Issue 326
Tim Parkin |
Click here to download issue 326 (high quality, 116Mb) Click here to download issue 326 (smaller download, 72Mb) more
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Latest Articles
End frame: The Ladies of Granston by Chris Tancock
Andrew Warren |
Whilst Chris photographs in the landscape, and often his images include wildlife, “traditional” landscape and wildlife photography are genres that he doesn’t particularly warm to. more
A Year of Any Questions
Tim Parkin, Joe Cornish & Mark Littlejohn |
Any Questions has been running for just over a year and we thought it would be nice just to have a casual chat between the hosts: myself, Joe Cornish and Mark Littlejohn. more
Visions of Paradise – American Wilderness
Jon Ortner & Charlotte Parkin |
Visions of Paradise: American Wilderness" presents a collection of black-and-white photographs by Jon Ortner, offering a thoughtful exploration of America’s wild landscapes. more
Traveling Trees
Robert Hecht |
It all began one misty morning nearly ten years ago, as I meandered on the still-wet sand of Nehalem Bay on the Oregon coast. It was low tide, and as the shroud of fog began to thin, it revealed a long array of brooding, sculptural forms deposited at the farthest edge of the water line. more
The Travelling Landscape Photographers Camera
David Tolcher |
The CFV 100C has a unique solution when hitched to the included 907X camera body. The combination of this, the CFV 100C and the newer tiny (ish) ‘V’ and ‘P’ lenses makes for a very compact and incredibly portable system. more
Moving Back to Analog
Przemyslaw Ziemacki |
After starting with film and moving to digital for its convenience, Przemyslaw has come full circle—now embracing both formats to harness the distinct mood, colour, and character each brings to an image. more
Issue 325
Tim Parkin |
Click here to download issue 325 (high quality, 113Mb) Click here to download issue 325 (smaller download, 77Mb) more
End frame: The Old Pond by Krister Berg
Bill Ferngren |
The viewer’s eye is drawn to a solitary water lily in the lower right corner of the image. It is then guided horizontally toward the bright grass on the left and follows a gentle upward path toward the water lily leaves, which are thoughtfully distributed across the lower branch silhouette. more
Beach Aerials
Theo Bosboom |
Breaking waves are usually not that spectacular from straight up in my opinion. It is often worthwhile, though, when a wave engulfs a rock slab, which can look very graphic from the air. more
Torsten Pull – Portrait of a Photographer
Matt Payne |
Torsten Pull’s work is a reflection of his journey—one that intertwines methodical planning with the spontaneity of light, solitude with exploration, and a return to the natural world that once defined his childhood. more
A Collaborative Book about the island of Orasaigh, Uist
Michael Faint, Stephen Ely & Charlotte Parkin |
After reading the poem in more depth, I revisited places mentioned in the text to try and understand what Steve was writing about, but also to try and understand what I felt about the places with this new narrative to work with. more
Boring Postcards 2
Keith Beven |
There are now so many images of trees as a sub-genre of landscape photography that it could be argued that they have become a little boring. more
The Photographer’s Extended Mind
Alberto Rodriguez-Garcia |
Beautiful and helpful though it is to know that we have the capacity for change built into us, the flip side of this reality is that some patterns, once they have been set by an endless mist or by a downpour, can be stubborn. more
Issue 324
Tim Parkin |
Click here to download issue 324 (high quality, 142Mb) Click here to download issue 324 (smaller download, 125Mb) more
End frame: The”Awakening Dragon” by Alister Benn
Astrid Preisz |
When I look at the Awakening Dragon, I might or might not know anything about where and when the photo was taken, what Alister had in mind, what mood he was in, or what was going on in his life. It doesn't matter to me as a viewer. more
on End frame: The Ladies of Granston by Chris Tancock
Lovely image, and surely complete in itself. - I sometimes struggle with highlights myself, that is in deciding whether blown highlights are appropriate: in high contrast scenes a sense of dazzle often feels right, as it does here. - Thank you for your choice of photo.
- Jon Marks, 07:58 todayon The Travelling Landscape Photographers Camera
Great series of images, love the tones and colours you have created.
- David Pickett, 07:57 yesterdayon A Year of Any Questions
Oh please don't become Whiskies n' Views! The beers version of this theme is unwatchably rambling and banal. The idea about discussing specific influential images is interesting but doing it without showing the photos in question is less effective. While having new guests is in general a good thing, few [...]
- Guy Washburn, 10:53 1st May