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Issue 342
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End frame: “Maple and Birch Trunk & Oak Leaves” by Eliot Porter
Robert Poole chooses one of his favourite images
Intimate Landscapes Cut from an Infinite Tapestry
The Photography of John Wawrzonek
Shelters
Where History & Nature Collide on Scotland's Coast
Andrew Mielzynski
Featured Photographer
Any Questions, with special guest Simon Baxter
Episode Twenty Four
Michael Kenna’s Darkroom Diaries
Chapter 5: Finished Prints And Provenance
How Connected are we to our Local Landscapes?
The ‘Connection Project’

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

New year’s resolutions are both a blessing and a curse. They’re a chance to make a strong commitment to something, and an excuse to tell everyone about it, creating a kind of social contract that might embarrass you into actually doing the thing you really want or need to do. They’re also an opportunity to put all your eggs into one basket and pile the pressure on yourself, creating the possibility, or probability, of catastrophic failure.
I normally try not to commit to anything too challenging for my New Year’s resolution. However, since Matt Payne came to visit last year, I’ve been enjoying getting out with the camera more often and, despite my own advice, I’ve committed to a 365 project. Every day, whatever the weather and however busy I am, I’ll get out and explore, find at least one interesting view, invest my attention in it, and take a photograph. It doesn’t have to be amazing or gather social media approval, it just has to be something I can genuinely engage with creatively.

So far, January has seen no catastrophic failures on that front. However, now that I’ve told everyone, I’m convinced my failure probability has jumped dramatically. In the meantime, I thought it would be good to share the best photograph from each week here on On Landscape.
I had no trouble selecting last week’s image. Joe Cornish had come to visit, and we were just about to sit down and look at the NLPA book when I got a phone call from a friend at the National Trust who said, “You have to get out now, the skies are exploding!” (or words to that effect).
I’d already been thinking about where might work well for photographing the aurora, and I knew I could choose between Loch Ba and Kinlochleven. I opted for the shorter journey, and I’m very glad I did. The location would only work with the aurora overhead and to the west, so I was delighted when it turned out to be one of the strongest displays for at least a decade, at least with clear skies.

The photographs were turning out nicely, even on an f/4 24–105 at ISO 640. We were disturbed a few times by the headlights of cars entering the car park, and although I cursed them initially, I soon realised they were throwing some rather lovely light onto a couple of trees. And hey presto, the 365 project image for the 19th of January 2026 turned out to be a very pleasant surprise.

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Tim Parkin

Content Issue Three Hundred and Forty Three
On Landscape Issue80
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Issue 343

Click here to download issue 343 (high quality, 80Mb) Click here to download issue 343 (smaller download, 27Mb) more

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End frame: Les Grandes Jorasses, by Pierre Tairraz

The foreground spires in the photo seem to point to two cloud-filled couloirs of the mid-ground Taléfre, and their angle is identical to the massive couloirs of the north wall of the Grandes Jorasses, further back. more

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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Goran Prvulovic, Kate Snow, Uwe Beutnagel-Buchner & Yasser Alaa Mobarak. more

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Dario Perizzolo – Portrait of a Photographer

Dario’s work reminds us that photography does not need to shout to be meaningful. Sometimes its greatest value lies in helping us listen more closely, to the landscape, to one another, and to ourselves. more

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Stillness. In Motion.

Over time, I’ve come to see Stillness. In Motion. not as a project, but as a journey of discovery. It was born out of change, guided by intuition, and shaped by the landscape itself. more

Immersive On Landscape Images © Bill Ward Photography (3 Of 11)
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Bill Ward

In the water, for me, it’s the wild days that are the most life affirming, in many ways. Where you have the strongest sense of the power of Mother Nature, and the visceral connection, I suspect we all have with her at some level. more

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Without a plan to the Opal Coast

What did the trip ultimately bring me? First, a lot of enjoyment. It was wonderful to be completely focused on photography again for a few days, and without a group to guide or pressure to come home with good and usable images. more

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Eight Vignettes of Torridon

This early fascination made returning inevitable, but as a student, travel required planning and compromise. Scotland’s free bus travel scheme for under 22s offered me both an opportunity and a challenge. more

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