“Shelters” is a documentary series of photographs that examines the visual parallels between World War II sea defences on the Moray and East Highland Coast and a unique, man-made driftwood structure previously located at the mouth of the River Spey more
For this issue, we’re catching up with Andrew Mielzynski, the Natural Landscape Photography Awards’ Photographer of the Year 2024, and the International Landscape Photographer of the Year 2024. more
In this episode, Tim Parkin talks to Simon Baxter and Joe Cornish about the intricate relationship between mindset, expectations, and the art of woodland photography. All the more relevant because of a new exhibition and book Joe and Simon have produced called "All the Woods a Stage". more
Reflecting on 50 years of silver gelatin printing, a somewhat arduous, slow and painstaking process, I believe the final prints have made the journey all very well worthwhile. more
I have seen how climate change is impacting the landscape. How dry summers have killed the heathland and affected local farming. How wildfires have destroyed habitat, and coastal erosion has become a constant battle along some stretches of the Suffolk Coast. more
Click here to download issue 341 (high quality, 351Mb) Click here to download issue 341 (smaller download, 173Mb) more
It looks simple: a gentle river scene with reflections. However, the elements in the image are a mixture of different trees, separated by the piercing light of morning, which breaks up the jumble of the woods into discrete areas. more
Peter Richter recently sent us a small book made using KOZU’s new printing service MAKEBOOK. I was interested in the quality of their latest digital printing and also wanted to take a look at what Peter had made, both in his photography and in his design choices. more
Her photographs remind us that meaning often exists in the gentle spaces: in the tremble of light, the hush of snow, the faint color of early blossoms. more
I’ve always been drawn to the quieter moments in nature — subtle light, calm atmospheres, and understated beauty, rather than the grand, dramatic scenes with sharp peaks and blazing skies. more
Printed calendars persist despite the flood of digital reminders. An artwork with function that you can interact with on a daily basis seems hard to replace. more
Personal Photography, as I previously proposed, called for a search for Resonance. However, my description was simply a feeling I had in the field and digital darkroom, and I did not offer much detail that would help someone actually try it for themselves. more
To look at a finished image with a smile. Knowing that I’ve managed to replicate what it was that I saw in my mind's eye when I took the original image. more
The Frith Fields lie in the south Cotswolds, and have, through care and steadfastness, been returned to native meadow. more
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An image I keep coming back to in particular is this work from Albarrán Cabrera’s series ‘Nyx’. The name derives from Greek mythology, where the goddess Nyx is the personification of the darkness and is considered one of the first beings to exist. more
on A Wander down near Garve
Beautiful scene, beautiful painting, beautiful photograph. It could be either of them to me, don't matter... and the colouring suits me very much ! Lovely article.
- Francesco Carovillano, 20:46 2nd Decon With my Head in the Clouds
Thanks Robin! Aimless wandering with photography in mind? Sounds like a plan 😀
- Adam Pierzchala, 14:18 24th Novon Impermanence is the Language of Nature
Thank you so much Peter!
- Stefano Balma, 21:59 9th Nov