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Issue 326
Click here to download issue 326 (high quality, 116Mb) Click here to download issue 326 (smaller download, 72Mb) more
End frame: The Ladies of Granston by Chris Tancock
Chris Tancock is a photographer living and working in Pembrokeshire, quite close to where I live. Whilst Chris photographs in the landscape, and often his images include wildlife, “traditional” landscape and wildlife photography are genres that he doesn’t particularly warm to. Chris prefers to describe himself as a “rural documentary” or “habitat” photographer. Moreover, he regards himself as a story teller, however, he fails to see how a single image can tell a story. Chris often uses the analogy more
A Year of Any Questions
Any Questions has been running for just over a year and we thought it would be nice just to have a casual chat between the hosts: myself, Joe Cornish and Mark Littlejohn. more
Visions of Paradise – American Wilderness
Visions of Paradise: American Wilderness" presents a collection of black-and-white photographs by Jon Ortner, offering a thoughtful exploration of America’s wild landscapes. more
Traveling Trees
It all began one misty morning nearly ten years ago, as I meandered on the still-wet sand of Nehalem Bay on the Oregon coast. It was low tide, and as the shroud of fog began to thin, it revealed a long array of brooding, sculptural forms deposited at the farthest edge of the water line. more
The Travelling Landscape Photographers Camera
The CFV 100C has a unique solution when hitched to the included 907X camera body. The combination of this, the CFV 100C and the newer tiny (ish) ‘V’ and ‘P’ lenses makes for a very compact and incredibly portable system. more
Moving Back to Analog
After starting with film and moving to digital for its convenience, Przemyslaw has come full circle—now embracing both formats to harness the distinct mood, colour, and character each brings to an image. more
Issue 325
Click here to download issue 325 (high quality, 113Mb) Click here to download issue 325 (smaller download, 77Mb) more
End frame: The Old Pond by Krister Berg
The viewer’s eye is drawn to a solitary water lily in the lower right corner of the image. It is then guided horizontally toward the bright grass on the left and follows a gentle upward path toward the water lily leaves, which are thoughtfully distributed across the lower branch silhouette. more
Beach Aerials
Breaking waves are usually not that spectacular from straight up in my opinion. It is often worthwhile, though, when a wave engulfs a rock slab, which can look very graphic from the air. more
Torsten Pull – Portrait of a Photographer
Torsten Pull’s work is a reflection of his journey—one that intertwines methodical planning with the spontaneity of light, solitude with exploration, and a return to the natural world that once defined his childhood. more
A Collaborative Book about the island of Orasaigh, Uist
After reading the poem in more depth, I revisited places mentioned in the text to try and understand what Steve was writing about, but also to try and understand what I felt about the places with this new narrative to work with. more
Boring Postcards 2
There are now so many images of trees as a sub-genre of landscape photography that it could be argued that they have become a little boring. more
The Photographer’s Extended Mind
Beautiful and helpful though it is to know that we have the capacity for change built into us, the flip side of this reality is that some patterns, once they have been set by an endless mist or by a downpour, can be stubborn. more
