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Issue 76 PDF

You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 76 more

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Joe Cornish and Charlie Waite

During the recent "Year of the Print" exhibition organised by Charlie Waite there were a couple of discussion talks with Steve Watkins, Editor of Outdoor Photography, as compere. The topic was open and questions came from audience members and social media. Here is the first of these talks - the second will be published in the next issue. Audience: What is the secret of a great photograph? Joe: Well I’m not sure if there is a secret. There is a great more

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Creative Lightroom

In the first part our new guide to Lightroom for Landscape Photographers we take a look at the environment - how you view and assess images. more

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Assynt & Quiraing

Introduction Among hill-walkers and climbers there is a fairly keen appreciation of the correct names of Scotland’s mountain regions and the hills which lie within them. Having come to landscape photography from  such a background, I  have found  that the names used to describe some of our most photographed places are often at odds with long-standing place-name tradition. In this article I have highlighted a couple of examples of very well-photographed places where a lot of confusion seems to have more

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Garry Brannigan

Can you tell me a little about your education, childhood passions, early exposure to photography and vocation? I was born in Sheffield. My Dad was a newspaper editor, my Mum a mother and housewife. Dad worked all hours in his office in the city centre, but I preferred being outdoors and as our back garden opened out into woodland, that’s where I remember spending my childhood when I wasn’t at school. We then moved to the edge of the Peak more

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Joe Blogs

A few years ago I was in Edinburgh when the G8 summit was held there. A widespread good-humoured protest rally marched through the city. One group that caught my eye was the one in skeleton costumes carrying banners that said “Save the planet – join the Mass Suicide Movement!”. I couldn't help smiling and thinking that this was unlikely to be a successful political campaign… even though you could see that from an ecosystem perspective, they had a point. more

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End Frame – Reflection, Orsjon by Jan Tove

I must admit to a bit of guilt after seeing the responses of Julian Barkway and Joe Wright to my proposed End Frame request. more

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Issue 75 PDF

You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 75 more

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Composing Chaos

Let's face it, nature can be pretty chaotic at times. Not really on the small scale, where natural forms can be elegant and beautiful, or on the large scale, where distance and perspective bring order and a ready visual hierarchy - sky, land, sea, patterns of agriculture: it's all there in front of you. No, it's the bit in the middle where things start getting tricky. The middle-ground can often be a chaotic, confusing place but it can also more

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Tromso

Am I really here in this wonderful, beautiful setting? A classic calm fjord with crystal blue water lit by soft sun and stunning autumn colour all around? Yes I am, at Ersfjorden on the island of Kvaloya near Tromso in Norway, with a small group of old friends and some new faces. We’ve just arrived on a photo tour with Tony Spencer and David Ward and we were settling into our self-catering accommodation, beautifully located on the edge of more

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Charles Twist Interview

Can you tell me a little bit about where the exhibition started from because I know that you have been interested in large format photography for a long time, and specifically the use of old lenses, by which I probably mean pre-1920’s, and old techniques, which you have become interested in I think more over the last few years. It’s the old greasy slope and curiosity killed the cat type problem.  I started off as a 35mm photographer on film more

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Joe Blogs

It has long been photography's cross to bear that of all the crafts and communication media it is the one whose image is most tainted by associations mechanical (as I suspect David Ward once wrote); that, and its apparent easy-ness. It seems that the vast majority of camera advances involve automation of one sort of another. Make photography easy and cheap enough and everyone can and will take pictures. And that is literally what has happened. George Eastman of more

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Timo Lieber

Welcome to our featured photographer section where in this issue we'll be talking to Timo Lieber, a German photographer living in London and who has recently been shortlisted at the Sony and Wildlife Photographer awards. Can you tell us a little about your education, childhood passions, early exposure to photography and vocation? My degree and day job are in finance and hold little relevance to photography. I did, however, enjoy helping my dad putting together films from family hikes, so picking more

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End Frame – Porch, Provincetown, 1977 by Joel Meyerowitz

When I was asked to contribute to ‘End Frame’ I readily accepted, thinking what could be easier than writing about a favourite photograph? Then I started to think about which photographer to pick, and exactly which image, and the problems suddenly seemed to multiply. Who do I consider my favourite photographers? How can I possibly pick a favourite image from so many? I can easily reel off the names of a good couple of dozen photographers whose imagery I more

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Issue 74 PDF

You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 74 more

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