Inside this issue
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Christmas comes but once a year but new cameras come at a rate of knots it seems. Most cameras garner a little interest from the landscape photographer before they return to the Canikon 5D800 and continue producing work. However, now and again a camera comes by that has people thinking they could possibly upgrade or at least add another prize to their camera shelf. The D800 is a great example and possibly the more compact cameras like the X-Pro and Nex series. Sony’s A7R must win the prize for the most interesting camera of the year though with a new full frame camera that returns to old school SLR camera sizes - not far away from the old Olympus OM1 or Pentax ME Super. Although we don’t do many camera reviews, we do make exceptions when we think there is something that will be of great interest and as such we have two reviews of the Sony A7R from our regular team, Andrew Nadolski and David Tolcher. They’ve been using the cameras regularly since it was first available in the country.
We also have an exclusive interview with one of UK landscape photography’s first colour practitioners. Working from the late 70s, Paul Wakefield produced four books of landscape photography in association with writer Jan Morris and in the process influenced more well known photographers such as Joe Cornish, David Ward and Charlie Waite. He has never really been a self promoter and his landscape work is essentially personal but with the release of a new book in February came an opportunity for an in depth interview and we spent a day in his company at his Brixton home.
We have also been spending time in the company of German photographer Michael Lange - the Prince of Darkness (if you wanted to pull a Daily Mirroresque sub header). Michael published a book of forest photography, Wald, which has had great success in Germany and we had a chance to chat with Michael on a couple of occasions to ask about his approach and future projects.
Also in this issue we have an article on the ultimate landscape photography accessory from David Clapp (you’ll be surprised), a look at Zion Canyon from Simon Harrison and an article on artistic style from Australian contributor Richard White.
So have a great christmas and I hope you have a chance to capture some seasonal images.
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 67 more
Some of you may not have heard of Paul Wakefield - he isn't famous for leading workshops, he doesn't write for popular photographic magazines and his last published book was in the 1980s. more
Some of the images I worked a long time on, so I went and revisited on multiple occasions and fiddled with them and I like to make myself really familiar with, almost at home with a location before I create an image. more
On the scene comes the Sony A7R... The A900 has a superb reputation for colour integrity and this has largely been carried through into the Nex line. I had high hopes for the A7 and A7R incarnations. more
Expectations from the diminutive Sony A7R (and A7) are high, possibly too high. Would it be a ‘Leica killer’, could it establish Sony as a contender to join the ‘top table’ of manufacturers and sit alongside Canon and Nikon? more
While he continues to be recognised as one of the great photographers of his generation in the relatively narrow field where he makes his living, for far too long Paul Wakefield’s images have been outside of the mainstream. more
Time spent wandering is key to my photography. I find when in the right frame of mind, taking my time to be receptive and observing my surroundings, I’m most likely to find something that excites me to make an image. more
Tap into your senses and let them come to the fore when you are out on the hill or wherever you are making pictures, and don’t be defeated if you have a bad day, for they come with the territory. more