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Endframe: Rho Ophiuchi Nebuale in Scorpio constellation by Scott Rosen
You can argue astrophotography is more science than art; you are capturing what’s already there. There isn’t any room for different interpretation. It’s not like you can change your composition. more
Thomas Peck’s Critiques
The Quiet Sublime: The tradition of the Sublime in landscape has existed since the 18th Century. The most common understanding is when the landscape inspires awe and wonder, even dread and terror. more
Endframe: “Before the Storm” by Edward S. Curtis
The upper third of the frame contains tempestuous backlit clouds, and the middle of the frame is rounded out by the four Apache riding diagonally away from the camera and into the distance. more
The Art of Practice
I recently came to the realisation that what a highly experienced photographer does is very similar to that of an equally experienced musician. That is to be so totally in control of their instrument that it becomes an extension of them. more
Endframe – Dawn on the Trotternish by David Noton
Since I got into landscape photography seriously, I’ve always admired one man. His dedication to the art is undeniable and his enthusiasm for the subject comes across in floods in his writing and his images. more
Matt Botwood
Twitter led me to Matt, and to his book “Travels in a Strange Land: Dark Spaces”. I knew that he worked predominantly in monochrome, so when I came to do the prep for this interview, I was a little surprised to see that his website opens with colour images. more
Thomas Peck’s Critiques
Michael P Berman stamps his personality very clearly on images he makes in the border wilderness lands between America and Mexico. His focus is the local issues of the land – mining, grazing, timber, water more
Light Meters and Film
Talking to various manufacturers over the last couple of years I’ve always inquired into the growth of interest in film photography. Three years ago the answer was a tentative “yes” to film becoming more popular but the last two years have seen even more positive responses. I asked about film sales, chemical sales and also interest in processing. The general size of growth has been about 30% year on year, and we have also seen a big increase in more
Orsolya Haarberg
Many dream of turning their passion for photography into a profession. Orsolya has done just that and has now been working together with her husband, Erlend Haarberg, as a freelance nature photographer for over 10 years, specialising in the landscapes and nature of the Nordic countries. more
The Unknown Room
Asked about adventure, Messner said you need an unknown environment to really experience it, an unknown room as he calls it. That, I think, brings into play the authentic side of photography. The moving on towards the unknown. Something you experience for the first time. Something you photograph for the first time. more
Endframe: Approaching Storm by Chris Upton
Is it a landscape image or am I just on a nostalgia trip? I’ll let you decide but to me it’s both. A photograph of any type is by definition a moment in time past so the two are probably inexorably linked. A lot of our industrial landscape has slipped away over the years without being captured. more
Thomas Peck’s Critiques
The best photographs leave something to the imagination, they leave room for the viewer wrote David Ward In an article "Leaving room… Where does the viewer live?" (OnLandscape, issue 65) David Ward goes on to explain that to capture the viewer’s attention, images pose questions without necessarily providing any answers; they tend to be slightly ambiguous and are open to interpretation. It is not enough to be a passive viewer in front of such images but rather there needs more
Endframe: Platon, North Kivu, Eastern Congo by Richard Mosse
I’ve selected the image, ‘Platon, North Kivu, Eastern Congo’ from his series ‘Infra’. Broadly speaking, ‘Infra’ offers what is referred to as a “radical rethinking” to the portrayal of the conflict in the Democratic Republic of the Congo. more
An Accidental Book Venture
In 2013 I self-published a photography location guide book, which started out as personal curiosity and accidentally ended up as a continuing venture. How I hadn’t thought of combining photography and book publishing before then is a mystery to me in hindsight, but let me explain how it happened. more
Luminous photographs
Technically, luminosity refers to how much light an object emits. In photography we tend to think of luminosity as how much light an object reflects, we measure luminosity with light meters, usually the amount reflected off the subject, though this isn’t really technically correct. A printmaker will think of luminosity in terms of how much of the paper tone will shine through in the final print. An artist will think of how bright the lightest tones they will add more