


A Return to Iceland
I think it’s fair to say that Iceland has become a bit of a cliche for photographers. No matter where you look online there seems to be someone returning with pictures of clear ice on black sand, moss covered boulders and, in winter at least, swathes of “green shit in the sky”. Even two years ago when I visited with Joe Cornish to shoot the promotional videos for Phase One (one, two and three) I felt more

The Saltwick Challenge
Around midsummer Joe Cornish, David Tolcher, Andrew Nadolski and I decided we'd set ourselves a little challenge to turn up at the same location with a bunch of cameras and see what happened. As David Tolcher has a house in Robin Hood Bay we chose Saltwick Nab as a great location as the sun sets off to sea in the North at this time of year (well - North West obviously but that's up the coast in these parts). Each more

Indecisive? Moi?!
I've read a small amount about Ansel Adams over the last few years and he has always come across as the master technician of landscape photography. His teaching of the Zone System and his considered 5x4 and 10x8 work was an aspirational example of the master craftsman personified. So it was with a small amount of relief that I read an article about the making of "Moon and Half Dome, Yosemite" and discovered that he wasn't quite the perfectionist more

Walking, A Way of Photography
“We don't make a photograph just with a camera, we bring to the act of photography all the books we have read, the movies we have seen, the music we have heard, the people we have loved.” - Ansel Adams In this memorable quote, Ansel Adams distills the idea that photography is truly an act of self expression. He urges us to apply our entire life experience, especially what we have learned from other art forms, and from our relationships, more

A Sony Monochrome Sensor?
At the moment if you want to use a dedicated black and white sensor you’ve got the choice of buying an old Kodak DCS camera (in a full 1.2mp or 6mp formats), buying a Leica Monochrom for £5k or a Phase One IQ Achromat for about £36k. Not many realistic options really. However there are rumours that Sony are looking at producing a monochrome version of one of their sensors as a dedicated lens RX1 which would (hopefully) bring more

End Frame – Mist on the North-East Ridge by Peter Dombrovskis
When Tim asked me if I would do an “End Frame” I didn’t realise quite how difficult it would be identifying which particular photograph I wanted to discuss. There are many photographers whose portfolios I admire and there are many more photographs within those collections which I could loosely describe as favourites .... so which one should I choose? I turned to my collection of photography books and began studying several familiar photographs. After a while I started to ask myself more

D810 Live View Split Screen
I imagine most of you will have heard that we have a D800 replacement arriving very soon. If you haven’t, the bottom line for landscape photographers is Removed optical low pass filter (the old version still had one but supposedly it cancelled itself out - removing it completely may make things sharper) Included new sensor technology with possibly better noise handling Added a native 64 iso so you can get longer exposures for more blurry water or use wider apertures in daylight Finally a fix more

Robert Birkby
This issue we're talking to semi-professional Yorkshire based photographer Robert Birkby. Can you tell me a little about your education, childhood passions, early exposure to photography and vocation? I was born in Halifax, West Yorkshire and educated in nearby Brighouse. My father is a retired cabinet maker and my mother a housewife. As a child I always had an interest in natural history and geography, so whilst other kids were playing more

Issue 78 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 78 more

On Vision… Part 1
Hopefully, you can now begin to understand some of the correspondences and differences between human vision and the photographic image. more

Looking Backward to See Forward – Pentax 645D Re-evaluated
The Pentax 645D is a camera that sort of slid quietly onto the photographic stage, metaphorically speaking. First announced as a concept, there were numerous delays before it appeared in 2010 and then it didn’t really grab any headlines. Had everyone got fed up with Pentax’s indecision about the camera? Would they commit to it long term? It certainly didn’t do a lot to bolster anyone’s faith in how long Pentax would support it as a system. 645 was a more

Judging Competitions
The process of judging photographic competitions is something that I have been interested in for some time. Many of you will remember my various rants about photographic competitions in the past and also some of my writing about how to suggest a better competition. Well the fact is that I never started that ‘better competition’ and maybe never will, but I am still interested in seeing how these competitions work and also thinking about ways to possibly improve them. [caption more

Voyage of the Eye – Brett Weston
Recently we’ve been reviewing quite a few ‘new’ books for On Landscape but I’m reminded upon looking at my photography book library that the majority of the books I own are second hand and quite often out of print. These are often books which are classics of their time but that you wouldn’t know existed unless you’d come across them on a friend's book shelf or a second hand book store. more

Linhof 3D Tripod Head Review
I have now had a Linhof 3D Micro tripod head for over two years. I had used the Manfrotto geared heads 410 and 405 for at least a decade before this, but had become frustrated with their vulnerability to minor knocks and was in search of something more robust and reliable. http://www.linhofstudio.com/products/Linhof-Heads In truth the 3D Micro is not really a direct replacement for the Manfrotto heads. Its lateral tilting movements are strictly limited more

Tim Blogs – Am I still a landscape photographer ?
Whilst wandering around the Patching’s Art Festival last month I was mentioning to my colleague Dav Thomas that I don’t really feel like a landscape photographer at the moment (or any sort of photographer for that matter). It’s true that I’d been on two very rewarding photography trips to Iceland and Scotland in February but apart from that I have been out with my camera only two other times in 2014 so far (and one of those was more