Landscape Photographer of the Year

Corfe Castle - Anthony Spencer

It’s that time of year again where hundreds of photographers around the UK end up dazed and confused and a small handful end up quite happy and one quite rich. Yes it’s the Take a View competition – the UK’s only dedicated landscape photography competition. I have been quite critical of the competition previously and have drawn the occasional ire of a few people but this year I’m going to try to be as positive as possible (however difficult it may or may not be).

Kimmeridge - Anthony Spencer

Well firstly a big ‘Well Done!’ goes to Anthony Spencer , a very hard working landscape photographer from Dorset who has won the main prize (and a cool £10k) for his picture of Corfe Castle (the image featured at the top of this post). I’m sure Anthony will make very good use of the money and esteem that comes with the prize.

Lavendar - Anthony Spencer

Anthony creates a large range of different pictures and despite the winner being very good, I do much prefer his recent lavendar pictures, his wonderful shot of Kimmeridge and a great shot in Sgwd Ddwli.

Sgwd Ddwli - Anthony Spencer

I’ve only seen the other images from the Sunday Times website (unfortunately protected by Murdoch’s wallet) but from the 16 that are on their, I really like four of them, which is about on par with the amount I liked from last years. The other good news so far is no sign of any Crabgate (google it if you want to know) and the preponderance of HDR is reduced somewhat.

Beachy Head Haar - Rhys Davies

So what about the four shots that I like then? Well let’s start with Rhys Davies who entered a stunning shot of Beachy Head under a Haar – for those like me who wondered where the word Haar came from, it’s a Scottish word for a fog or sea mist, very onomatopoeic. Rhys is an Australian photographer who is settling in London and what better welcome than a place in a UK photographer book. If take a view is about being in the right place at the right time then this photograph is bang on the money. At first I couldn’t work out whether it was in the UK, the slender tongue of cliff looks like something from Iceland or Norway. Well done Rhys! I spoke with Rhys on the phone today and he told me that he’s a born and bred brit from Coventry and is back in the UK living in Kent. He went out to revisit this location and the day was bright blue skies which weren’t looking great and he nearly left but as the afternoon rolled in the Haar appeared,
an their followed quite a few shots at different stages. The winner was one that really showed the colour and amazing height of the cliffs. Rhys is an old ‘albmuen’ plate photographer and is looking to take up large format again sometime.

La Vollette, Guernsey - Mark Voce

The next two photographers are both black and white, one of whom is a fellow Yorkshireman. We’ll start with Mark Voce, that Yorkshireman from the city of Brighouse. He’s a platinum printer and winner of the Prix de la Photographie prize, who uses a combination of Hassleblad medium format cameras with black and white film and a Canon 5dmk2 (plus a Lubitel, Diana and a Zero Image pinhole). His winning photograph in the competition was a photograph of La Vallette bathing pool in Guernsey and although firmly in the Michael Kenna school, it is a beautiful image.

Mupe Rocks - Marcin Bera

The last picture I really like is from Marcin Bera (http://marcinbera.com/) who for me is the ‘great find’ of this years landscape photographer of the year competition. A photographer working in a unique style, obviously influenced by Kenna but drawing from all sorts of influences with concious or subconcious references to Gustav Le Gray (conjoining skies and sea) and Bernd and Hilda Becher (typologies) . The island photographs, of which the winner is one, are a wonderful typology of – not sure about the Samurai’s though ;-)

There are another couple of shots I quite like – Jon Brook’s shot of the heather burning in Bentham makes a great documentary landscape photo, Paul Sansome takes a good competent shot of La Corbiere lighthouse, Adam Burton (a Take a View regular) includes a shot of the Newlands valley (http://www.adamburtonphotography.com/gallery/view/valley-of-light/) that is well taken but not spectacular, sorry Adam you’ve taken, and entered better, Jim Parren’s shot is an interesting find and great idea, but again I’ve seen a lot better from Jim too (after chatting, Jim admits it wasn’t his strongest and he overgradded because he only had one available at the time).

So, some great photography on show and I’ve managed not to be too critical (although I had to ignore the Parkour shots, the full breakfast in front of an inner city with steamtrain, hobgoblin slumming in london, pipeline installation lot, inner city photographs – which I personally don’t find to be landscape  - but that’s another article).

Tim Parkin

26 Responses

  1. jim

    I agree fully with your four. Antonys picture was a different view of a well shot landmark and compared with the last 2 years winners has very natural, subtle tones. Of the 16 the Beachy Head photo keeps taking me back for another look- Rhys has achieved that difficult duo of enough wow factor to get him past the initial shortlisting with enough depth to be more than eye candy.
    I agree with you as said on flickr re my own image although of the 3 shortlisted it was the one I preferred but again several other (IMO) better images were dumped at the shortlisting. Of all the images I put in it was the one I debated most about whether to submit or not as you say it was a promising idea but executed with flaws and revealed my omission of not getting the light meter out-sometimes the rapid incoming tide on Trevone Beach distracts and then the chance to do it again but better is lost………….
    We must remember these were only 16 of the images from the 170 or so that will be in the book and selected by a picture editor for the wider public. The book and exhibition is usually more balanced and provides a bit more depth for photographers.

