On the Edge is a collaboration between J Henry Fair and the Coastal Conservation League who, in this project, bring our attention to the beauty of, and the impending threats to, our coastal regions. more
I suggest only that if an image is to have any deeper meaning in the realist sense, then keeping a strong link between image and the real landscape is important. more
Click here to download issue 192 (high quality, 101Mb) Click here to download issue 192 (smaller download, 65Mb) more
For me, it represents the darker and more foreboding side of Scotland and perhaps one which I should embrace more when I encounter it, rather than just purely seeking those wow moment – just one reason I have moved up here. more
The Equivalent is one of those ideas that in practice grows by the efforts and accomplishments of the people who explore it. ~ Minor White more
The landscapes I capture on the remote Scottish Islands are a reflection of solo time in nature, being still and embracing quiet . more
A great landscape photo should have some kind of emotional power and get a response from the person looking at it, rather than just being a representation of a location. more
My friends are passionate photographers, primarily landscapers, yet with differing photographic interests and different ways of seeing and making images. more
The guest we carry around with us is fear; fear of failure, of not fitting in, of not living up to our expectations, the vision of our perfect self, doubting ourselves, even when in our own minds we are clear as crystal. more
An exhibition by the Society of Scottish Landscape Photographers which consists entirely of black and white images, based on a mix of traditional landscapes and images with a more ‘creative’ edge. more
My latest project ‘Wiltshire,’ is fundamentally about the heritage in our landscape. Kept, lost or rediscovered, our landscape is brought into question more than ever before. more
The Light and Form Group’s inaugural ‘Where the Land Meets the Sea’ exhibition takes place at the New Ashgate Gallery in Farnham, Surrey, from 17-28 September 2019. It features more than twenty works by landscape photographers Phil Edwards, Lisa Mardell and Jo Pannifer, inspired by that magical space where sea, sand and sky meet, and also showcases contemporary silver jewellery by Tracy King. more
Click here to download issue 191 (high quality, 100Mb) Click here to download issue 191 (smaller download, 55Mb) more
Someone once said to me “Writing about composition is a bit like dancing about architecture”. A large amount what we tend to do is instinctive, both during capture and in post-processing, and it’s very hard to put these things into words. more
It was becoming clear time had been spent with the subject Matt was photographing by really studying the landscape - using his foreground effectively to draw you in immediately. more
The authors have driven every route to ensure each trek's accuracy and attractions, from breathtaking scenery and landscapes to artefacts that still occupy these unique spaces and speak to Idaho's fascinating history. more
on Beyond Equivalence
"In manipulation of form music can achieve results which are beyond the reach of painting." ~Wassily Kandinsky
- Guy Tal, 13:59 11th Octon End frame: Torridonian Sandstone by Alex Nail
Thanks, Richard for the kind words (and the honest ones!). For me, that image, and the trip was a real turning point where I recognised that bad weather can produce wonderful opportunities. Enjoy Scotland!
- Alex Nail, 13:59 11th Octon It’s Time We Were Critical
I had exactly the same reaction as Doug Chinnery - this article alone is worth a year’s subscription! Thanks so much for your hard work, David.
- david mantripp @ snowhenge.net, 10:03 26th Sep