


Issue 119 PDF
Click here to download issue 119 (high quality, 147Mb) Click here to download issue 119 (smaller download, 57Mb) more

Using Light Meters
In summary, we have spot meters that take a reading of a specific small area of a scene and incident meters that measure the light falling on a scene. more

Endframe: “Deciduous Beech In Winter, Cradle Mountain – Lake St Clair, Tasmania” by Peter Dombrovskis. 1993
The composition is truly exceptional for such a chaotic subject and makes me admire Peter's great eye for these type of scenes. more

Subscribers 4×4 Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios from our subscribers: Carla Regler, Andy Ford, Daniel Secrieru & David Driman. more

Final Flush
I’ve often stumbled upon swathes of wild flowers and grasses but my favourite time of year is around the middle of May when the hawthorn trees and bushes fill with white blossom. more

Casualties of Progress
It seems odd that, at a time when photography is more popular and more widely practised than ever, and on the heels of some of the greatest advances in photographic technology, some adamantly proclaim that photography is dead. more

Matt Lethbridge
This issue we're chatting to someone who has only recently given landscape photography a concerted effort (his oldest photo on Flickr is from 2014) but he's done pretty well in that short period of time. more

Interview with Diego Lopez & Patrik Larsson
After spending a week in Andalusia you get back home with images from untouched fog forests, the wetlands of Doñana, photogenic coastal areas with the Moroccan mountains in the background, desert areas, mountain views from Cazorla and Grazalema. more

A Walk in the Woods
Agreeing to stage a solo exhibition always seems like a good idea at the time. It is flattering to be asked. The request often comes many months, if not a year or more in advance and so all the work involved seems so far away as to be inconsequential. more

England and Nowhere
It's become one of the mainstays of project-based photography, a simple, semi-mechanical way to invest one's ingrained photo-habits with aesthetic significance. more