Standing before Ian McKeever’s monumental black and white photographs of the Avebury stones, one becomes aware less of landscape than of bodily scale, of weight, surface, proximity and time. more
Captured over the winter of 2025, these images were made with an infrared camera in pouring rain, from inside my car. more
Click here to download issue 351 (high quality, 168Mb) Click here to download issue 351 (smaller download, 99Mb) more
This painting by Albert Bierstadt, created in the 1860s, exists somewhere between a real inspiration drawn from the Rocky Mountains, which he genuinely explored, and a reconstructed, almost dreamlike vision. more
For Magnus, childhood treasure hunts fostered a lifelong curiosity about nature and a deep appreciation of friendship. Competitive instincts were there too and helped to spark a deep interest in birdwatching, which has undoubtedly gone on to shape his vision as a photographer. more
Exhibition at the National Collection of Photography, The Royal Library, Copenhagen, Denmark. Open from November 18, 2025, to November 18, 2028. more
For more than thirty years, I have wandered the aspen forests of North America, learning their secrets as one learns the quirks and stories of kin. more
I hadn't realized just how many steps of the photographic creative process were being removed by digital. Focusing, exposure adjustments, and not having to give a fig about how many photos you can take, to name a few. more
Looking back into the darkness of The Killing Time does not bring answers; we still live in dark times and are still making the same horrific mistakes; the shadows of division, intolerance and brutality follow us today. more
How to approach the over-photographed landscape and get beyond the fear of producing yet another cliche - or worse - a postcard! The trouble with the Peak District’s Dove Valley is that it is just too darned pretty for its own good. Its inclusion in Izaak Walton’s ‘The Compleat Angler’, first published in 1653, put it on the map of ‘must see destinations’ for every well-bred gentleman (and woman) who had both the ability to read and the resources to more
Click here to download issue 350 (high quality, 151Mb) Click here to download issue 350 (smaller download, 99Mb) more
Whilst out and about I have also enjoyed visiting the many exhibitions taking place all over the Yorkshire Dales as the whole area is a haven for talented artists and crafters displaying and selling their creations to the thousands of people that visit and live there. more
The parts of the workflow that most interest me are capture – as mentioned, and being in that creative and mindful space. I enjoy the post-production and how the changes can be dramatic or nuanced. more
Water doesn’t have colour, in fact, water is almost impossible to photograph. What we really see when we photograph water in its many forms is just a distortion - sometimes minor on still, calm days when a reflected view can be indistinguishable from its original scene. more
In this conversation with hosts Tim Parkin and Joe Cornish, we talk to Finn Hopson, a talented photographer and the owner of a gallery in Brighton. more
I am lucky that there are many neglected places, not neglected from care, but neglected by tourists who prefer the spectacular and popular, leaving places suitable for intimacy. more
on Interrupted
Brilliant set! While I can't say I've shot through the car windows, I completely agree that IR is a wonderful choice for a much wider set of lighting conditions than it is generally used for. Great work...
- Guy Washburn, 08:56 yesterdayon The Tortoise and the Hare
"But, accurately speaking, no good work whatever can be perfect, and the demand for perfection is a sign of misunderstanding ... " "... to banish imperfection is to destroy expression, and to check exertion is to paralyse vitality." John Ruskin, The Nature of The Gothic, from The Stones of Venice Ansel [...]
- Jon Marks, 18:12 7th Jun
on Magnus Reneflot
Ragnar Axelsson surely deserves more exposure. His work is absolutely classic. Thanks for mentioning his name. - Thanks too for sharing your own work!
- Jon Marks, 16:47 4th Jun