The foreground spires in the photo seem to point to two cloud-filled couloirs of the mid-ground Taléfre, and their angle is identical to the massive couloirs of the north wall of the Grandes Jorasses, further back. more
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Goran Prvulovic, Kate Snow, Uwe Beutnagel-Buchner & Yasser Alaa Mobarak. more
El-Max Lighthouse in Alexandria stands as a quiet sentinel on the edge of the Mediterranean, where the sea meets history. more
These images are part of a running project which objective is to generate attention on preserving, rewilding and expanding native woodlands. more
Dario’s work reminds us that photography does not need to shout to be meaningful. Sometimes its greatest value lies in helping us listen more closely, to the landscape, to one another, and to ourselves. more
Over time, I’ve come to see Stillness. In Motion. not as a project, but as a journey of discovery. It was born out of change, guided by intuition, and shaped by the landscape itself. more
Through black and white imagery, the absence of colour is intentional: highlighting the form, contrast, and texture of ice and snow, and inviting viewers to contemplate not only the aesthetics of these remote landscapes but their vulnerability. more
More than just mere farmland, Alberta’s yellow canola fields transform into a sight right out of a 20th-century impressionist painting. more
In the water, for me, it’s the wild days that are the most life affirming, in many ways. Where you have the strongest sense of the power of Mother Nature, and the visceral connection, I suspect we all have with her at some level. more
What did the trip ultimately bring me? First, a lot of enjoyment. It was wonderful to be completely focused on photography again for a few days, and without a group to guide or pressure to come home with good and usable images. more
This early fascination made returning inevitable, but as a student, travel required planning and compromise. Scotland’s free bus travel scheme for under 22s offered me both an opportunity and a challenge. more
Click here to download issue 342 (high quality, 151Mb) Click here to download issue 342 (smaller download, 102Mb) more
The central pattern of vertical elements could mean two things, I think. Are there two red trunks bounded by the dark space behind them? Or are there three nearly black trunks against an autumnal background? more
Wawrzonek is a master of the intimate landscape. Since the 1980's, he has been shooting colorful small scenes, images of ground cover, pond plants, reeds, and frost-covered foliage more
“Shelters” is a documentary series of photographs that examines the visual parallels between World War II sea defences on the Moray and East Highland Coast and a unique, man-made driftwood structure previously located at the mouth of the River Spey more
For this issue, we’re catching up with Andrew Mielzynski, the Natural Landscape Photography Awards’ Photographer of the Year 2024, and the International Landscape Photographer of the Year 2024. more
on Bill Ward
A thoroughly enjoyable read and I felt myself identifying with a lot of aspects that Bill discussed (apart from immersing myself in water). And it was a lovely surprise to hear the very kind words about my book. Thank you Bill.
- Mark Littlejohn, 22:18 yesterdayon Without a plan to the Opal Coast
Thank you Jon and good luck with your experiments!
- Theo Bosboom, 12:43 yesterdayon Eight Vignettes of Torridon
Thank you very much Guy, I'm glad you like it!
- Rob Henderson, 18:06 21st Jan