Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Franz Gisin, Goran Prvulovic, Kenny Muir & Tom Zimberoff more
The liminal interface of seawater, sand, and sky inspires a construct of consciousness, the space in which everything appears, the light by which everything is seen. It beckons my camera. more
I'm not really a bucket list person. I often find myself at the same locations, where every visit reveals something new. This is a short series of 4 images taken in a local ancient birch woodland across the seasons. more
While just a small part, this river is part of a bigger watershed I’ve explored many times. Constantly changing with the seasons, this spot is never the same yearly. more
In this case, California's Auburn SRA (State Recreational Area), where the intersection of two Sierra Nevada mountain canyons allows the north and middle forks of the American River to merge. more
These lists I keep making each year, which end up taking me to places I wasn’t destined to see, let alone photograph. more
We are living in a golden era for photography and printing. If you can dream it, you can make it - at a reasonable cost. more
Today, in the third of five chapters from his Darkroom Diaries, Michael focuses on grain, cropping and toning. more
In this episode, Tim Parkin and Mark Littlejohn chat with John Gibbs about his experiences in photography, working at the National Trust, and the evolving landscape of the art form. They discuss the pressures of photography, the impact of social media, and the importance of empathy when leading tours. more
What I’ve learned over the years from painting and photography is that you develop an instinct for what fulfils you, with experience and passion playing a significant role. more
Click here to download issue 337 (high quality, 218Mb) Click here to download issue 337 (smaller download, 117Mb) more
Despite the drama of the captured view, there is no drama with the editing. One could easily have darkened those moody clouds to make it look even more foreboding than it is, but he hasn’t. more
One of my favourite images in the book is of Roker Pier. Not because it’s technically my best, or because it’s sold well, but because of the memory it holds. After Mum’s diagnosis, when she could still walk, I took her to places she’d never been. more
Foxglove (digitalis), photographed along the road near Garderen, the Netherlands. Thanks to the spots on the inside of the flower, bumblebees and bees are lured into the flowers to snack on the nectar. A couple of months ago, my new photo book, Flowerscapes. A Bug’s Eye View was published. A book that - as the title reveals - is entirely dedicated to our wildflowers, photographed from more
It's the Natural Landscape Photography Awards time of year again, and we've spent the last few weeks making final decisions on winners during a long seven-hour judging session on Zoom. A big thank you to Matt Palmer from Australia, who had to stay up from midnight until the next morning in order to synchronise with the Europeans and Americans on our panel. The rest of our judging panel consisted of Jennifer Renwick from the US, Jack Lodge from more
Over the past decade and a half, he’s built a reputation for images that are both simple and deeply evocative. The kind that make you pause and look closer. more
on Tim Smith
Such beautiful images Tim! Really quite moving.
- Guy Washburn, 08:47 14th Octon Subscribers 4×4 Portfolios
Especially good to see Phil Starkey's shots of water in motion - not simplistically rendered as soft ice-cream, or as frozen ice - just sensitively chosen shutter speeds, just the right balance of shape and motion blur contributing to some lovely images. Thank you for sharing these photographs.
- Jon Marks, 12:56 13th Octon Subscribers 4×4 Portfolios
Beautiful Photography!
- Johan Siggesson, 07:12 10th Oct