Letter from Scotland – Full Time Photographer, A Pipe Dream?

Well, this month I was going to be writing about remote graveyards and burial grounds that I have discovered or researched and visited on my wanderings. however, having closed the doors of our gallery for the last time on the 31st of December it has had the last laugh by keeping me tied up for a further three weeks just relocating the office, framing and printing equipment.

 

Driving back and forth to Oban with car loads of gear, paperwork and rubbish I have plenty of time to ponder whether I will ever find the time to do what I actually moved to Scotland to do and the time to wonder exactly what that ‘to do’ was!

My first love has been and always with be the outdoors, landscape photography my way of expressing how I feel about mountains and valleys, woodland and coast. Having started hillwalking on family holidays to North Wales aged four, Britain’s mountains have occupied much of my recreation time over the years while the OS maps around all my previous homes are covered with the marks and notes of my footpath bagging obsession. Ten years ago when I took up photography, travelling at weekends into The Peak District, walking still took a lead roll with most days averaging twenty or more miles in order that all paths and routes were covered. While this is hardly compatible with large format photography I still hanker after those days of multiple summits, descending exhausted at twilight with the thought of a long, hot shower and a mug or two of tea spurring me on. I still get as much if not more satisfaction from travelling on foot through the landscape as in making the images themselves.

 

I think Joe wrote in Outdoor Photography a few years ago these words of advice, ‘Get out more, and take less pictures’. Sound practical advice that I believe is paramount to successful landscape photography since only by immersing myself in the subject matter do I believe I can fully understand what it is I am to say in response. Nature and the landscape provide the inspiration for my work but I need to have spent time in the hills before I can relax enough to make sense of what I am seeing. The difficulty comes when you only get the odd day here and there to get out and therefore don’t get to pass through the invisible door in to the creative zone, images are made that perhaps show this lack of connection.

 

“As you sit on the hillside,or lie prone under the trees of the forest, or sprawl wet-legged by a mountain stream, the great door, that does not look like a door, opens.” Stephen Graham.

Perhaps the answer is to fill a few weeks of time with photography as Christopher Burkett does and then return to the office or in his case darkroom to continue the work there. I rather suspect that he derives as much pleasure from the printing of his images as he does from the taking the original photograph since this is the completion of the process. I don’t know if he has to do the more mundane administration tasks too but these are an inevitable by product of running any business and cannot be avoided if you need to earn a living. Anyway, I couldn’t stand being cooped up for most of the year waiting for a few precious weeks outdoors.

 

The question is, are there any landscape photographers here in Britain for whom the act of photographing, being out with their camera accounts for the Lions share of their working week? Personally I find it impossible to get any more than 50% of my time with my camera, if I spend five days out, I need at least that many again to manage the images made and to catch up with day to day admin. I suspect that in reality I’m doing OK even though it doesn’t feel that way when I’m stuck at my computer aware that the clouds are colouring up nicely outside. I can remember when Joe was travelling up to photograph for Scotland’s Mountains there were numerous occasions when trips were postponed due to deadlines for proofing, meetings, lectures and other commitments. None of us it seems are completely free to follow our dreams but given the need to earn a crust perhaps I need to accept that 100% of my working week, every week spent out in the field was never going to be the reality.

So, what am I going to do? Well, to expand on Joe’s wise words I intend to get out more but be more discerning about the images I commit to film. To seek inspiration from my peers, from nature and from art, music, books and film. But most of all to chill out a little, enjoy my photography and worry less that others out there might be getting more than me, after all they’re probably not.

“I only went out for a walk and finally concluded to stay out till sundown, for going out, I found, was really going in.” John Muir


15 Responses

  1. Hi Richard, I’m saddened to hear that you have decided to close your gallery, I for one have never been there, but I would have made a pilgrimage if I ever made it up to Scotland.
    I suspect that having a gallery is a dream for many aspiring landscape photographers and a significant coming of age for any artist. But as you point out, dreams need to be backed up by cold hard admin, which tends to dampen them. Which leads me question, I can’t quite work out from this text if you are happy to be free from the gallery admin. It appears so, but then again I wouldn’t want to make any assumptions. I truly hope so, because you paint a wonderful image of a person who is inspirable from nature and have just inspired me to put a few extra miles onto my walk today! (Not that my wife and kids will thank you for it mind you).

  2. I am very sorry to hear of the closer of the gallery, When I came to Oban the first place I visited was your gallery to view your image and study your craft of capturing landscapes. The images of yours that we brought still give me great pleasure. Will you still be doing workshops and selling your artworks.

  3. Richard Childs

    Hi Jason

    I am delighted to be gallery free to be honest. We have worked incredibly hard at it for six and a half years but as it grew and developed the costs, both in time and money increased. Selling well in excess of £100,000 worth of prints a year we simply made no money unless I did all of the printing, mounting and framing which left little time for photography. Employing people to do the jobs meant little profit and then came the economic downturn!

    I feel that finally I will be able to immerse myself in what truly inspires me and have every intention now of bagging all those hills with a LF camera in tow.

  4. Richard Childs

    Thankyou Brian.

    Although our gallery is closed I am still represented by about ten other galleries throughout Scotland and we now have a better opportunity to develop our relationship with them. I will be photographing more to expand our greetings card, calendar and other ranges which are now widely available and hopefully discovering lots of new locations to introduce to workshop clients. Larger prints are still available from my website and a brand new website is on its way.

