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A Fool’s Errand
To artificially impose some consistent look in all your photographs, rather than to let such a look emerge naturally from the way you experience and express the world and yourself, may result in a style, perhaps even a style unique to you, but it will not be your personal style. more
Holding an Exhibition
Knowing how much work is involved from conceiving an exhibition to the opening, would I do it again? I’ve already booked my next two. more
Al Brydon
You can only draw on your own life and experiences when creating something you feel is important enough to share with other people. I find myself thinking again that one of the most basic human needs is to be understood. more
Issue 162 PDF
Click here to download issue 162 (high quality, 155Mb) Click here to download issue 162 (smaller download, 94Mb) more
Realism and Honesty in Photography
The role of realism in photographs, as discussed in Guy Tal’s recent article on the morality and realism in photography, is as provocative as it is elusive. Guy’s article, whilst impeccably written and well received, stimulated debate and discussion both on our website and amongst many of my colleagues. more
End frame: Boreray, St Kilda by Scott Robertson
I have never been to the St Kilda archipelago, but thanks to Scott's enormous efforts I feel like I have. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Charlotte Bellamy, Gaetana Ebbole, Kent Burkhardsmeier & Paulo Valdivia. more
Reflective photography and the essence of place
The idea that things and places have an essence is an ancient one, dating back at least to the Greeks and Romans. more
Floris van Breugel
His photographs offer a different perspective on the American landscape that emphasises biodiversity and includes a sense of scale and delicacy while hinting at the epic adventures that may be had there. more
Yan Preston – Photographic Projects
Between 2010 and 2014, for my ‘Mother River’ project, I photographed the entire 6,211km Yangtze River in China at precise 100 intervals with a large-format film camera. From 2010 to 2017, I investigated urban replantation and ecology recovery in China by photographing transplanted old trees. It might be a good time to reflect on "Why projects?" more
Liquid photography
This same fast paced culture of immediacy, speed and acceleration have also shaped not only the way we photograph but also the way we consume photography and the motivations and aspirations we have of the medium when we embrace it. more
Norfolk
The quality of the light can change dramatically depending on weather conditions and seasons. Autumn, spring and summer mists frequently cloak the Broadland rivers. more
Unique Photography Collaboration
Cooperation, commitment, reaching out to a wider community is what drives the IrishLight Collection concept. The setting is the Irish landscape, but we very much consider this an international idea inspired by the worldwide community we see on our workshops, in magazines, online and at exhibitions. more
Photography, Chance and Solitude
Critics of landscape photography and there are many, argue that it romantically pedals a dangerous myth that the natural environment is an unspoilt, Garden of Eden. more
Issue 161 PDF
It’s June the sixteenth and nearly midsummer. As I look out of the window I remember a couple of months earlier in the year when I was a landscape photographer. more