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End frame: Trees from a Train No. 109 by Cole Thompson
Jack Brinn chooses one of his favourite images
New Beginnings
A collaboration of six photographers
Key Lessons from Old Pictures
Sacrificing the Beloved
Loss in the Landscape
The Accelerating Retreat of Swiss Glaciers
Arctic Tundra
A photography expedition
Finn Hopson
Featured Photographer Revisited
The Promised Land
20 years in Joshua Tree National Park

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

Even for a self-confessed hermit, it’s been really nice to have visitors again. After a week spent with my parents doing nothing much but enjoy each others company, we are also visited by Oliver Wright. We finally managed our long-delayed walk across the Aonach Eagach, a three-kilometre long ridgeline that sits above Loch Leven on one side and Glen Coe on the other with supposedly amazing views in both directions. I say supposedly as the forecast of a sunny morning with dry rock ended up as a sopping wet stroll through the clouds with just the occasional glimpse of the floor of the Glen - usually just as you were balancing on sloping, wet, slimy boulder. Fortunately, we were both just about capable enough to make it across without needing helicopter assistance and even had a bit of spare bandwidth to take the occasional photo.

It was interesting that we both took our "serious" cameras and yet neither of them really made an appearance as the results we had both recently got from our iPhones were more than good enough to tell the story of our experience. And in many cases, thatís all we need a camera for - a record of some amazing views, a memento of a fun time with the right people and a bit of a “look at what we did!” trophy to scare your less exposure-adapted acquaintances with.

I was even more pleased to see that Oliver's latest iPhone also had the equivalent of raw files which gave you just that little bit of extra control, should you really need to make the red jacket stand out even more!

I have to admit to that niggling feeling when I look at a couple of the really nice photos “Wouldn’t this be just that more amazing with the Sony/Canon/Nikon pro camera?”. Ah well, it’s just a good excuse to go back and do it again!!

Tim Parkin

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Tim Parkin

Content Issue Two Hundred and Thirty One
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Issue 231 PDF

Click here to download issue 231 (high quality, 141Mb) Click here to download issue 231 (smaller download, 94Mb) more

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End frame: Trees from a Train No. 109 by Cole Thompson

Cole Thompson's display of spontaneity, discovery, experimentation and tenacity is certainly not unique for photographic artists; most seasoned landscape photographers employ them at one time or another in the execution of their work. I more

Tim Allott
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New Beginnings

In April 2021 they asked six talented photographers to make some images around the theme of “New Beginnings” and the real prospect of the COVID-19 pandemic being on the decline. more

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Key Lessons from Old Pictures

As art students, we were taught the principle of being prepared to ‘Sacrifice the Beloved’. This gory-sounding epithet means that those parts of a piece of art we might have considered crucial in the early draft, or original concept, sometimes have to be ditched to allow the final version to really work. more

Aletsch Glacier Panoramic
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Loss in the Landscape

In September 2019 a funeral service was held on the former bed of the Pizol Glacier in Switzerland1. The glacier had lost 80% of its volume since 2006 and was now small enough to be declared dead by those mourners present. more

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Arctic Tundra

In the early autumn of 2019, I was privileged to be one of twelve photographers, led by Anthony Spencer and Joe Cornish on a photographic “expedition” to the North East Greenland Coast. more

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Finn Hopson

The South Downs is still where I spend most of my time with a camera. I’ve been photographing this area for about eleven years now, but if 2020 has taught me anything it’s that there is still so much to discover on my doorstep. more

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The Promised Land

Joshua Tree National Park is wonderfully ordinary and I understand its popularity. Slowing down to listen to cactus wrens, watch the light change, and photograph with no expectations has been one of the greatest gifts I’ve received as a photographer. more

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