  5. Joe Rainbow

    Hi Richard,
    I knew you had closed the Gallery, and it is sad that Photography in this country is not more broadly accepted as an Art form, and a collectible one at that. When I get frustrated teaching, I tell myself that who really has that perfect job? Probably very few people. Being satisfied with your lot seems like half the battle. I also wonder if the drive to get out would be as strong if all day every day was available. Sure it would feel great to begin with, but I truly appreciate those times when I can ‘escape’ into my photographic world in the great outdoors.
    Well the bad news from my point of view, is that myself and a good friend of mine were planning to come up and see you and the gallery this Summer. Apart from the gallery closing, he is now expecting a baby right when we planned to come! I hope to make it one day though. Best of luck, and I agree wholeheartedly about ‘relaxing’ and taking it easy more often, life is too short.

    • Richard Childs

      Thanks Joe,

      you’re right, I probably wouldn’t make the most of my time if all of it was available for photography but I am already enjoying the freedom to choose the conditions I can venture out in rather than being dictated to by a busy diary at the gallery. I do feel as though I have a lot of catching up to do after six and a half years and can now seriously look at venturing further afield to photograph rather than having to supply a Scottish based market. You never know, I may turn up in your neck of the woods from time to time. Please get in touch if you are coming up, it would be good to show you some of the sights.

  6. stevefrance

    The grass is most definitely not greener on the other side comes to mind. Galleries sound like a lot of hard work, and you miss the photography…It is a shame, but you have to do what is right for you and your family.

    If i were ever a pro. I most definitely wouldn’t want a gallery.
    Being outside for me and enjoying God’s creation is what it’s all about. Photography is nothing..it’s just one of many ways someone can enjoy it.
    I’m really looking forward Richard to seeing how your work will progress… I’m actually quite excited. I think this could be a great move for you as well as your photography. I do hope you’re enjoying Edinburgh.

    • Richard Childs

      Hello Steve,

      the fantastic, rugged, aged landscape was what I came here for. Actually being hands on in the running of a gallery takes up so much time but putting anyone in to manage and/or produce the work eats up any profit. It’s a catch 22 situation. I can remember reading a book by an American photographer ( who’s name escapes me) and he described exactly the same situation at his busy gallery beside the Grand Canyon. Eventually he had to walk away to be a photographer again rather than continue in the creatively stifling gallery business.

      I am excited to see what opportunities present themselves now that I have the time to pursue them.

      • jools_b

        That would be Alain Briot, Richard. He has written quite extensively about his experiences (as you’re obviously aware) and most of his essays and articles can be found over on The Luminous Landscape, amongst other places. They are definitely worth a read for anyone who hasn’t already encountered them.

  7. It’s interesting reading the article from the persepctive of someone who is trying to break into this already saturated market.

    Just lately, I’ve been negotiating with Britain On View as they have taken a liking to my work. However, as Richard says, it is not just about taking the images it is all the administration work etc that goes on behind.

    It took a long time to sort out my first submission, to the point of being fed up of looking at my work! And it’s not just the preparation of the images. Once submitted, you have to wait for them to come back with their choices. It’s a long and drawn out process.

    At the moment, I’m trying to get noticed over here in France and it is VERY difficult indeed.

    These past few days, I’ve sent out just under 200 letters and emails to various organisations offering my services. It is enough just to get an acknowledgement and terribly downheartening.

    The best news that I’ve had recently is that Joe Cornish Galleries have chosen two of my images for a new line of greetings cards.

    Joe, if you’re reading this. THANKS!!!

  8. Jon Gibbs

    Hello Ricghard
    It’s very sad to hear this and I wish you success for the future as your work is beautiful.
    I know what a complete mixed bag of emotions running a gallery can be, there is a proud feeling exhibiting your own work in your own space BUT to keep costs down you must man your own gallery and sort out all that goes with it, it really can be a time eater and as any landscape photgrapher will tell you, the days of exceptional light will occur on the days you had to man the gallery, stay in to make sure the prints are delivered, pick up the kids etc etc, it can be frustrating and there are times when you dread going in, those are feelings I used to have when I was in full time work!! I never thought that I would ever feel that as a photographer, but unfortunately I do.
    Perhaps I am one of the lucky ones, my gallery is going well but if it wasn’t there I am pretty sure I would be back working in a supermarket part time.I am encouraged by how your gallery progressed but as you mention, success then brings further demands on your time and at the end of the day our first love is surely just to be out in the beautiful UK landscape with a camera, I hope I can keep the balance between work and ‘play’.
    jon

  9. Great article Richard. It reminded me of a business publication I read several years back. It took a hard look at a couple who absolutely love sitting down for a nice cup of coffee and decided to open a coffee shop. What they learned is that loving a good latte is one thing but loving to run a coffee shop meant loving accounting, maintaining stocks and cleaning up massive piles of dirty dishes. I for one have come to the somewhat sad realisation that I don’t ever want to make a career from my love of photography. Turning this into a “job” would likely ruin it for me. I keep my day job knowing that I can afford any piece of kit I want/need and that I can go out anytime I want – weather permitting and that I absolutely never have to process anything I don’t want to and I never have a deadline.

  10. Richard, I’m a photographer based on Mull and I was very saddened to be in Oban back in January to see that your gallery had closed. I have one of your large prints of sunset at Laig Bay on my lounge wall. However, I hope that you are now freed up to spend a little more time on capturing images in this beautiful part of the world.

    Hooks – you’re right the book is by Alain Briot and a very good read.

  11. Sorry – that should have read ‘Jools’ not ‘Hooks’. Still trying to master my iPad!

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