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UK’s Largest Platinum Exhibition
David Higgs' latest exhibition, entitled 'Weald', opens on November 8th. The culmination of a 5 year exploration of the hills, ghylls, heaths and ancient woodland he calls home, David has hand printed over 50 images in platinum. The exhibition runs until the end of March 2015, with the private view between 2-4pm on Saturday November 8th (OL members welcome). You can see more of David's exhibition images at his website more
Composition Challenge
Whilst planning the September board meeting for On Landscape and a planning meeting for the conference we decided that another office based discussion could be avoided by hiring a cottage in the Peak District for a few days and combining the event with a bit of photography, food and drink. On the final day we paid a visit to the top end of Padley Gorge and I challenged Joe Cornish, David Ward and myself to find three or four more
End Frame – “Poverty Flats” by David Ward
Like anyone asked to pick an End Frame, I feel a little intimidated by the prospect. How do you pick your favourite ever image? I don’t know that I could do that. The problem is that if I chose a favourite image now, it may well not be my favourite tomorrow, and almost certainly wouldn’t be my favourite in a year. What is more interesting is to find the image that has taught me the most over my photographic career. more
Joe Cornish Talks
Joe Cornish has had very little time to give talks in the last couple of years. So you might like to know that he is doing a special one-off evening event in London at the Royal Geographical Society on Friday October 24th. Joe would be delighted to see you there. You can get tickets at the Wildscreen Photography Festival website. Joe will also be hosting the Natural more
In the Realm of Spirit
But sometimes artists with different aims do independently produce superficially similar images. So it is with the some of the works of Minor White and Paul Kenny. more
Pentax 645z
(This is not a technical review - that has already been done brilliantly elsewhere (here, here and here) This article is I hope the start of a rolling users review of the camera - from a landscape photographers perspective. No walls will be harmed in the making of this review. Or family pets.) Some background My love affair with Pentax started just as I was getting into photography, back in 2003, with the venerable Canon D60. more
Weather watching
Weather watching Although there is no way of exerting control over the weather (cloud-seeding experiments aside) a bit of knowledge about how changes in atmospheric conditions affect the type and density of cloud cover, and conversely, what clouds can reveal about the coming conditions, will allow for a more successful prediction of what will happen next. As photographers, rather than meteorologists, all we can ever really hope for is an understanding of trends. However, as detailed observers of the more
John Finney
John Finney creates atmospheric landscape images – misty mornings, trees and villages lost in the fog, valleys and hillsides draped in cloud and punctuated by piercing light - frequently dynamic views in which weather is a major element. more
On Landscape Photography Conference
Tim: Hello and welcome to On Landscape. I’m here with David Ward, in On Landscape’s Living Room, and we’re just going to talk a little bit about the upcoming conference in November, because David is not only speaking, but helping to organise it, aren’t you David? David: I am, which is really exciting. Do I get to wear a dinner jacket on the night itself? Tim: I think for the evening more
Issue 81 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 81 more
Endframe – Glowing Autumn Forest by Christopher Burkett
For me there was one obvious image, well, one obvious artist anyway. Christopher Burkett is a landscape photographer who was only introduced to me a few years ago but many of his images have had a huge impact as I keep revisiting them. more
In praise of Summer
Let’s be honest, summer gets a raw deal from us photographers. Of the seasons, summer is the one that has for us, on the face of it, fewest qualities and the greatest number of perceived down sides. Up until this last season, and I shouldn’t be quite so rash to talk in the past tense as we are still in August, I would be one more voice proclaiming “everything is just green”, “sunrise is too early”, “there are too more
Nay More
Can you tell us a little about yourself, how you got into photography and how much of a role it plays in your life now. I started painting and drawing at a young age and won quite a lot of competitions sketching the scenes around me. I didn’t have access to a camera at the time, and although Mum had a Box Brownie, the film was no longer available. A Vivitar point and shoot appeared in my stocking when I more
Zero Footprint
The Zero Footprint project, explained in a nutshell, is a series of landscape photographs captured from one single location over a period of five years, and counting. The restriction is purely geographical – roughly one square metre of the patio outside our kitchen, we could use any camera and lens combination and had the entire (not insubstantial) vista as a palette. The one other stipulation was that each image should be aesthetically pleasing in it’s own right, as well more
Creative Lightroom Pt 4
In this issue’s Lightroom guide we took a second look at the adjustment brush and graduated filter brush. more