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Beyond The Spectacular Landscape
Like many of my peers, I was first drawn to photographing the natural landscape after seeing spectacular vistas of wild looking places featured in coffee-table books and glossy magazines. more
Thomas Peck’s Critiques
How much more difficult does it become, however, for the viewer to link the images when they are abstracts as we see here in these shots by Edward Burtynsky? more
Location Guides by FotoVue – Cornwall & Devon, North Wales and the Lake District
Location guides are both a great idea and an abject failure, they promise a world of photographic opportunity but typically deliver the same old worn out locations with vague guidelines on which equipment to take and what month to go there more
Derelict Details
Lately, I've become fascinated with the effect of time and the weather on the fabric of the derelict boats and net huts. more
In The Woods
I love the area where I live on the border between Northumberland and Tyne and Wear. It feels like a duty to give a true and authentic representation of the beauty of the area. more
Silent Waters
These four pictures are part of a series called 'Silent Waters'. In this series, I tried to capture places at the shores of lakes where men can meet / enter the water: more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios from our subscribers: Istvan Nagy, Jonathan Carr & Paul Burgess more
Julian Calverley – “A Journey Into Landscape Photography”
Many people are probably only aware of Julian Calverley for his iPhone photographs and subsequent book. These gained a huge amount of coverage for Julian, so much that I think he's a little fed up of the iphonographer label. However, Julian's work is so much more than just the mobile phone and a bit of post processing. His bread and butter work are in high end advertising photography for clients such as the car manufacturers Land Rover, Aston Martin more
Endframe: Rho Ophiuchi Nebuale in Scorpio constellation by Scott Rosen
You can argue astrophotography is more science than art; you are capturing what’s already there. There isn’t any room for different interpretation. It’s not like you can change your composition. more
Treescapes
The exhibition brings together a small selection of photographs of trees in the landscape that I have been studying for the last 30 years. more
Clashach Cove
Clashach Cove, sometimes known as Cove Bay, is in the North East of Scotland and is situated on the Moray coast to the East of the little town of Hopeman. more
Sandra Bartocha
It’s taken a little while to do so as Sandra has been busy bringing to completion Lys - An intimate Journey to the North, her joint project with Werner Bollmann, but I think you will agree that it has been worth the wait. more
Compositional Controversies
Loosely defined, positive space is, ‘object’; Negative space is the area between ‘objects’. Hence the title: Form (positive space, not space at all!) and Void (negative space). more
The Subtle World of Infra Red
What the IR camera had done was something similar to what my chemistry would have done to my sheet film in the darkroom, which was retaining all of the tonal variations in the highlights and offering rich dark shadow tonality. more
Using Light Meters
In summary, we have spot meters that take a reading of a specific small area of a scene and incident meters that measure the light falling on a scene. more