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Deborah Hughes
This issue we're interviewing Deborah Hughs, a photographer from La Sal, Utah (Near Arches National Park, Canyonlands National Park, and Hovenweep and Natural Bridges National Monuments). Deborah is retired but is still busy with her garden, grandchildren, representing local charities and of course photography. Can you tell me a little about your education, childhood passions, early exposure to photography and vocation? My passion for photography has traveled a circuitous route. Growing up, my mother's brownie and my father's 8mm movie more
10th February Live Broadcast
This is the page where you need to view the Livestreaming event on 10th February, 8pm. To register for the event, please go to the following article. Tim Parkin has recently on a tour around Iceland and David has been scouting the snowy recesses of France and we’ll be talking about this and more plus we have a guest star (hopefully) who will make an appearance. more
10th of February Live Broadcast
With the success of the live broadcasts from our conference we've decided to run a few more and the first of these will be on the 10th of February. Tim Parkin has recently on a tour around Iceland and David has been scouting the snowy recesses of France and we'll be talking about this and more plus we have a guest star (hopefully) who will make an appearance. If you've got any questions or subjects you'd like us to more
Interview with Paul Moon
Hello and welcome to On Landscape and I am sitting here with Paul Moon. We are going to be talking to tonight about your relationship with the Yorkshire Wolds. more
The Slow Interview with photographer Mark Olwick
I'd say that the majority of my work, maybe 80%, is done as a series, but sometimes that series appears organically more
Funding Cuts for Birmingham Photography Collection
Funding cuts in the Arts were an inevitability due to the economic crisis - most of the arguments regarding cuts are about how far is acceptable and how far is too far. Cutting too far will inevitably erode our own arts foundations, never mind the fact that our creative output is one of our biggest exports valued at £8m per hour and our arts and culture worth nearly 1bn per year from tourist revenues . People may say “Only more
Jonathan Brown
We’re all judged on our images, often all too fleetingly, yet it is the connections that we make and the conversations that occur that can prove to be the most informative. more
36 Megapixels vs 6×7 Velvia
Over a year ago now we carried out various tests of medium format digital camera systems and film camera systems. The results, whilst interesting, didn’t tell us a whole lot about 35mm digital camera systems. more
Weald – David Higgs
I have known David and admired his work for a few years now though our mutual connection with the filmwasters.com forum. During that time I have followed the progress of David’s 5 year project to capture the essence of the Sussex Weald and was eagerly awaiting the culmination of this project - an exhibition of 51 superb platinum/palladium prints at the Ashdown Forest Visitors Centre. While I was hoping to more
The Problem with Photography Journalism
Landscape photography receives little wholly positive press in the newspapers but most coverage of photography in general is neutral to positive. However, over the last few weeks a certain journalist from The Guardian seems to have taken the reins from Brian Sewell and ridden full blast into the anti-photography hall of fame. Jonathan Jones started his little escapade with the subtley titled “Flat, soulless and stupid: why photographs don’t work in art galleries” In this essay he has some great quotes on photography more
Taste and Landscape Photography
As you may already know from the interviews we have done with him, Mark Littlejohn was voted as the Take a View Landscape Photographer of the Year. The picture chosen was one that gathered quite a lot of praise online from many people who have previously criticised the competition (including me) but to say it was universally acclaimed is a stretch considering some of the quite vociferous abuse it has received on Facebook. more
Overexposure
If we, as artists, fail to make such investments in learning the history and traditions of our medium, and in the appreciation of worthy photographic works offering more than the simple feats of dazzling viewers with color or views of exotic locations, how can we hope that others will? more
Above and Below by Hans Strand
The key to the success of Hans' pictures are their beautifully balanced compositions. more
Autumnal Notes
I decided to make a foray into my local woods last weekend (5th October), my first visit for quite some months. The forecast was promising – clearing skies, a drop in temperature and no wind. As predicted there was a light ground frost, low lying mist with a promise of post dawn streams of light. Three hours later I was driving back home with a warm glow and eager to download the fruits of my labour. more
Wood Week – Exhibition and Talk
From 6.00pm – 7.15pm on Friday 17 October Joe Cornish will be in conversation with contributing photographers including Tim Parkin, Dav Thomas, Stuart Royse, Lizzie Shepherd, Paul Harris and John Irvine. The exhibition of prints from these photographers will continue until Saturday the 8th of November. Bolehill - Tim Parkin more