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Issue 86 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 86 more
Funding Cuts for Birmingham Photography Collection
Funding cuts in the Arts were an inevitability due to the economic crisis - most of the arguments regarding cuts are about how far is acceptable and how far is too far. Cutting too far will inevitably erode our own arts foundations, never mind the fact that our creative output is one of our biggest exports valued at £8m per hour and our arts and culture worth nearly 1bn per year from tourist revenues . People may say “Only more
The Burren
Some 20 years ago a passage in a biography of JRR Tolkien turned my life into a new direction. Back then ‘The Lord of the Rings’ and ‘The Hobbit’ were by favourite books and I was especially intrigued by the detailed descriptions of the landscapes of Middle Earth. Naturally I wanted to know more about JRR Tolkien and what inspired him to create this fictive world in such detail. The little passage that got stuck in my mind described more
Jonathan Brown
We’re all judged on our images, often all too fleetingly, yet it is the connections that we make and the conversations that occur that can prove to be the most informative. more
Photographing Deep Time
A momentary burst of light, a passing cloud formation, a crashing wave on the shore – so much of what we do as landscape photographers can often come down to a few fleeting moments as all the elements come together in front of us. In that moment all our knowledge and experience kick in and along with a little luck we hope that we’re able to capture the scene in front of us. more
Endframe – “Jim Jim Falls” by Peter Jarver
The year was 1988 and I was living in Sydney with my wife and kids enjoying a 2 year overseas assignment to Australia. I was a hardened B&W photographer for all except the natural history work that I did. I had never been especially inspired by colour landscape work. Looking back it is easy to forget that this was before the time when Waite/Cornish/Noton rainmakers changed popular landscape photography in the 90’s. It was largely documentary and quite literal more
Trip the Light
“In your light I learn how to love. In your beauty, how to make poems. You dance inside my chest where no-one sees you, but sometimes I do, and that sight becomes this art.” - Rumi My photography is based in the American Southwest and my motivation to explore a new location is simple curiosity. My interests in hiking, camping and backpacking and the various information resources I peruse on a daily basis keep a steady stream of luscious landscapes, descriptions and images constantly feeding more
36 Megapixels vs 6×7 Velvia
Over a year ago now we carried out various tests of medium format digital camera systems and film camera systems. The results, whilst interesting, didn’t tell us a whole lot about 35mm digital camera systems. more
Issue 85 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 85 more
Weald – David Higgs
I have known David and admired his work for a few years now though our mutual connection with the filmwasters.com forum. During that time I have followed the progress of David’s 5 year project to capture the essence of the Sussex Weald and was eagerly awaiting the culmination of this project - an exhibition of 51 superb platinum/palladium prints at the Ashdown Forest Visitors Centre. While I was hoping to more
Life after Take a View
When Tim Parkin asked me if I would consider writing an article for OnLandscape I didn’t really have to think hard to come up with a first topic. Thanks to Charlie Waite and Take a View there hasn’t really been much on my mind (or in my diary) for the last month. Competitions aren’t something that I spend a great deal of time with. Apart from the Take a View competition I don’t actually enter any. This year I more
Endframe – “Storm Warning” by Vic Attfield
As I sit down to compose this editions End Frame I am listening to the news on the radio, much of which is taken up by the on-going ‘weather bomb’ affecting the Northern parts of the UK. High winds, huge waves, rain, hail and snow! It seems fitting then that my personal choice of image is entitled ‘Storm Warning’. It has not gone unnoticed that previous End Frame authors have also had difficulty in choosing one’s personal, all time, favourite more
The Problem with Photography Journalism
Landscape photography receives little wholly positive press in the newspapers but most coverage of photography in general is neutral to positive. However, over the last few weeks a certain journalist from The Guardian seems to have taken the reins from Brian Sewell and ridden full blast into the anti-photography hall of fame. Jonathan Jones started his little escapade with the subtley titled “Flat, soulless and stupid: why photographs don’t work in art galleries” In this essay he has some great quotes on photography more
Cath Waters
I’ve been enjoying her images for a while, which sit somewhere between landscape photography and digital art. more
Taste and Landscape Photography
As you may already know from the interviews we have done with him, Mark Littlejohn was voted as the Take a View Landscape Photographer of the Year. The picture chosen was one that gathered quite a lot of praise online from many people who have previously criticised the competition (including me) but to say it was universally acclaimed is a stretch considering some of the quite vociferous abuse it has received on Facebook. more