on landscape The online magazine for landscape photographers
Issue 338
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End frame: Old Coastguard House, Ynys Llanddwyn, Anglesey by Porl Medlock
Andrew Sanderson chooses one of his favourite images
4×4 Landscape Portfolios
Franz Gisin, Goran Prvulovic, Kenny Muir & Tom Zimberoff
As Long as I Can
The endurance of seeing
Print Your Legacy
Denizens
Michael Kenna’s Darkroom Diaries
Chapter 3 : Grain, Cropping and Toning
Any Questions, with special guest Jon Gibbs
Episode Twenty Two
Tim Smith
Featured Photographer

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

Autumn arrived with a bang about two weeks ago, ushered in by a dark, overcast week of drizzle; The lower light levels seem to cue the trees to start withdrawing chlorophyll from their leaves, setting off the season’s transformation. If you’d like to know more about why trees change colour, we covered it back in issue 83.

As I’ve mentioned before, without an organised trip, or friends to photograph with, I’m terrible at motivating myself to get out. But the amazing conditions finally pushed me to pack a bag and spend a day wandering the Glen, and I’m so glad I did. The walk beneath the Three Sisters and into the Lost Valley was beautiful, and reminded me how much I enjoy a really slow, aimless wander, so different from my usual climbing or hiking days of recent years.

Not only did I capture a few pictures of the Aspen I’ve been monitoring, I also explored parts of the River Coe I hadn’t visited before. The Aspen in the image below grow about halfway up the bank towards the Aonach Eagach, close to one of the routes the mountain rescue teams use to reach sections of the ridge. There are quite a few Aspens scattered along there - possibly members of the same plant?

I’m looking forward to watching the colour change over the next week, though the familiar Highland mist has settled in again, making motivation that bit harder to find. Still, with conditions like this around, I’d kick myself if I stayed inside.

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Tim Parkin

Content Issue Three Hundred and Thirty Eight
On Landscape Issue80
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Issue 338

Click here to download issue 338 (high quality, 100Mb) Click here to download issue 338 (smaller download, 55Mb) more

Old Coastguard House, Ynys Llanddwyn, Anglesey By Porl Medlock
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End frame: Old Coastguard House, Ynys Llanddwyn, Anglesey by Porl Medlock

In 1978, I started at an art college in Yorkshire. After one year of foundation, I chose photography, knowing already that this was going to be my life’s passion. more

Kennymuir Winter (1)
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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Franz Gisin, Goran Prvulovic, Kenny Muir & Tom Zimberoff more

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As Long as I Can

These lists I keep making each year, which end up taking me to places I wasn’t destined to see, let alone photograph. more

Morning Music
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Print Your Legacy

We are living in a golden era for photography and printing. If you can dream it, you can make it - at a reasonable cost. more

Nine Birds, Taisha Shrine, Honshu, Japan. 2001
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Michael Kenna’s Darkroom Diaries

Today, in the third of five chapters from his Darkroom Diaries, Michael focuses on grain, cropping and toning. more

Any Questions Title Jongibbs
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Any Questions, with special guest Jon Gibbs

In this episode, Tim Parkin and Mark Littlejohn chat with John Gibbs about his experiences in photography, working at the National Trust, and the evolving landscape of the art form. They discuss the pressures of photography, the impact of social media, and the importance of empathy when leading tours. more

Image 18
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Tim Smith

What I’ve learned over the years from painting and photography is that you develop an instinct for what fulfils you, with experience and passion playing a significant role. more

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