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Matt Redfern
Even within an hour's radius of my home, I can point out the subtle changes in the landscape, such as the gradient of tree species encountered while driving through the Cascade Range. more
Len Metcalf
The process of photographing and looking at your work, contemplating, and revisiting, is the basis of my artistic practice. It was how I was taught. It is how I teach too. more
Oliver Raymond Barker
In 2010 there was a seminal exhibition at the Victoria and Albert museum entitles "Shadow Catchers - Camera-less Photography". The show was dedicated to the use of various techniques that involved photographic processes but excluded the use lenses and typical photographic apparatus. I was inspired by the photography of Adam Fuss and particularly that of Susan Derges whose images captured evocative representations of natural processes in an innovative and beautiful fashion. When Michela Griffiths suggested we interview more
Bernd and Gundula Walz
We both invest a lot of time in post-processing. In our opinion, it is only in this step of the workflow that a photo becomes a picture. In post-processing, we can give the image our personal style. more
Sally Mason
I’ve long had a deep engagement with all forms of art and photography. Having always worked in creative industries, I’ve been surrounded by the work of all kinds of visual artists. more
George Kalantzes
Picking up on Stieglitz’s concept of equivalence, the images that appeal to me most are well composed and contain subtle elements that engage and challenge the viewer to look deeper into the image that they might discover or share in your personal experience. more
Danielle Macleod
Returning to the Isle of Lewis and its abundance of natural materials helped to spark her creativity, and a mentorship through An Lanntair's Artist Support Scheme provided the confidence needed to develop a personal practice outside of art school. more
Uge Fuertes
I try to make creativity a path. The daring and risky composition is my hallmark; I like to seek perfection in composition and highlight only the remarkable, ignoring the rest. We are what we photograph and also what we see. Seeing is not only a physical question. more
Anna Morgan
I hope they show a reverence for the natural world that you experience every day. We are surrounded by nature everywhere, even among the high rises of the big cities - it may feel less pervasive in urban areas, but we are not separated from it. more
Ellie Davies
The process of photography teaches us to really look at the world and so I think this makes it a vitally important tool in bringing awareness to environmental issues that need urgent attention. more
Peter Gordon
I have always maintained throughout my life that I wanted to work at something I felt passionate about. I feel so lucky that photography has given me that platform. more
Sandra Bartocha
I am a maximalist with strong opinions and a high demand for aesthetics, and I feel very strongly about the escapism quality of nature. My photographic world is full of light, colour and the small and mundane things in nature that are often overlooked. more
Eric Erlenbusch
Based on my experiences, the images which seem to resonate and engage viewers are ones which leave room for the viewer to have their own interpretation of the image. more
Jaume Llorens
That the images inspire them is probably the most common comment. They find poetry, delicacy, sensitivity and beauty in them. It's a biased collection because only positive comments reach me. more
Janet Tavener
I was drawn to Janet’s images by their fluid beauty but they may challenge you to think about your own definition of photographic genre, for all that we do is interconnected and our path into revelation may be our own life experiences. more