on landscape The online magazine for landscape photographers

Creative Lightroom Pt 4

The Graduated Filter and Adjustment Brush

Tim Parkin

Tim Parkin

Tim Parkin is a British landscape photographer, writer, and editor best known as the co-founder of On Landscape magazine, where he explores the art and practice of photographing the natural world. His work is thoughtful and carefully crafted, often focusing on subtle details and quiet moments in the landscape rather than dramatic vistas. Alongside his photography and writing, he co-founded the Natural Landscape Photography Awards, serves as a judge for other international competitions. Through all these projects, Parkin has become a respected and influential voice in contemporary landscape photography.

Flickr, Facebook, Twitter



Joe Cornish

Joe Cornish

Professional landscape photographer.

joecornish.co.uk



In this issue’s Lightroom guide we took a second look at the adjustment brush and graduated filter brush.

The video talks through an example image from Joe and another from Tim Parkin shown below

image1-before-after

image2-before-after

Featured Comments from:

Adam Pierzchala: I’ve noticed before when using contrast adjustment in the brush tool, that in order to increase local contrast it is sometimes more effective to push the slider to the left i.e. into negative territory. This in my experience is especially so when working in b&w conversion of digital files (I don’t remember if I had the same experience with scanned colour neg converted to mono). Might this be an optical illusion because of the decrease in brightness when increasing contrast? Another good video by the way.



This is a premium article and requires a paid subscription to access. Please take a look at the subscribe page for more information on prices.

On Landscape is part of Landscape Media Limited , a company registered in England and Wales . Registered Number: 07120795. Registered Office: 1, Clarke Hall Farm, Aberford Road, WF1 4AL.