on landscape The online magazine for landscape photographers
Issue 116 PDF
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Endframe – Dawn on the Trotternish by David Noton
Alan Howe talks about one of his favourite images
On Landscape Room at the Joe Cornish Gallery
Starting July 16th 2016
Subscribers 4×4 Portfolios
Cheryl Hamer, David Taylor, Shona Grant & Roger backhouse.
Compositional Controversies
Part 4: Leading the Line (or, Following the Herd?)
Matt Botwood
Featured Photographer
Thomas Peck’s Critiques
Landscape and the aesthetics of restriction
The Importance of Context
Trust and Freedom of Expression
Transitions – Black and White and Colour
Recording from the 2014 Meeting of Minds Conference
Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

It's referendum day here in the UK and the country seems to be fairly split down the middle in terms of whether we should leave or remain in the European Union. The whole affair has become so divisive it's like raising the issue of Photoshopping photos in an online forum. The resulting discussion is typically split on ideological grounds, some people strongly against any sort of manipulation and others very liberal in saying anything goes. Each party brings up history to prove their points, one saying we want the old days back and the other pointing at examples proving the old days weren't as pure as we thought they were (generally, Jerry Uelsmann gets raised here). 500px seems to take the role of Greece and Immigration with people pointing at what such liberal ideas can end up with. Others will point at the Scandinavian and Arctic countries and show they can produce such amazing results, and then people say "yeah by they've got the Aurora!". In the end, like the referendum, the actual answer is "it's complicated". Each position, taken too far, reduces the quality and range of what is possible; each position, when argued too strongly, ends up dividing our communities. On whatever side you are on, just listen and respect people's opinions and get on with your life. These are all minor things in our enjoyment of the world.

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Tim Parkin

Content Issue One Hundred and Sixteen
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Issue 116 PDF

Click here to download issue 116 (high quality, 126Mb) Click here to download issue 116 (smaller download, 50Mb) more

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Endframe – Dawn on the Trotternish by David Noton

Since I got into landscape photography seriously, I’ve always admired one man. His dedication to the art is undeniable and his enthusiasm for the subject comes across in floods in his writing and his images. more

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On Landscape Room at the Joe Cornish Gallery

We are delighted to announce the launch of the 'On Landscape Room' at The Joe Cornish Gallery. In collaboration with the gallery's commercial knowledge of the landscape, we have chosen a set of six photographs each from five photographers. more

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Subscribers 4×4 Portfolios

Our 4x4 feature is a set of four mini portfolios from our subscribers - Cheryl Hamer, David Taylor, Shona Grant and Roger backhouse. more

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Compositional Controversies

Today, it is hard to imagine any aspiring landscape photographer making an inroad into the medium without stumbling over the “Leading Lines” mantra sooner rather than later. more

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Matt Botwood

Twitter led me to Matt, and to his book “Travels in a Strange Land: Dark Spaces”. I knew that he worked predominantly in monochrome, so when I came to do the prep for this interview, I was a little surprised to see that his website opens with colour images. more

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Thomas Peck’s Critiques

Michael P Berman stamps his personality very clearly on images he makes in the border wilderness lands between America and Mexico. His focus is the local issues of the land – mining, grazing, timber, water more

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The Importance of Context

Can you appreciate both a good novel and a good piece of journalism? How about a good poem and a good guidebook? Why is it that many are so resistant to accommodating multiple uses for photography as they do for writing more

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Transitions – Black and White and Colour

Paul Gallagher talked at the Meeting of Minds Conference 2014 and discussed his experiences and the freedom to return to colour landscape photography. more

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