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Travels with a Seneca 8×10 Camera
I have a clear image of the photo that I would like to take, in which there is a well-defined foreground and in the background, there is a remarkable scenery of the beautiful and massive mountains still covered by snow. more
Issue 250
Click here to download issue 250 (high quality, 186Mb) Click here to download issue 250 (smaller download, 115Mb) more
End frame: Puglia 1978 by Franco Fontana
I think we can learn from him that great photographs don’t have to be of spectacular, iconic places. There are interesting images to be made all around us; we just have to look harder, and pursue what resonates with our own personality, curiosity, and imagination to find our own voice. more
Subscribers 4×4 Portfolios
Welcome to our 4x4 feature which is a set of four mini landscape photography portfolios submitted from our subscribers: Chris Salm, Claude Hamel, Derrick Sansome & Paul Flatt more
Moments of Grace
In a moment of grace, one does not necessarily feel compelled to any action—creative or other—but rather to appreciation, to satisfaction, to hope, and to acceptance. more
Amanda Harman
Periods of non-productivity can be incredibly refreshing and reinvigorating, whilst I paused work on the Golden Valley project there was a shift in my relationship to the landscape, both practically and creatively and a shift in the way that I thought about my approach. more
The Intimate Panorama
In landscapes with a horizon, a 6:17 view provides a broad sweep of a rather natural scan by the eye of the viewer, but it is not evident that this will also be suitable for landscape details. more
Kurt Budliger – Portrait of a Photographer
I believe that Kurt’s photography and his approaches to creating it are prime examples of what can manifest when we take the time to see the landscape as a partner with whom we communicate, with reverence and curiosity. more
An Interview with Gregor Radonjič
Originally I was just interested in purchasing Gregor's photo book 'Drevesa' (Trees) because I enjoyed his work and it's also my favourite topic. This first contact has since turned into an enjoyable email conversation on photography, more
Frosted Leaves
I wouldn’t go so far as to say that this has become a project, but it is a subject I actively look out for in the cold season when out for woodland walks. more
Issue 249
Click here to download issue 249 (high quality, 150Mb) Click here to download issue 249 (smaller download, 91Mb) more
End Frame: Rydal Water by Paul Sanders
His image of Rydal Water is packed with exquisite imagery and a myriad of emotions. more
Joe and Tim Droning On About …
This conversation between myself (Joe Cornish) and Tim Parkin was one where we hoped to explore the arrival of the drone in landscape photography and try to understand its impact. Tim is an occasional drone pilot, Joe has never even touched one. more
Alex Hartley
During my BA, partly due to space constraints, I started making sculptures solely to be photographed, so the end product was a black and white photograph and the sculpture would be destroyed or dismantled once the image was made. more
Art and Mental Health
The same can be said when we, as creatives, post a new piece of art online for the world to see. Though we may tell ourselves, initially, that it does not matter how many *likes* or comments we receive. when we don’t receive what we might expect or hope for, we may find ourselves wishing we had never posted the piece. more