on landscape The online magazine for landscape photographers
Issue 272
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End frame: Earthrise by Bill Anders, Apollo 8, 1968
Jack Lowe chooses one of his favourite images
A Look at AI Image Generation
And What it Means for Landscape Photography
Artificial Art
Aesthetics, Experience, Process & Meaning
Cath Gothard
Featured Photographer
Bearing Witness
Experiencing Moments Without the Camera
Photography and the Arc of Human Progress
How did we get from there to here?

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

The new year starts with an issue that loosely revolves around the idea that that change is one of the only persistent themes in history. Whatever we were doing when we were younger always seems more ‘real’ than all of the changes we see now and on the horizon. And yet the core essence of what we do as photographers hasn’t really changed and, if we don’t want it to, it shouldn’t change in the future either. Photography has so many different expressions in terms of taste and process that people can find in it whatever suits their current desires, but at the core of landscape photography we always find a passion for being in the landscape and finding some expression of ourselves in it. This shouldn’t change, whatever camera you might use. I remember an anecdote from a good friend of mine. She had spent two weeks photographing in the US using a large format camera. She loved every moment of the trip and came back really happy with the experiences. However, a malfunction with her film holder meant that none of the photographs worked. Despite the initial disappointment, I think it was a great lesson in how the pictures were only the icing on the cake and a large part of that trip was about the experience of seeing and distilling. Just like Chris Murray says in his article in this issue, “Liberating oneself from the obligation to make photos and experiencing the world with our eyes, mind, and heart alone can be all the reward we need.”

Tim Parkin

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2nd Jan 2023 - Buachaille Etive Mor from Beinn a'Chrulaiste

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Tim Parkin

Content Issue Two Hundred and Seventy Two
On Landscape Issue80
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Issue 272

Click here to download issue 272 (high quality, 111Mb) Click here to download issue 272 (smaller download, 64Mb) more

Nasa Apollo8 Dec24 Earthrise
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End frame: Earthrise by Bill Anders, Apollo 8, 1968

The astronauts (and everybody around them) were dutifully machine-like in their approach to the mission, but it wasn’t until they were more relaxed that they were able to appreciate a different perspective altogether. more

Timparkin Collage Composite Landscape C209c0c0 18fd 4919 8efd 744fb451e9b8
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A Look at AI Image Generation

Firstly, a little context and background for just what artificial intelligent image creation actually means, and it’s quite different to how people might imagine it. more

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Artificial Art

The real question—the more troubling question by far–is not whether AI creations are or are not, will or will not be, considered as art, but what we stand to lose as human beings, in terms of human experience, by allowing for such creations to be considered as art. more

Cathgothard 16
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Cath Gothard

If I were forced to choose a favourite season to photograph the park, then it would have to be spring. It’s such an optimistic season, with new life emerging from the slumber of winter. more

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Bearing Witness

If we are looking for more meaningful and rewarding experiences and to make photos that are creative and self-expressive, then I would argue there may be times when the camera should never come out of the bag. more

River Irfon Ice Mid Wales Elan Valley (hop)
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Photography and the Arc of Human Progress

The last 20 years have seen more change to photography than the 150 years prior, and, with no sign of advancement slowing down, the next ten will yield just as much change as the last 20, and so on and so forth. more

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