on landscape The online magazine for landscape photographers
Issue 291
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End frame: Laurent Kronental « Souvenir d’un Futur »
Elliott Verdier chooses one of his favourite images
History of Art and Landscape – Part Four
Claude Lorrain
Xuan-Hui Ng
Featured Photographer
Where the Trees Live
An excursion through the Taunus mountains
Klaus Axelsen – Portrait of a Photographer
Leveraging form, shape & texture in the landscape
Mewslade Bay
My ARPS Panel Submission

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

It’s been a busy week in the Highlands, with autumn colour developing nicely (see the photo below taken a week ago) and the finals of the Natural Landscape Photography Awards taking place. Charlotte and I went for a walk at the back of Kinlochleven to stretch our legs, and, on my suggestion, we took a shortcut to cross to the other side of a walk weíve done a few times in the past. Unfortunately, as seems to happen when I guess at route finding, instead of looking on a map, I managed to get us lost. Well, lost might not be the right word as I knew exactly where we were; it just wasn’t where we were supposed to be … and there was a big gorge between us and the ‘right’ path.

Fortunately, the indirect path back to the car took us over some amazing and beautiful terrain, and we managed to find a few views that we wouldn’t have seen otherwise. I tried to tell Charlotte that you’re never lost if you’re happy where you are - I’m not sure she completely agreed!

Our next issue will feature some of the winners of the Natural Landscape Awards, and I’m quite excited about sharing them as they are rather special!

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Coire na Ba, between Stob Coire a’Chairn and Na Gruagaichean - Tim Parkin

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Tim Parkin

Content Issue Two Hundred and Ninety One
On Landscape Issue80
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Issue 291

Click here to download issue 291 (high quality, 168Mb) Click here to download issue 291 (smaller download, 118Mb) more

Laurent Kronental Souvenir D'un Futur
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End frame: Laurent Kronental « Souvenir d’un Futur »

At a time when questions of representation and representativeness are often raised in documentary photography, it's interesting to note how a singular approach manages to stand out and offer a more subjective view of a subject. more

Claude C Face Half
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History of Art and Landscape – Part Four

Continuing our look at the history of landscape, I was looking for the next significant artists or art after the Dutch Golden Age, which I talked about in the previous article. In most of the books on art that I’ve seen, Claude ‘Lorrain’ Gellée gets mentioned repeatedly as the artist who raised landscape painting up to be considered a significant art form and who gets ‘rediscovered’ during the romantic period by Constable, Gainsborough, Turner, etc. If you'd like to take more

Undulations 10
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Xuan-Hui Ng

Xuan-Hui Ng began photographing as a form of self-therapy while she was grieving the loss of her mother. Spending time in nature gave her a sense of perspective and reignited a sense of wonder, reminding her that there is much to live for. more

Presentation 3
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Where the Trees Live

During an excursion through the Taunus mountains, I passed through one of the many beech woods that cover the mountains. more

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Klaus Axelsen – Portrait of a Photographer

One of the most compelling aspects of photography is the fact that every photograph is a two-dimensional representation of a three-dimensional world, and yet there are photographers who are able to utilize techniques to trick the human eye into seeing two-dimensional objects in three dimensions. Even more fascinating is that through the use of shutter speed and aperture, a skilled photographer can also incorporate the fourth dimension - time. more

12 Mewslade Ol
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Mewslade Bay

Over the course of 25 years, I’ve been taking photographs at Mewslade Bay on The Gower peninsula and at every visit, I find fresh interpretations and compositions. more

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