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Issue 190 PDF
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Lyme Disease
A Public Service Announcement!
End frame: Altitude 2 by Hengki Koentjoro
Ruth Grindrod chooses one of her favourite images
Subscribers 4×4 Portfolios
Bruce Herman, Hilary Barton, Morris Gregory & Rod Ireland
Mood, Emotion and Photographic Meanings
Beyond the Descriptive Document
No Signal
Focusing on the quality of the photographic experience
What to Expect When You’re Not Expecting
Train yourself to find value in the process
Spring in the Lake District with Joe Cornish
A Screencast of Joe's trip to the Lake District with David Ward
Verity Milligan
Featured Photographer
Where are the Borders in Mseilha’s Dam Construction?
A “Terrain Vague”
Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

After hearing about a few people in our local area being treated for Lyme disease, I figured it wasn’t a bad idea to write something about it for the magazine. Although awareness of Lyme disease has increased in the last few years, its distribution, scale and effects have been underestimated and I thought landscape photographers as a demographic were probably a category. What I found out about the disease made me glad I had done so and I highly recommend a look. In the UK we think of the outdoors as a benign place to visit but as well as my recent research, a couple of recent cases of people being hurt only a short distance away from their car makes you realise that the more time you spend outdoors, the greater the chances of ‘unlikely’ things happening. We shouldn’t be paranoid about these things but a little bit of awareness and pre-planning could make all the difference sometime.

We’ve had a big spate of Endframe’s submitted in the last month which we’re very pleased with but we’d like to get more submissions for our 4x4 section from our readers. If you have a set of related images you’d like us to publish, please let us know even if you’ve been published before. Both Charlotte and I love seeing our readers images and they give us inspiration to get out taking photographs so keep them coming. Click here to submit

Click here to download issue 190 (high quality, 105Mb)

Click here to download issue 190 (smaller download, 60Mb)

Tim Parkin

Content Issue One Hundred and Ninety
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Issue 190 PDF

Click here to download issue 190 (high quality, 105Mb) Click here to download issue 190 (smaller download, 60Mb) more

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Lyme Disease

I don’t know if it was before or after my trip to London that I decided to write an article on ticks and Lyme disease but since I did start writing, my level of Lyme disease paranoia has been a bit scary. more

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End frame: Altitude 2 by Hengki Koentjoro

Hengki Koentjoro’s work demonstrates how black and white photography can be so much more than these two colours. His work encompasses the many shades of grey in between. more

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Subscribers 4×4 Portfolios

This issue our 4x4 landscape photography portfolio feature are from subscribers: Bruce Herman, Hilary Barton, Morris Gregory & Rod Ireland. more

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Mood, Emotion and Photographic Meanings

It is not always easy to express oneself or understand one's mood and meaning, but those who undertake photography as a means of expression have embarked on the most beautiful journey of their life. more

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No Signal

Would the Boundary Waters Canoe Area Wilderness be the same if cell phones worked? It would be challenging to enjoy it the same way. The lack of access to social media makes it easier to connect and foster real experiences. more

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What to Expect When You’re Not Expecting

You may well find that the best preparation for a photographic outing, is to deliberately go unprepared. more

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Spring in the Lake District with Joe Cornish

Following on from our previous wander around Cornwall (via a relaxing chair in the Highlands), Joe is talking through some of the images taken on a workshop with David Ward. We cover a few topics including bits of Capture One and Lightroom, the use of Polarisers, black and white conversions and a few other bits and pieces. more

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Verity Milligan

Seeing the images that Verity Milligan shares online, her love of the rural and the remote is clear, but look a little deeper and it’s also apparent that the city that she calls home – Birmingham, UK - is very important to her too. more

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Where are the Borders in Mseilha’s Dam Construction?

The complex notion of man-made settings in relation to their existing natural landscape has thus been misconceived. In a highly urbanised world that we live in, geography has become the modern element for the creation of conflict. more

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