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On Limitations and Creativity

This morning I read a comment on a Facebook post saying simply that the weather recently had sapped any creativity and discouraged photography trips. I paraphrase, obviously, but it’s a sentiment that is seen expressed often. I’ve said it myself too, many times. Or should that be too many times! Only on Sunday morning I looked out early, saw the overcast sky and decided against going out. So, for those more

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Endframe – “Blue Hills” by Emmanuel Coupe

When I was asked by On Landscape's editor Tim Parkin to write an "End Frame" article for the magazine he said the hard part would be selecting the image. The image had to be my favourite photo from another photographer. I knew immediately which image I was drawn to so that part was easy, however to put into words as to the "why" of it all has eluded me a bit. It was just an immediate visceral response, wow. On any more

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Russ Barnes

We tend to think of photojournalism in terms of that which fills the pages of our newspapers, but speaking to Russ Barnes it seems like a good description of his approach to image making. He says that he often goes out looking for a story and in search of the character of that which he sees. Much of his photography is local to his home at an interface between town and country. When he travels it tends to be more

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Issue 88 PDF

You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 88     more

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The Dark Wood Remembered

The dark woods of fairy tales are also magical places of imagination and transformation. Fears are overcome and we emerge from the literary forest older and wiser, ready to face the dragons of the real world. more

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10th March Livestreaming – Talking Tilt Shift

Tuesday 10th March, 8pm GMT We've written articles about tilt shift photography in previous issues, for instance: Tilt / Shift Photography - Introduction to lens tilts in photography What’s the Shift in Tilt / Shift? A look at lens shift with DSLR cameras The Art of Looming - An explanation of the effects of rear tilt and emulating the effect on a DSLR .. but the subject is getting more and more important to more

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Rockpool Photography

I have long found the miniature worlds contained in rockpools fascinating and over the years I have taken the odd photograph from above with varying degrees of success (ideally using a polariser to cancel surface reflections). More recently, admiring oceanic photographs and noticing adverts for underwater housings for digital compacts got me thinking. It struck me that these underwater housings might offer a novel viewpoint on the world of rockpools, given I had no intentions of leaving the safety more

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More Resolution?

There have been two constant declarations from photographers ever since the first digital camera appeared. The first was that they have "more resolution than film!" (even 3mp cameras!) and the second is that "it's as much as we need". As each increase in resolution of digital cameras increase, from 3 to 6 to 8, 10, 12 and more recently 24 and 36 megapixels - a substantial number of photographers would ask "Why do we need such resolution? I print more

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The 5DS and 5DSR

The recent announcement of the 5DS and the 5DSR have caused quite a kerfuffle, as is to be expected. What is quite surprising though is the number of people either writing the camera off, or announcing it to be the best thing since sliced bread - all on the evidence of a few jpgs and some PR interviews with Canon representatives. For instance, the specification for the camera shows the highest ISO setting to be 6400. Quite a few people more

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Deborah Hughes

This issue we're interviewing Deborah Hughs, a photographer from La Sal, Utah (Near Arches National Park, Canyonlands National Park, and Hovenweep and Natural Bridges National Monuments). Deborah is retired but is still busy with her garden, grandchildren, representing local charities and of course photography. Can you tell me a little about your education, childhood passions, early exposure to photography and vocation? My passion for photography has traveled a circuitous route. Growing up, my mother's brownie and my father's 8mm movie more

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Endframe – “On Being Aware of Nature” by Mario Giacomelli

It can be of no surprise that Mario Giacomelli is generally regarded as one of Italy's greatest photographers. Born in 1925 he took his first photographs at 25 and won a national photography competition a year later. From then on he moved from subject to subject - a hospice, an abattoir, trainee Catholic priests playing in the snow - and, of course, his landscape. My chosen image is from a series that he worked on from 1977 more

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10th February Live Broadcast

This is the page where you need to view the Livestreaming event on 10th February, 8pm. To register for the event, please go to the following article. Tim Parkin has recently on a tour around Iceland and David has been scouting the snowy recesses of France and we’ll be talking about this and more plus we have a guest star (hopefully) who will make an appearance.     more

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Issue 87 PDF

You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 87     more

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10th of February Live Broadcast

With the success of the live broadcasts from our conference we've decided to run a few more and the first of these will be on the 10th of February. Tim Parkin has recently on a tour around Iceland and David has been scouting the snowy recesses of France and we'll be talking about this and more plus we have a guest star (hopefully) who will make an appearance. If you've got any questions or subjects you'd like us to more

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Sarah Al Sayegh

Thus you can see some of my images in Kuwait are mainly shot in the seaside or the seascape and Many of my images in Kuwait represent Cityscapes as a way to document Architecture evolution in a Middle Eastern Country. more

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