Join the conversation
Subcribe to comment rss feed
Issue 331
Browse On Landscape on your Tablet, iPad or Desktop
End frame: L’Éclipse by Eugène Atget
Anna Mikuskova chooses one of her favourite images
Albanian Canyons
Full of Eastern Promise
Guy Dickinson
Featured Photographer Revisited
What the Colorado Trail Taught Me About Photographic Presence
The idea of photographic presence
The Photographer’s Note
The little known landscape of Alaska’s Brooks Range
Sylt
Between Land and Sea
sponsored by ..
You might have noticed a more sporadic posting of articles in On Landscape this week, and that’s because my better (and more reliable) half, Charlotte, has been down near the English border with her St Ayles Skiff team for the Skiffie Worlds competition.
Charlotte and the rest of the Appin team have been training for the last six months to get ready, and with about 80 teams from all over the world, including the United States, Canada, South Africa, the Netherlands and even Australia, the competition is pretty fierce for a small community club.
I hope you forgive the fact that the photograph in this issue is included because I’m very proud of Charlotte’s achievements!
Tim Parkin
Issue 331
Click here to download issue 331 (high quality, 127Mb) Click here to download issue 331 (smaller download, 83Mb) more
End frame: L’Éclipse by Eugène Atget
There is something immediately appealing about Eugène Atget’s 1912 albumen silver print L’Éclipse—a sense of spontaneity, playfulness, and ease with which the Parisian photographer pulls us right into the center of the crowd that gathered on Place de la Bastille to observe a solar eclipse. more
Albanian Canyons
The most exciting and most exotic destination for me was Albania. Although this country has been gaining increasing attention in recent years—primarily because of its beautiful beaches and low prices—it remains quite an unspoiled land, with few landscape photographers appearing to have an interest in it. more
Guy Dickinson
Since 2018, Guy's distinctive work has continued to mature and expand, embracing monochrome, and pushing to continually evolve series which mix photography, digital layering and collage. more
What the Colorado Trail Taught Me About Photographic Presence
On the trail, every day is stripped to its essentials: walk, eat, sleep, repeat. The distractions are gone. You begin to notice things - really notice them. more
The Photographer’s Note
With a 4x5 camera in hand, searching for the concepts of mood and lighting, Claude has spent 20 years making trips to the Gwazhal. more
