What did the trip ultimately bring me? First, a lot of enjoyment. It was wonderful to be completely focused on photography again for a few days, and without a group to guide or pressure to come home with good and usable images. more →
This early fascination made returning inevitable, but as a student, travel required planning and compromise. Scotland’s free bus travel scheme for under 22s offered me both an opportunity and a challenge. more →
The central pattern of vertical elements could mean two things, I think. Are there two red trunks bounded by the dark space behind them? Or are there three nearly black trunks against an autumnal background? more →
Wawrzonek is a master of the intimate landscape. Since the 1980's, he has been shooting colorful small scenes, images of ground cover, pond plants, reeds, and frost-covered foliage more →
“Shelters” is a documentary series of photographs that examines the visual parallels between World War II sea defences on the Moray and East Highland Coast and a unique, man-made driftwood structure previously located at the mouth of the River Spey more →
For this issue, we’re catching up with Andrew Mielzynski, the Natural Landscape Photography Awards’ Photographer of the Year 2024, and the International Landscape Photographer of the Year 2024. more →
In this episode, Tim Parkin talks to Simon Baxter and Joe Cornish about the intricate relationship between mindset, expectations, and the art of woodland photography. All the more relevant because of a new exhibition and book Joe and Simon have produced called "All the Woods a Stage". more →
Reflecting on 50 years of silver gelatin printing, a somewhat arduous, slow and painstaking process, I believe the final prints have made the journey all very well worthwhile. more →
I have seen how climate change is impacting the landscape. How dry summers have killed the heathland and affected local farming. How wildfires have destroyed habitat, and coastal erosion has become a constant battle along some stretches of the Suffolk Coast. more →
It looks simple: a gentle river scene with reflections. However, the elements in the image are a mixture of different trees, separated by the piercing light of morning, which breaks up the jumble of the woods into discrete areas. more →
Peter Richter recently sent us a small book made using KOZU’s new printing service MAKEBOOK. I was interested in the quality of their latest digital printing and also wanted to take a look at what Peter had made, both in his photography and in his design choices. more →
Her photographs remind us that meaning often exists in the gentle spaces: in the tremble of light, the hush of snow, the faint color of early blossoms. more →
I’ve always been drawn to the quieter moments in nature — subtle light, calm atmospheres, and understated beauty, rather than the grand, dramatic scenes with sharp peaks and blazing skies. more →
Printed calendars persist despite the flood of digital reminders. An artwork with function that you can interact with on a daily basis seems hard to replace. more →
on Eight Vignettes of Torridon
Brilliant project, tale and images! Well done.
- Guy Washburn, 12:06 13th Janon How Connected are we to our Local Landscapes?
Thank you very much, I am glad you enjoyed the article and the images.
- Gill Moon, 15:45 24th Decon Bluebells
All good, and I especially like the third image, with the path.
- Ron Rothbart, 22:30 22nd Dec