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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

AI photography has been the subject of many recent social media rants, probably prompted by the recent art competition where an AI creation won and kept aloft by many people trying out Midjourney AI. The results are quite astonishing, considering just what is being done behind the scenes, and I can see many different legitimate uses. But the uproar about it has echoes of when visual artists declared art was dying during the birth of photography.

The other uproar is about how the source dataset for the system is acquired, how it is used and how these original images are licensed. Many people think these generated images are being created from nothing but even AI isn’t that clever yet. They’re actually being very cleverly composited from a dataset of images and metadata (text descriptions of what’s in an image) that consists of millions of image sourced online. The image sets ‘may’ possibly be correctly licensed but it’s hard to say entirely as the developers aren’t being completely open about all of the sources.

A very good question is whether the AI is using the images as ‘inspiration’ for new works of art or whether it’s just a very clever way of creating an advanced collage with all sorts of associated licensing issues. For example, did the photographs of humans generated give license for the original images to be used in this way? Are the artists happy having elements of their images reused in a final ‘compiled’ concoction - no matter how original looking?

I’ll write more about this in the future as it’s a fascinating use of new technology that has emerged quite suddenly into the public’s awareness.

I suspect that it will be very hard to prevent its use given how the end images depart from the source material, and if a service like Midjourney gets stopped, people can just download the service locally and train with their own image sources.

It may end up being seen as an essential part of inspiration for artists, just as we see art source books used extensively. It may free humans to create ideas rather than be shackled by a need for a well developed motor skill (and those people with craft skills celebrated in different ways). Who knows! More soon!

Ai Generated Photos Aurel Manea 6

Click here to download issue 264 (high quality, 175Mb)

Click here to download issue 264 (smaller download, 112Mb)

Tim Parkin

Content Issue Two Hundred and Sixty Four
On Landscape Issue80

Issue 264

Click here to download issue 264 (high quality, 175Mb) Click here to download issue 264 (smaller download, 112Mb) more

Edd Allen Friston Forest 3

End frame: Friston Forest by Edd Allen

With this superb photograph, Edd has captured the mood I felt so many years ago – and for any photograph to conjure up any strong feelings in the viewer is remarkable. more

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Book Reviews

Most photographers have experimented with intentional camera movement or multiple exposures at some point. Usually just setting a long exposure of a few seconds and waving the camera at some exciting subject matter more

We Of The Desert

Take the Other

As I came to know the places Abbey wrote about, I also came to appreciate how well he expressed their intimate, personal significance, which may not be obvious or even relatable to those who don’t have this in-person familiarity. more

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A Sense of Place

Our photographs are the legacy we leave for future generations, so they can see and feel our way of life, our social and economic fabric and the deep connection we as individuals experience. more

The Chamber

Mark Davis

Photography has played an instrumental role in dealing with experiences over my 23 years of active military service and multiple deployments. I have seen the worst of humanity and the best of humanity, sometimes within the same moments. more

Theo Bosboom 03

7 ways to reduce our environmental impact as landscape photographers

After the hottest and driest summer ever in Europe, with countless forest fires, crop failures and withered landscapes, I do think that we landscape photographers should take a more critical look at our own impact and do more to actually keep the balance positive more


Past masters and expressive photography

What motivated a group of landscape painters to relocate to the tiny village of Barbizon in France and relentlessly paint there for most of their lives? Why did they fight to institute an “artistic reserve”, the first protected natural area in the world? more

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