on landscape The online magazine for landscape photographers

David Tatnall

Featured Photographer

Davidtatnall

David Tatnall

David Tatnall has been making fine art photographs in Australia since the mid 1970s. He has worked professionally as a fine art photographer since the mid 1980s. His passion is photographing the land using a large format film camera.

David Tatnall’s photographs have been collected by The National Gallery of Victoria, The State Library of Victoria, Monash Gallery of Art, Australian Embassy in Washington USA, RMIT University Ho Chi Minh City Vietnam as well as many regional art galleries in Australia.

He has been awarded a lifetime achievement award for ‘an outstanding contribution to nature conservation in Victoria through photography’.

He is the editor of View Camera Australia a site dedicated to the promotion of large format photography and photographers working in darkrooms in Australia.

Chrysalis Gallery represents him in Australia.

davidtatnall.com



Michéla Griffith

My images combine an early love of drawing and painting with a long-standing passion for photographing the landscape. An important part of my portfolio continues to be about the interaction between water and light in, but I’m also experimenting with movement on land and even my own progress on foot through the landscape. Facebook Flickr

michelagriffith.com



What we see and experience at an early age inevitably shapes our lives and our passions. For David Tatnall it was green on a map, closely followed by the viewfinder’s perspective and walking. From this has come a lifelong passion, and a life’s work.

Would you like to start by telling readers a little about yourself and where you photography started?

I was born in inner Melbourne, Australia, and have lived most of my life close by. I remember as a child going on family outings in our old car. It rarely made it to the destination without boiling or breaking down and while we waited for the engine to cool I spent time wandering about looking and listening; just ‘in the bush’. I recall being shown a map of where we’d been on one trip - Kinglake National Park - and I noticed it was marked green. Other places we went to were also marked green and I began to wonder why only small areas on the map were so coloured. Those family outings had an impact. I realised the really good places we visited were national parks – protected land. My interest in conservation began at that time. I wanted to see more green on the map.

Grampians National Park

Splitters Falls. Grampians National Park

When did you first become interested in photography and what kind of images did you want to make at the time?

I ‘inherited’ my older sister’s Brownie Flash camera when I was young. Our family did recycling before it was fashionable. I regarded each photograph as incredibly special and precious. I suppose the photographs I made were a record of where I went and what I saw. I do recall how special it was to look into the camera’s viewfinder to see the composition I’d made.



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