  2. davidlangan

    I think I may have ended up in the dazed and confused group! Had 4 shortlisted ( http://www.flickr.com/photos/discodavor/sets/72157625111670697/ ) but it was not to be this time around!

    I think your assessment of the photographs is pretty fair but definately not as biting as last years blog post! I must admit to be flummoxed about the full breakfast in the window photograph too!

    d

  3. joolsb

    Thanks for pointing me towards Marcin Bera’s work, Tim. He (she?) is not a photographer I’ve come across before but his/her work is really fresh and exciting. I particularly love how the pallette is so limited as to be almost monochrome.

  4. TheFlyingPig

    Never thought I’d see that day, a winning photo that I like. There’s a turn up for the books!

  5. I think the choice of winner this year may give a bit more credibility to the competition. Yes Antony is a very hard working photographer, but perhaps the prize should have been rewarded for portfolio of the year? I like the way the BPPA awards give prizes for photo essay of the year and photograph of the year. This competition could be organized in a similar way with portfolio and photograph of the year categories (yes the same photographer could walk away with both prizes). They really need to drop the people in the landscape section. There are far too many images that look like news/features photographs which simply don’t belong in this competition.

  6. milouvision

    A good write-up, Tim. As Jim says, Antony’s picture was a different view of a well shot landmark and maybe to such an extent, it’s recognisable as one of his. I really like the lavender dawn images too although I suspect they were taken too late to be used as competition entries.

    I’ve been a Mark Voce fan for a while ever since seeing his trees in the snow. For what it’s worth, my favourite Marcin Bera shot is of Selsey lifeboat station: http://www.artlimited.net/image/en/205189. He does skilfully blend the images and I like his Kimmeridge abstractions.

    The Beachy Head shot is immense.

  7. Richard

    Just having a wee chuckle there, i clicked on Mark Voce’s image to be greeted with Michael Kenna’s locations and duplicates…..I have an image in the book again and again its not one i’d be happy to say is mine. Perhaps if it was a traditional (proper? only way?) evaluation on a “print”, the results would be different. Great site and content, do hope you continue your blog!

    • Mark does mine the Kenna vein pretty deep at times.. When he’s working on his more originally conceived stuff, he seems pretty good still though.

  8. Rob

    Its sad that the only visibility of these sits behind that firewall, so thanks for a well balanced post.

    Apart from Marc Voce I’d stumbled on these photographers on flickr over the past two years – all the acclaim is well deserved. It’s also nice to see subtle, even ‘gentle’ images getting acclaim.

  9. Neil Bryce

    Good write up Tim, it looks like the quality (of the winners at least) has increased. We’ve yet to see how many pictures of fell runners, people jumping off rocks and summer holidays at the beach they squeeze into the book.
    There is one concept I’m struggling to come to terms with though… hash browns and tinned tomatoes with a fry up, whats going on there?

  10. Thanks guys!
    I really appreciate your words, Tim.

    It was a big surprise for me and so far I am very happy with this award.

    However, the artists you mentioned are not a source of my research and influence. My artistic inclinations are geared towards artists such as: Zdzislal Beksinski (http://www.beksinski.pl – he was a painter mainly) and Michal Karcz (http://www.michalkarcz.com). Anyway, thanks to the exceptional view of the world, which is the English coast that I became who I am today.

    My congrats to other artists and thank you again.

    PS
    Marcin Bera is a male not female :) . English friends call me Martin :) .

    • Hi Martin, thanks for the comment – I thought the photographers may not have been a direct influence but I imagine the photographers that influenced you were influenced by people who were influenced by them (probably – maybe?!).. :-)

      • You’re right. It is therefore important to seek out their own trends and avoid copying.

  11. alexnail

    Hi Tim,
    Glad to see you arent quite as frustrated as last year. It’s funny when I saw the shot of the lavendar fields I thought that one should have won too. It’s interesting that you obviously hold long exposure work in high regard. I personally find it a little flat and contrived. Long exposure seascapes are just too easy in my opinion, but maybe I am missing some greater subtlety to the work.
    I imagine you have abandoned the idea of a new competition, but there are plenty of others talking about it now!
    Nice to see the new site, I will check back.

    Alex

    • Nope – competition idea not abandoned, I still believe a landscape photography competition judged by landscape photographers is the way to go. Judged by a portfolio/panel of photographs, assessed on composition, creativity, craft, vision, etc. I’m still frustrated by the winner is deserved. I’m not necessarily a fan of long exposures, just as I’m not a fan of short exposures, etc. I just really like the treatment, vision and consistency of the photography. Really appreciate the comment though, don’t despair of me yet ;-)

    • The technique is not as important as the search composition, and this special light. I hope that you retrieved the camera, or compesation though.

