Issue 326
Tim Parkin |
Click here to download issue 326 (high quality, 116Mb) Click here to download issue 326 (smaller download, 72Mb) more
Click here to download issue 326 (high quality, 116Mb) Click here to download issue 326 (smaller download, 72Mb) more
Chris Tancock is a photographer living and working in Pembrokeshire, quite close to where I live. Whilst Chris photographs in the landscape, and often his images include wildlife, “traditional” landscape and wildlife photography are genres that he doesn’t particularly warm to. Chris prefers to describe himself as a “rural documentary” or “habitat” photographer. Moreover, he regards himself as a story teller, however, he fails to see how a single image can tell a story. Chris often uses the analogy more
Any Questions has been running for just over a year and we thought it would be nice just to have a casual chat between the hosts: myself, Joe Cornish and Mark Littlejohn. more
Visions of Paradise: American Wilderness" presents a collection of black-and-white photographs by Jon Ortner, offering a thoughtful exploration of America’s wild landscapes. more
It all began one misty morning nearly ten years ago, as I meandered on the still-wet sand of Nehalem Bay on the Oregon coast. It was low tide, and as the shroud of fog began to thin, it revealed a long array of brooding, sculptural forms deposited at the farthest edge of the water line. more
The CFV 100C has a unique solution when hitched to the included 907X camera body. The combination of this, the CFV 100C and the newer tiny (ish) ‘V’ and ‘P’ lenses makes for a very compact and incredibly portable system. more
After starting with film and moving to digital for its convenience, Przemyslaw has come full circle—now embracing both formats to harness the distinct mood, colour, and character each brings to an image. more
Click here to download issue 325 (high quality, 113Mb) Click here to download issue 325 (smaller download, 77Mb) more
The viewer’s eye is drawn to a solitary water lily in the lower right corner of the image. It is then guided horizontally toward the bright grass on the left and follows a gentle upward path toward the water lily leaves, which are thoughtfully distributed across the lower branch silhouette. more
Breaking waves are usually not that spectacular from straight up in my opinion. It is often worthwhile, though, when a wave engulfs a rock slab, which can look very graphic from the air. more
Torsten Pull’s work is a reflection of his journey—one that intertwines methodical planning with the spontaneity of light, solitude with exploration, and a return to the natural world that once defined his childhood. more
After reading the poem in more depth, I revisited places mentioned in the text to try and understand what Steve was writing about, but also to try and understand what I felt about the places with this new narrative to work with. more
There are now so many images of trees as a sub-genre of landscape photography that it could be argued that they have become a little boring. more
Beautiful and helpful though it is to know that we have the capacity for change built into us, the flip side of this reality is that some patterns, once they have been set by an endless mist or by a downpour, can be stubborn. more
Click here to download issue 324 (high quality, 142Mb) Click here to download issue 324 (smaller download, 125Mb) more
When I look at the Awakening Dragon, I might or might not know anything about where and when the photo was taken, what Alister had in mind, what mood he was in, or what was going on in his life. It doesn't matter to me as a viewer. more
on The Photographer’s Extended Mind
Thanks for an interesting article, thought provoking!. I don’t think my camera has been assimilated but then I enjoy the challenge of seeing something and working out how to share best. However can this theory not very well explain why we have an immediate gut appreciation of some images but not [...]
- Jean Robson, 06:12 20th Apr
on Any Questions, with special guest Rachael Talibart
Fascinating discussion which resonated with much of what drives me to go out with my camera. I absolutely understand the fascination with waves breaking over rock; I once spent over an hour watching the sea pound a cliff in the Faroe Islands and photographing the water running off the [...]
- Adam Pierzchala, 18:41 12th Apr
on End frame: The”Awakening Dragon” by Alister Benn
Thank you for this, Alister! I'm glad what I wrote resonates with you! This is so far from ordinary! It's wonderful image full of mystery.
- Astrid Preisz, 12:19 7th Apr