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Scott Walton
Photographing the landscape lets me do something I love in places that I love to be. The impact on my life has been profound. My deepest friendships are with some photographers who I’ve met on these workshops and have stayed in touch with. more
Issue 111 PDF
The generally accepted wisdom from many photography magazines and websites is that you must travel to far flung and exotic locations in order to get that perfect portfolio. And even if you can't travel regularly, you are constantly told that this or that iconic locations is a must to have in your portfolio. Then, if you read the more nuanced sources online, you will be told that you must photograph in your own back yard - only through local more
Joe Cornish on “Antarctica Reflections”
Joe Cornish joined us at The Photography Show on the Linhof Studio stand in March 2016. He gave a short talk on photography in the world’s most extreme landscapes. We recorded the talk and produced the video for you to watch. more
Endframe: Oriental II by John Paul Caponigro
John Paul Caponigro use of colour, tonality, light and subject matter never ceases to amaze me and repeat visits to his work are always rewarding. Whenever I flick through the book, regularly pausing to take in the imagery, there is one page that is most salient to me more
David Higgs on “The Analogue Darkroom in the Digital World”
David Higgs joined us at our Talk Hub on the Linhof Studio stand during The Photography Show in March 2016. He talked about how alternative processes. We recorded the talk and produced the video for you to watch. more
Compositional Controversies
The Rule of Thirds (RoT) may well be the best-known, most-loved and revered, and equally hated and reviled ‘law’ in art and photography. more
Subscribers 4×4 Portfolios
This issue the 4x4 portfolios are from Dan Baumbach, Paul Hulme, Paul Gotts & Wayne Bingham. more
Iceland from above
In 1995, during my first visit to Iceland, I discovered a book with aerial photographs of Iceland by German photographer Klaus Francke. I was blown away by the colours and the complexity of the Icelandic landscape. more
Looking back, looking forward
On a now regular, long, late night drive home from Teeside I was running back through all the different combinations of camera equipment I have used since taking up photography back in 2000. more
Rob Hudson
Rob’s work demonstrates the importance of series, which give a photographer space to develop and to communicate. If you want to get past received wisdom and think more about your relationship with the land, then read on. more
Issue 110 PDF
The Photography Show. An extraordinary combination of magic moments and subtle torture - the former being those wonderful meetings with photographic acquaintances old a new, a collision of ideas and inspiration from both sides of the conversation. The subtle torture being that constant background hum of voices that are just on the edge of clarity, the industrial lighting and recycled air, the lack of anywhere to hide for a few moments. Fortunately we quickly forget the latter and so it's more
Looking for excellence
We all know how a memorable photograph looks like. We have so many examples that take our breath away. It takes talent, chance, work and a lot of passion. more
Endframe: Bulldogs by Elliott Erwitt
Verbal humour is slippery. To get a joke requires a subtle understanding of language and culture. The fact that visual humour is universally understood leads to an interesting conundrum. Why are there so few photographers who are known for their conscious use of visual humour? more
An Interview with Despina Kyriacu
I saw Despina's work at a gallery in London and had wanted to talk with her about her photographs for a while. This year we finally met up at Joe Cornish's gallery in Northallerton for an interview about her history and working practise. more
Subscribers 4×4 Portfolios
This issue the 4x4 portfolios are from Colin McLean, Joe Rainbow, Andrew Herbert & Karen Thurman more