Issue 349
Tim Parkin |
Click here to download issue 349 (high quality, 137Mb) Click here to download issue 349 (smaller download, 74Mb) more
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Latest Articles
Death and Decay
Annika Öhman |
Autumn is coming, and all the photos were taken on a walk along the Skellefteå river on the first morning with frost on the ground. more
End frame: Point Five Gully by Jean-Marc Boivin
Alex Roddie |
This image’s stop-you-in-your-tracks shock and awe works precisely because the climber is obscured, dehumanised, turned into an object or perhaps an extension of the mountain. He is marked, claimed. more
Lightroom Insights
Tim Parkin & Joe Cornish |
This time, we're looking at a couple of images submitted by Ross Davidson. They're both taken from near the summit of Ben Nevis and feature a few editing challenges. more
Hanneke Van Camp
Hanneke Van Camp & Charlotte Parkin |
Arctic Europe is a vast and diverse region, but while the environments themselves can be quite different, from mountains and fells to taiga, tundra and the coast, there’s also a certain consistency in the kind of light, atmosphere and the sense of space. more
4×4 Landscape Portfolios
Chris Nowell, Annika Öhman, Tom Zimberoff & Lane Shipsey |
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Chris Nowell, Annika Öhman, Tom Zimberoff & Lane Shipsey. more
Quiet Time with Trees
Chris Nowell |
While the Peak District remains a popular destination for photography, I now find greater peace and relaxation in its wooded surroundings. more
Sonora Pass
Tom Zimberoff |
Taking the long way back to San Francisco by car from Las Vegas, I drove through the Sierra Nevada Mountains via the Sonora Pass. more
Hard Shoulder MOTORWAY CITY
Lane Shipsey |
The starting point for this exhibition is a response to the previous mission statement of Leeds City Council, ‘Motorway City of the Seventies’, because it’s a series of works made in the neighbourhoods where that 1970s policy had a critical environmental impact. more
How to Develop Your Composition Skills by Ignoring the Grand Landscape
Sarah Marino |
Instead of recipes and rules, I found a framework: Once we, as photographers, have found a scene we want to turn into a photograph, we can layer and blend these concepts, choosing the best tools based on the subject we are photographing and the visual message we hope to convey. more
Zalman Wainhaus – Portrait of a Photographer
Matt Payne |
He is interested in the moment when a dune ridge catches fire for thirty seconds at dusk, or when fog reduces a canyon wall to a suggestion, or when a single autumn leaf lands on rippled sand and becomes the only warm note in a composition of cool curves. more
Ballachuan Wood
Douglas Thompson |
The fact that this wood has not been ‘farmed’ has, over time, allowed a rich and complex ecosystem to evolve, supporting the interconnection between trees, fungi, bryophytes, lichens, insects, birds and animals. more
Issue 348
Tim Parkin |
Click here to download issue 348 (high quality, 78Mb) Click here to download issue 348 (smaller download, 45Mb) more
End frame: Invasion of the Ermine Moths #1 by Theo Bosboom
Alberto Rodriguez-Garcia |
Theo Bosboom renders a surreal, caterpillar-woven landscape both believable and deeply affecting through an honest, subjective perspective that reveals the strange as something real, even if not fully understood. more
Any Questions, with special guest Joe Rainbow
Joe Rainbow, Mark Littlejohn & Tim Parkin |
In this conversation, Tim Parkin and Mark Littlejohn talk to photographer Joe Rainbow about his local landscape photography, artistic influences, and the mindful approach to capturing intimate scenes. Discover how his background in art and teaching informs his unique perspective on photography and the importance of limits and technical mastery. more
365 / March 2026
Tim Parkin |
Lochaber includes a large area, from Spean Bridge in the North to Rannoch Moor in the South and from the Grampians in the East to the Small Isles in the West. more
on Hanneke Van Camp
Hanneke's work is so uplifting. Every frame reminds us of the beauty and light in this world, and we sure do need it! Thank you, Hanneke, for your vision. Your heartfelt love of this landscape is felt through every photograph.
- Joy Kachina, 05:47 yesterdayon End frame: L’Éclipse by Eugène Atget
This is also one of my favourite Atget photographs, and not least because the subject - a solar eclipse - is completely different from his normal commercial vernacular subjects. But it was not a spontaneous composition. Not many people realise that Atget first set up his tripod on the other side [...]
- Peter Hill, 02:20 2nd May
on Walking with Tolkien
I love the writing, the photos, your commitment to exploring Middle Earth and large format photography.
- Tim Geoghegan, 09:44 27th Apr