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Issue 159 PDF
In this issue Rafael Rojas looks at language and labels, Paul Gallagher looks at the anatomy of grey and much more. more
End frame: Kärrmark by Jan Tove
The chaos has become cosmos, order. But there is something unpleasant about the picture, the branches stick to me and the moody colour scale and the messy bushes force the viewer to choose whether it's beautiful or just scary. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Susan Rowe, Olivier Caire, Connor Finch & Aaron Dickson more
Five Days in Glencoe
With Spring well and truly Sprung and summer on its way, we've taken the opportunity to reflect on some of the highlights of Winter. more
Antonio Aleo
This issue we're talking to Antonio Aleo, an excellent photographer from Italy who specialises in his local area of Calabria. Most of the images included are from his work in the local forests in Calabria. more
The Label
A single word, a label, can narrowly define the whole life of an artist, directing not only the audience into a single way of understanding and experiencing his or her work, but also shaping the artist himself. more
On Bredon Hill
Bredon Hill is a gentle dome rising to just shy of 1,000 feet at an iron age hill fort on its northwestern ‘corner’ overlooking the more or less flat River Avon and River Severn valleys more
The Northern Photography and Video Show 2018
Now in year three, we've tweaked the name to 'The Northern Photography & Video Show', reflecting the growing regional audience and acknowledging a widening interest in video as lines between photographers and videographers continues to blur. more
The Anatomy of Grey
A lot of today’s black and white images seem to be missing some of the subtle mid greys that I love so much. more
Luinneagan
I knew the haiku would be the route back to the poetry of the landscape. Being a Gaelic speaker I decided to write them in that language to accompany my photographs and the ‘Gaiku’ was born. more
Space Not Things
The key point for me is that I am seeing, in the context of ‘photograph’, with all of my assumptions and biases. The concepts I bring to viewing a photograph are cultural, learned. more