Andrea Celli hooses one of his favourite images
Andrea Celli
Since I was a child I have had the passion and the privilege of being in contact with Nature. The summers spent in the Apennine woods with my grandparents first and with the CAI (Italian Alpine Club) afterwards have left an indelible mark on my soul. The arrival of the photographic passion during my university studies allowed me to weld this union.
Speaking of my photography, I like to call myself a detail-oriented landscape photographer. This is how I interpret my photography, trying to pay attention to the little things before I even immerse myself in bigger scenarios. I started this journey in 2012, starting from the classic Tuscan views spending first years shooting landscapes especially around Europe.
Do you have a favourite image that you would like to write an end frame on? We are always keen to get submissions, so please get in touch to discuss your idea. You can read all the previous end frame articles to get some ideas!
Creativity as a Personal Perspective on Nature
Within the realm of contemporary photography, few images succeed in evoking the profound sense of creativity in relation to the natural environment as effectively as this photograph by Fortunato Gatto. The image accompanying these words—a scene that some, at a first glance, might mistake for mere abstraction—stands instead as an emblematic example of how creativity can transform Nature into a work of art.
Fortunato Gatto, an Italian photographer renowned for a visual approach that explores the boundaries between reality and abstraction, knows how to capture that hidden “magic” within the simplest elements—ice, light, the composition itself. In this photograph, the detail of an icy surface transforms, taking the shape of a figure that evokes the animal world (many may see a swan or the silhouette of a bird). It is precisely this ambiguity that makes the photo a true End Frame: the shot not only freezes a fragment of reality, but also opens the door to imagination and personal interpretation.
Photographic creativity finds its ideal playground in close-up nature photography. Gatto’s choice to see beyond the visible, to search for lines and forms, to suggest stories that transcend simple representation, invites the viewer to establish a new relationship with Nature. The physical reality of ice is just the starting point for a visual narrative that could belong as much to science as it does to poetry. Behind this image emerges the photographer’s attentive work: observation, patience, and openness to wonder—qualities that should lie at the foundation of every creative process.
