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Mieke Boynton – Portrait of a Photographer
In this article, I hope to convey how Mieke’s approach to photography has elevated her work, how her immeasurable passion and aptitude for aerial photography have differentiated her from her peers, and how her desire to honour the Aboriginal people of Australia has given her work purpose. more
Review of ‘22
Ansel Adams famously wrote that twelve significant photographs in any one year is a good crop. Significant is obviously the key word here. I am the kind of person who feels Eeyore is dangerously over optimistic. So, hoping that I will make twelve notable images seems very ambitious. more
Your favourite images
In our end of year issue, Joe Cornish wrote about his favourite images of 2022 and we also asked our subscribers to send in their favourite images from 2022. We were overwhelmed by the response, with contributions from all corners of the world and almost 100 contributions. So in addition to David Ward's selection from 2022, we have a giant gallery from our subscribers below. Thank you so much for responding to our request, the images are amazing and we more
Rene Algesheimer
If the sum of the whole can be greater than its parts, then René Algesheimer has plenty to draw on, with a skill set that encompasses music and mathematics, a highly relevant contemporary specialism, and considerable passion for both the visual arts and written word. Working almost exclusively on projects, René tends – contrary to what we are encouraged to do by social media – to more
Photographic Glossaries
As I read through the glossaries in Landmarks, it was impossible not to relate their spellbinding power back to the expressive potential of photography and contemplate how the concept of a place word glossary might relate to the curation of image collections. more
Issue 270
Click here to download issue 270 (high quality, 153Mb) Click here to download issue 270 (smaller download, 85Mb) more
End frame: On the Nature of Things 2012 by Dr Les Walkling
Robert Adams, in his 1996 essay “Truth in Landscape”, opined that “landscape pictures can offer us three verities - geography, autobiography, and metaphor.” I find this is a useful framework through which to consider why an image remains in my thoughts. A photograph in which an artist succeeds in posing a question is uncommon. An image in which the viewer is left pondering a moral response to the posed quandary is memorable. The skill more
4×4 Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios submitted by Christophe Noel, Gaby Zak, Haydee Yordan & Nick Becker. more
Camels, Lions, and Children
In his book, Thus Spoke Zarathustra, Friedrich Nietzsche described three “metamorphoses of the spirit”—stages of personal development that people may (if they choose) pursue if they wish to live their lives to the fullest, which, according to Nietzsche, means living according to one’s own values with the greatest degree of freedom. more
Favourite Images from 2022
Being asked to choose your favourite images of the year is a great opportunity to return to your picture files, remember some great times and experiences, and discover forgotten gems that might have been passed by in an earlier edit more
Winter’s Stillness
When it comes to photography, one of my favourite products of winter’s stillness is the ice that forms. What I love about ice is that you can find it almost anywhere, granted it gets cold enough. more
Richard Martin
Richard is an advocate of ‘play’ and of keeping an open mind; process is important, and equipment is simply a means to an end. Often photographing close to home, Richard’s images frequently feature flow, whether in the form of water or plant life. more
From East to West
Travelling from the east to the west allows the photographer to witness the geographical variety of the landscape together with the differences in culture and communities. more
Issue 269
Click here to download issue 269 (high quality, 165Mb) Click here to download issue 269 (smaller download, 105Mb) more
End frame: Skyfall by Valda Bailey
n the face of it, it’s a little ominous and there could even be a storm brewing. There is something very dark in the background – a cliff? an approaching storm? The palette is subdued, mainly shades of blue, white and black, with some touches of warmer browns in the foreground more