Issue 338
Tim Parkin |
Click here to download issue 338 (high quality, 100Mb) Click here to download issue 338 (smaller download, 55Mb) more
sponsored by ..
Latest Articles
End frame: Old Coastguard House, Ynys Llanddwyn, Anglesey by Porl Medlock
Andrew Sanderson |
In 1978, I started at an art college in Yorkshire. After one year of foundation, I chose photography, knowing already that this was going to be my life’s passion. more
4×4 Landscape Portfolios
Franz Gisin, Goran Prvulovic, Kenny Muir & Tom Zimberoff |
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Franz Gisin, Goran Prvulovic, Kenny Muir & Tom Zimberoff more
The Giant Camera at Land’s End, San Francisco
Tom Zimberoff |
The liminal interface of seawater, sand, and sky inspires a construct of consciousness, the space in which everything appears, the light by which everything is seen. It beckons my camera. more
Ancient Birch Woodland – a seasonal study
Kenny Muir |
I'm not really a bucket list person. I often find myself at the same locations, where every visit reveals something new. This is a short series of 4 images taken in a local ancient birch woodland across the seasons. more
Watershed
Goran Prvulovic |
While just a small part, this river is part of a bigger watershed I’ve explored many times. Constantly changing with the seasons, this spot is never the same yearly. more
California’s Auburn SRA (State Recreational Area)
Franz Gisin |
In this case, California's Auburn SRA (State Recreational Area), where the intersection of two Sierra Nevada mountain canyons allows the north and middle forks of the American River to merge. more
As Long as I Can
Francesco Carovillano |
These lists I keep making each year, which end up taking me to places I wasn’t destined to see, let alone photograph. more
Print Your Legacy
Michael Gordon |
We are living in a golden era for photography and printing. If you can dream it, you can make it - at a reasonable cost. more
Michael Kenna’s Darkroom Diaries
Luke Whitaker & Michael Kenna |
Today, in the third of five chapters from his Darkroom Diaries, Michael focuses on grain, cropping and toning. more
Any Questions, with special guest Jon Gibbs
Tim Parkin, Mark Littlejohn & Jon Gibbs |
In this episode, Tim Parkin and Mark Littlejohn chat with John Gibbs about his experiences in photography, working at the National Trust, and the evolving landscape of the art form. They discuss the pressures of photography, the impact of social media, and the importance of empathy when leading tours. more
Tim Smith
Tim Smith & Michéla Griffith |
What I’ve learned over the years from painting and photography is that you develop an instinct for what fulfils you, with experience and passion playing a significant role. more
Issue 337
Tim Parkin |
Click here to download issue 337 (high quality, 218Mb) Click here to download issue 337 (smaller download, 117Mb) more
End frame: Arran Light by Dylan Nardini
Grant Bulloch |
Despite the drama of the captured view, there is no drama with the editing. One could easily have darkened those moody clouds to make it look even more foreboding than it is, but he hasn’t. more
Sea
Andrew Atkinson |
One of my favourite images in the book is of Roker Pier. Not because it’s technically my best, or because it’s sold well, but because of the memory it holds. After Mum’s diagnosis, when she could still walk, I took her to places she’d never been. more
Flowerscapes
Theo Bosboom |
Foxglove (digitalis), photographed along the road near Garderen, the Netherlands. Thanks to the spots on the inside of the flower, bumblebees and bees are lured into the flowers to snack on the nectar. A couple of months ago, my new photo book, Flowerscapes. A Bug’s Eye View was published. A book that - as the title reveals - is entirely dedicated to our wildflowers, photographed from more
on Michael Kenna’s Darkroom Diaries
Hi Jon - It's interesting when you find out that Cartier Bresson's was quite willing to crop if needed. The famous "Behind the Gare Saint‑Lazare" is one example. I crop because I don't particularly like 3:2 - I much prefer either 1:1, 4:5 or 2:1 if I can. 3:2 is OK [...]
- Tim Parkin, 17:48 yesterday
on All the Wood’s a Stage
Wonderful images.
- Nigel Charlesworth, 21:39 28th Octon Flowerscapes
Dear Adam, thank you very much for the nice words, I really appreciate them!
- Theo Bosboom, 15:09 23rd Oct