  12. And why vision is the last? ;)
    IMO it should be definitely first – without vision/imagination nothing can be achieved.
    (light is always the last)

    You discuss about landscape but how do you define it, how do you define photography? It is not that simple as opinions vary…

    From what I have seen so far (not much – as simply do not feel a need of buying “ST” issue for something what should be on Take a View web on 24/10/10).

    Actually I do like photos which are not “typical” landscapes, where there is some story behind… Therefore I like that “breakfast” – good idea and well done. Very mature work.

    But with regards to the competition, to be honest, I am still not sure what the judges are looking for and I do not mean categories (these have a clear description). Are they looking for what the viewers (AA book potential buyers) are looking for or are they looking at something else and what this “something else” is? If you know, please let me know ;)

    • Ah well – I was trying to create a set of criteria, rather than a list :-D

      I’ve no problem with Breafast as a photograph, but is it a landscape? I’m just giving my opinion and, no, it’s not..

      I’m not sure what the ‘brief’ was to the judges and doubt we’ll find out. There is an obvious ‘sponsor’ influence (Network Rail are sponsoring and the young landscape photographer dominantly features trains?).

  13. Rhysd

    Many thanks for the kind words Tim (and others!). It certainly makes for a warm & fuzzy feeling knowing there are people with skill & talent out there appreciate ones work. I would also add my vote for Antony Spencer’s “lavender” series. Whilst the winning image of Corfe Castle is technically excellent I, for one, would rather hang the lavender fields (or Kimmeridge for that matter) on my wall. He is definitely a very talented photographer with a fabulous body of work!

  14. antonyspencer

    Thanks very much Tim and everyone else for your kind words. I agree with you Tim and personally think some of my other images you feature are stronger, I’m not complaining now though! :-)
    I also agree with Nigel above, a title like that should probably be awarded based upon a portfolio of images, the dog shot from a couple of years ago is proof of that.
    Congrats to everyone who made the book, that in itself is quite an achievement, it was all I hoped for when I entered, I never dreamt this would happen. Rhys Davies image is minblowingly beautiful, I think I got very lucky this time around.

    Congrats to Marcin also, I have met him out and about on the Dorset Coast and he’s a lovely chap with a beautiful style and some stunning images! Good work mate!

    Thanks again Tim, I really love the site and the features, your hard work has really paid off here!

  15. Does anyone know the status of any of these winning photographers.. ie, are they professionals or not?

    If they are then it would seem like a good idea to maybe have an amateur section next time around…. if not, then their images are so much the better.

    • It depends on your definition of professional. I know a reasonable proportion make a significant part of their living from landscape photography..

  16. Joe Rainbow

    Choosing a winning image is a complicated issue. The judges must have to decide what is going to have some mass appeal, but must also have an internal personal emotional response relating to their own shooting experiences. It has to be eye catching, but not superficial, breathtaking but not just for effect. I imagine calling each of the submitted photos the winner in turn, and then see how the others that missed out look. Imagine if Tony hadn’t won, then think about the Corfe shot, and it would seem somewhat overlooked. I wouldn’t want to be a judge. It is easy to criticise. Anyway, Tony is a really genuine guy, that lives photography and produced a stunning shot/s. The rest is a lottery. Good luck to him and all the rest of us for having a good discussion, it’s healthy. A portfolio of images seems like a good idea to me, but imagine having to judge that!

  17. Tim, yes thinking about it, it is hard to define. Some other comps define a pro as someone who makes over half their income from photography work, but I guess that is quite open to interpretation (ie, monthly or yearly income? and what counts as a ‘photographic activity?).

    I suppose what I am trying to get at though is, as this is billed as a ‘PHOTOGRAPHER’ of the year competition, I’d feel better about entering next year if I was allowed to say a bit about myself and know that this is taken into consideration. I’m not claiming foul play AT ALL here, but it would seem from various snippets I’ve read that quite a few of these photographers actually know each other (for example Joe’s comments above ‘Tony is a really genuine guy’). Also, Anthony mentioned that Charlie Waite just ‘turned up on his doorstep’?… this does slightly concern me as I work totally alone, am self taught, and never been a member of a club let alone gone on a ‘workshop’ type thing.

    Anyway hope this isn’t coming across as a rant (although I am feeling frustrated as I can’t get out much at the moment). Please don’t take any of these comments as an attack on the competition. I’m no pro myself though so £15 is actually quite a bit (especially when other competitions are free). So if I have a chance to comment about it I will!

    Yes Joe, I guess it must be hard to judge. Having said that I was surprised to see glaring technical errors in some of the chosen images. Last years winner for example had a horizon so out of level that there were mountain peaks actually lower than sea level at one end of the panorama. Also, the winner of the Network Rail Award this year had a horrendous grad/blending line across part of the image. Did anyone else notice that or am I seeing things!? :-D

  18. Thanks for reminding me of ‘Crabgate’, Tim!

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