in a fuller and more open way. more
Geotagging, Gatekeeping, and Responsible Location Sharing in Landscape Photography
Matt Payne |
This week, I had the misfortune of having one of my most unique photographs go viral in a Facebook Group about Colorado Photography. I say misfortune because this explosion in views came with a litany of comments from viewers asking me to provide the exact location of the photograph. more
This Vanishing World
Deirdre Slattery |
The story of a refugee migrant who healed himself from the horrors of war in his homeland and found a new purpose in remote country is one that continues to offer an important idea for all Australians. more
What Makes a Great Photo?
Chris Murray |
It is when the photographer adds nothing of their imagination or individuality to the photo that it becomes nothing more than a recording of objective appearances. more
But What’s in the Mountains?
Keith Evans |
Big Sur is renowned for its beautiful, rugged coastline, where the Pacific Ocean meets the Santa Lucia Mountains. However, the features within these mountains are less known. more
Issue 316
Tim Parkin |
Click here to download issue 316 (high quality, 58Mb) Click here to download issue 316 (smaller download, 33Mb) more
End Frame: Autumn Delta by Magnus Lindbom
Brian Pollock |
The photograph I have chosen as the subject of this article, “Autumn Delta” by Magnus Lindbom, speaks to us as much of its creator as the ephemeral beauty of the landscape he has captured. more
Perpetual Motion: The Changing Faces of the Sea
Madeleine Lenagh & Charlotte Parkin |
The book developed pretty organically, taking its shape from the collection of images I was building. It gained focus once I’d decided to limit the scope to the Dutch coast and the theme of changing moods. more
Any Questions, with special guest Theo Bosboom
Tim Parkin, Theo Bosboom & Mark Littlejohn |
This Eleventh episode features Theo Bosboom, and we had questions about pre-visualisation, trends in landscape photography, book making and editing and what makes a 'stand out' image. more
Boring Postcards
Keith Beven |
I already had an idea for an article on boring postcards in mind when I was writing the last article on The Collecting of Images, having a vague memory of having seen books of boring postcards for sale. more
On Labels and Limitations
Cody Schultz |
For the longest time, I have forced upon myself a label, a classification, specifically revolving around the type of art I create. Even calling what I make “art” places a name upon my creations and differentiates my work from photography, writing, etc. more
Learning to See Again
Brad Carr |
It has immense potential as a modality for delivering healing to the human soul and bringing humanity back into harmony with the natural world, which, in turn, brings us back into harmony with our deeper self, and each other as a result. more
Issue 315
Tim Parkin |
Click here to download issue 315 (high quality, 139Mb) Click here to download issue 315 (smaller download, 89Mb) more
End frame: The Hidden Tree by Theo Bosboom
Christophe Noel |
I was immediately captivated by his fascinating universe: there are many ways to showcase creativity in an image, and for me, this represents artistic expression at its finest. more
on Photographing the Simple Beauty of Nature
Apologies for the delayed reply, Paul - I was on my honeymoon! Thank you so much for sharing your point of view and supporting mine - I really appreciate it. At times it feels like our whole world is imploding at the moment, so those rare instances of awe are a [...]
- Mieke Boynton, 02:35 4th Dec
on What Makes a Great Photo?
I appreciate your comment, Keith. True, there is no way to know the photographer's true intent that day. However, I can say with complete certainty that had I witnessed a similar scene I would have happily passed up capturing it in favor of simply experiencing the moment. Regardless, I'm not picking [...]
- chris murray, 22:32 29th Nov
on Perpetual Motion: The Changing Faces of the Sea
You are so welcome! ♥️
- Astrid Preisz, 09:05 23rd Nov