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on D810 Live View Split Screen
Interesting stuff Tim. It was the Live View improvements that most interested me too. When I've used a D800 in the past I've always felt its LV function was a poor relation to my Canon 5D3's. The dual window feature is definitely of interest, I often use LV to check my DoF [...]
- Duncan Fawkes, 13:22 1st Julon Valerie Millett
Valerie, your work continues to grow and become more focused and expressive. You certainly do have a feel for the desert landscape! Best wishes to you. G Dan Mitchell
- G Dan Mitchell, 02:52 30th Junon On Vision… Part 1
Thank you David, absolutely fascinating - I think of you as a sort of photographer philosopher. I don't know if there is any other magazine focussing on landscape photography where you could read such stuff? Looking forward to the next part.
- Jay Patel, 13:14 28th Jun
Michael Kenna has posted a bunch of new images on his ‘recent images’ page, 44 in total drawn from his South Korean work that he was seen taking in the recent video preview we posted. Well worth a look.
Copyright Michael Kenna 2013
Just in case any one was wondering, here’s the direct link to the recent images page (a mix of images from different places etc): http://www.michaelkenna.net/gallery2.php?id=11
and one for the Korean ones only: http://www.michaelkenna.net/gallery.php?id=74
Thank you for the links Hamish
Ok this is going to sound all wrong and maybe its the internet presentation of his art, I know my own work looks average on the web, some would say average either way however,
can someone who has seen the STUDY in the flesh what differentiates Michael’s work. I mean its beautiful stylised, perhaps done on 10×8 plates ? superbly detailed when printed massive ? He has great shape and contrast and he uses a big stopper well. That aside most of Tim’s work on the site has a much bigger wow factor, the opening panoramic with multiple depth of trees and colour is stunning.
http://www.michaelkenna.net/gallery2.php?id=11 this is a baby elephant in phuket ?
Although with his printing skills of Black and White perhaps I have answered my own question and as art is subjective its probably just me.
I would like to be educated here, not flamed if possible
I look at someone like Stuart Redler who to me has an amazing grasp of shape and contrast in B&W.