


Endframe – Glowing Autumn Forest by Christopher Burkett
For me there was one obvious image, well, one obvious artist anyway. Christopher Burkett is a landscape photographer who was only introduced to me a few years ago but many of his images have had a huge impact as I keep revisiting them. more

Nay More
Can you tell us a little about yourself, how you got into photography and how much of a role it plays in your life now. I started painting and drawing at a young age and won quite a lot of competitions sketching the scenes around me. I didn’t have access to a camera at the time, and although Mum had a Box Brownie, the film was no longer available. A Vivitar point and shoot appeared in my stocking when I more

Creative Lightroom Pt 4
In this issue’s Lightroom guide we took a second look at the adjustment brush and graduated filter brush. more

The Land of the Fire Mountains
Unsure as to whether this was going to be an article about a location guide, photographic inspiration or “what’s in my bag”; I decided to make it about all three! Consequently, it’s quite lengthy but I do split it broadly into those areas if you feel like dipping into one aspect first, although I do think it reads better top to bottom. For information, I did write a little about this location previously on my own website blog after more

Artistic Promiscuity
With this in mind, it was with some bafflement that I recently heard from a fellow photographer asking if I would recommend avoiding viewing other people’s photographs as a means of isolating their own “vision.” more

What sort of camera is the Sony A7r?
From the outset let me explain that this is not a conventional camera review. If that is what you are seeking then returning to the usual suspects (DP Review et al) will give satisfaction. This is unashamedly a partial, personal opinion piece, based on experience gained as a regular user, in which I will come to a rather surprising conclusion. If I have now piqued your interest, read on… more

End Frame – Near Stonehenge by Charlie Waite
Is this my all time favourite image? No. A single image can never be ‘the best’ because every image we like offers us a variety of different emotions and visual delight. more

Respect
Take only memories, leave nothing but footprints.” To which I would add, by all means take home images but walk softly and leave as little trace of your passing as you can. more

Landscape Photography and Evolutionary Psychology
When we view any landscape scene, there is some form of emotional response. This article is about the fundamental origins of these reactions – why elements of a captivating landscape photograph such as compositional features, environmental conditions and lighting situations trigger human emotion. Evolutionary psychology attempts to explain why our interpretations and reactions are, to a large extent, universal among modern humans.1 Why, for instance, does an expansive view with a clear focal point, areas of high contrast and more

Tripod Wars: Time for a Ceasefire?
Imagine the scene – I’m sitting at home in my front room next to my wife, who is watching Grey’s Anatomy (I apologise on her behalf). Having recently subscribed to On Landscape I am busy making my way through the substantial number of previous issues and reading with interest so much of the excellent articles that have been submitted. Being fairly new to landscape photography I am hugely enjoying reading the ideas and thoughts of those much more experienced more

Creative Lightroom Pt 3
In this issue’s Lightroom guide we took an introductory look at the adjustment brush and graduated filter brush. more

Saltwick
After a bit of a lean period in terms of my own photography I’ve had the pleasure of going out every week for the last four weeks. Every one of those weeks has been to the same location but in many ways that has made it more interesting. Apologies for the delay in getting the latest issue complete as we have spent some time getting the 360 location guide working again (why do software developers insist on changing things!). more

A Return to Iceland
I think it’s fair to say that Iceland has become a bit of a cliche for photographers. No matter where you look online there seems to be someone returning with pictures of clear ice on black sand, moss covered boulders and, in winter at least, swathes of “green shit in the sky”. Even two years ago when I visited with Joe Cornish to shoot the promotional videos for Phase One (one, two and three) I felt more

Walking, A Way of Photography
“We don't make a photograph just with a camera, we bring to the act of photography all the books we have read, the movies we have seen, the music we have heard, the people we have loved.” - Ansel Adams In this memorable quote, Ansel Adams distills the idea that photography is truly an act of self expression. He urges us to apply our entire life experience, especially what we have learned from other art forms, and from our relationships, more

End Frame – Mist on the North-East Ridge by Peter Dombrovskis
When Tim asked me if I would do an “End Frame” I didn’t realise quite how difficult it would be identifying which particular photograph I wanted to discuss. There are many photographers whose portfolios I admire and there are many more photographs within those collections which I could loosely describe as favourites .... so which one should I choose? I turned to my collection of photography books and began studying several familiar photographs. After a while I started to ask myself more