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On Landscape Issue80
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Issue 340

Click here to download issue 340 (high quality, 104Mb) Click here to download issue 340 (smaller download, 63Mb) more

Nyx #60006
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End frame: Nyx #60006 by Anna Cabrera & Ángel Albarrán

An image I keep coming back to in particular is this work from Albarrán Cabrera’s series ‘Nyx’. The name derives from Greek mythology, where the goddess Nyx is the personification of the darkness and is considered one of the first beings to exist. more

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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Martin Küenzi, Sanjeev Kumar Yadav, Stefano Balma & Tony Gaskins more

Welcome Stranger Murray White
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A Connection Through Landscape Shaped from Within

It was not until B&W entered my photographic life in recent years that an alternative way of seeing became not only possible, but necessary. more

Veil
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Kavin Chawla

In the end, the most decisive part of my workflow happens long before the shutter: studying tide tables, watching satellite loops, and revisiting places until I know how they breathe. Equipment matters, but the biggest creative choices are made with boots on sand and eyes open to change. more

Any Questions Title Benhorne
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Any Questions, with special guest Ben Horne

Tim Parkin and Joe Cornish talk to Ben Horne about his work and processes, including large-format photography, exploring Ben's unconventional approach, the challenges and costs of film photography, and the creative process that comes with it. more

Pont Des Arts, Study 1, Paris, France, 1987. © Michael Kenna
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Michael Kenna’s Darkroom Diaries

Retouching helps the viewer look into and around a print. It is also another option to edit out areas we do not want to attract attention to. Most of us are now familiar with digital retouching. more

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With my Head in the Clouds

During this year’s (2025) spring and summer, I was quite taken by cloudscapes over the big city where I live and having a decidedly non-photogenic urban foreground, I was moved to shoot just the skies. more

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