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Issue 187 PDF
Click here to download issue 187 (high quality, 144Mb) Click here to download issue 187 (smaller download, 106Mb) more
End frame: Snowbird – Ritual Hieroglyph, Stanton Moor, 1977 by Thomas Joshua Cooper
The story starts with the ritualistic landscape itself, genuinely ritualistic, on the plateau of the moor and within half a mile of TJC’s image is the Nine Ladies stone circle, a monument 3,000 to 4,000 years old and itself surrounded by over 70 burial barrows and stone cairns. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Julia Moffett, Kevin Bonnett, Michael Cant & Paul Burgess. more
Stuart Clook
Stuart Clook’s work mixes places beloved by 21st century filmmakers, audiences and adventurers with 19th century photographic and printing processes, exploring the way that colour can influence perception and deliberately making room for error and discovery. more
Passing Through – Paul Pell-Johnson & Joe Cornish
In the first edition, we're talking to Paula Pell-Johnson of Linhof Studio and our own Joe Cornish where we cover ground from megapixels to film and some of the new products that Paula is excited about in the coming months. more
The Triptych
I was attracted to the triptych in this form and sought to further the balanced outcome by having each piece focus on the same landscape. In this way, each image is of equal importance but provides new information by showing the subject from a new angle. more
Remnants on the High Plains
The objective of finding the abandoned places led me through some of the most beautiful grasslands I have ever seen. more
Outer Hebrides
When Mother Nature is at her worst, the Outer Hebrides have that “edge of the world” feel, where a dramatic but unprotected coastline meets the full force of the Atlantic. more
Issue 186 PDF
Scottish Summer has arrived and disappeared in the last two weeks and Joe Cornish has been up to experience some of it with us. However, we spent most of our time chatting about photography trips and cameras, especially as Paula from Linhof Studio joined us for the latter half of the week. more
End frame: Spirit of the mountains
When you find yourself staring at a small fraction of the mountain world – such as the rocks’ hues spice with touches of early snow’s traces - enough to become a very small particle of that world then you might experience the pure beauty. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Charles Twist, Fabrizio Marocchini, Phillip William Jenner & Stephen Peart more
Letting go of Truth
To be honest, this all contributes to my love affair with monochromatic photography. Because abstraction is more obvious for the viewer, and for me, it gives me more artistic freedom. more
Adam Fowler
Adam has for some time been considering in photographic terms the structures that we tend to avoid or overlook, including the many hydro-electric dams built in the Scottish Highlands in the 1950s and 1960s. more
The Dunes at Oceano
The area has an interesting history and has been the subject of some classic photographs, most notably by Edward Weston, his son Brett Weston and Ansel Adams more
Ditching Graduated Filters
Setting aside my own experiences there are many reasons to make the case for a “gradless” capture process. more