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Rod Bennington’s “A Year at Thorpe Perrow”
Rod Bennington's exhibition comprises photographs resulting from more than fifty visits to Thorp Perrow Arboretum, displaying its remarkable appeal throughout the year. Born in North Yorkshire and having spent most of his life in the area, Rod now lives near to Northallerton, a base he regards as ideal for landscape photography, being midway between the North York Moors and the Yorkshire Dales. His interest and involvement in photography spans more than more
Face to Face with the Sublime
Inspired by Alan Hinkes presentation at the A Meeting Of Minds conference at the Rheged Centre in Nov 2014, Thomas Peck investigates how 18th century notions of the sublime are brought to life in 20th/21st century mountaineering photography. Something quite extraordinary happens when you watch Alan Hinkes present his pictures and talk about his experiences climbing the highest mountains in the world. You quickly realise that his photographs in the mountains are not the run-‐ of-‐the-‐mill dawn and dusk shots more
John Blakemore Book Binding and Sequencing Workshop
I had the real pleasure of meeting one of the greatest living British photographers recently; John Blakemore. Not only did I get to meet him, but I was able to spend two days with him, listening and learning from the master. That said, I did have to share him with nine others, all as part of a weekend workshop organised by the Redeye Network covering book binding and sequencing. more
Choosing a new Camera System
At the end of last year I realised I could really do with upgrading my digital camera. This was prompted by a couple of things. The first was the fact that my current camera is heavy and combined with a chunk of glass that is the 28-135mm Minolta “Secret Handshake” lens it weighed almost as much as my large format camera. The second was that if I wanted to write about photography it made sense to be using a more
Martyn Lucas
This issue we have Bolton born Martyn Lucas and his pretty spectacular arctic, antarctic and sub-arctic work. Can you tell me a little about your education, childhood passions, early exposure to photography and vocation? Individually and together, my parents educated me about right and wrong, ignited my passion for creating images, introduced me to walking for long periods of time, and were in essence my guardians and my friend. You see I grew up as an only child in Bolton, Lancashire. more
Livestreaming Event – Talking Lens Testing
Choosing lenses can be a bit of a hit and miss affair. Without buying a range of lenses and testing them yourself, you have to rely on personal recommendations or online lens reviews. However, recommendations are subjective and understanding lens reviews isn't as easy as it sounds. Lots of jargon is bandied around and different websites use different methods leading to a world of confusion. David Ward and Tim Parkin will be having more
Endframe – “The Start” by Brian Kerr
I remember the first time that I got up early with a camera to photograph the sun rise over Ullswater. It was the 23rd of February 2010 and I’d bought my first SLR camera, a Pentax K-X, about three weeks before. Up until this point I was firmly a happy snapping hillwalker who had treated himself to an upgrade from his old Canon compact. I went to Aira Point and shot back into the rising sun. The colour was more
Southbound – Photography of a Southern Landscape
A new exhibition of unique, award-winning landscape photography from the country’s south eastern corner, by Valda Bailey, David Baker, Terry Gibbins and Finn Hopson. The South Eastern counties of England are not necessarily the first places that spring to mind when considering landscape photography. They are often dismissed as being too small, too busy or just too ‘easy’. The work of each of these photographers challenges that view. Each more
Manfrotto XPRO-3WG
Balls or Gears? If you're asking about tripod heads this is the main question. There are those of us who prefer the freedom, weight savings and holding power that ballheads can bring or the control and fine tuning that geared heads give you. I've always been a ballhead sort of person but having seen my colleagues subtly tweaking compositions with their Manfrotto 410's and 405's (not to mention the fantastic and fantastically expensive Arca D4's and Cubes) I must more
Focussing Tilt Lenses
The live stream we recently broadcast about tilt and shift in landscape photography goes through an awful lot of ground on this subject, a lot of which could benefit from some written explanation. I’m not going to try to do all of this in one issue though, so I thought I’d start with an overview of the different ways of focussing a DSLR tilt shift lens. In this issue I’ll show you a method that relies on the way more
Tilt Shift Lens in Landscape Photography Recording
Join Tim Parkin for an hour long demonstration and Q&A session about using tilt and shift lenses in landscape photography. more
On Limitations and Creativity
This morning I read a comment on a Facebook post saying simply that the weather recently had sapped any creativity and discouraged photography trips. I paraphrase, obviously, but it’s a sentiment that is seen expressed often. I’ve said it myself too, many times. Or should that be too many times! Only on Sunday morning I looked out early, saw the overcast sky and decided against going out. So, for those more
Endframe – “Blue Hills” by Emmanuel Coupe
When I was asked by On Landscape's editor Tim Parkin to write an "End Frame" article for the magazine he said the hard part would be selecting the image. The image had to be my favourite photo from another photographer. I knew immediately which image I was drawn to so that part was easy, however to put into words as to the "why" of it all has eluded me a bit. It was just an immediate visceral response, wow. On any more
Russ Barnes
We tend to think of photojournalism in terms of that which fills the pages of our newspapers, but speaking to Russ Barnes it seems like a good description of his approach to image making. He says that he often goes out looking for a story and in search of the character of that which he sees. Much of his photography is local to his home at an interface between town and country. When he travels it tends to be more
The Dark Wood Remembered
The dark woods of fairy tales are also magical places of imagination and transformation. Fears are overcome and we emerge from the literary forest older and wiser, ready to face the dragons of the real world. more