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The Credit Crunch
The issue is about giving credit for our inspiration and the influences in our work. more
Hannah Devereux
The element of landscape photography that I love is not about capturing a place as it is in reality and displaying it more
Recording of Live Streaming 14th July
In this live streaming event, Tim chatted with David Ward about his recent travels (including New Zealand, US and Scotland). more
Testing the Canon 5DS(r)
Ever since the Canon 5D Mark III was released, photographers have been crying out for more resolution. more
Fields of the British Isles
Britain's landscape has many faces and with its remote uplands, dramatic summits and dynamic coastline to explore. more
4×4 Portfolio
Our new feature this issue is 4x4, a set of four mini portfolios from subscribers. more
Endframe – ‘Stravinsky at the Piano’ by Arnold Newman
Choosing an image for End Frame is a daunting and nigh on impossible undertaking. more
Live Streaming Event – 14th July, 8pm BST
On Tuesday 14th July, 8pm BSTTim will be chatting with David Ward about his recent travels more
Journey of Photographic Discovery
Mike Cummins reflects on his time in La Axarquia, far-removed from the generally lowland hills of Derbyshire. more
Linda Wevill
Once we are freed from the concerns of equipment & technique, we concentrate on the image. more
The Environmental Photographer of the Year, 2015
Following on from helping the Wildlife Photographer of the Year competition with their judging, I was also asked to help judge the Environmental Photographer of the Year (alongside the excellent photographer Stephen Vaughan). It may not have the profile of some larger competitions but because entry is free it attracts a great deal of entries from around the world. Over ten thousand images were submitted this year from across 60 countries and I was very surprised at the amount more
Endframe – “The Markerstone: Harlech to London Road” by Fay Godwin
Fay Godwin (17 February 1931 – 27 May 2005) The Markerstone: Harlech to London Road. Wales 1974 I don’t think I can say I have one all time favourite photograph. I have so many for different reasons and moods. But when faced with such a question to consider your ‘favourite’ photograph from another photographer, my initial recollection were not of what I expected; I suppose upon receiving the question I was reminded of the landscape greats, Adams, Western, Porter, and more
Thomas Peck’s Critiques
Abstract photography, which is how I would almost classify this lovely photograph by Michéla Griffith (click here to read previous articles by Michela), engages the viewer in a completely different way from other photographic genres. Unlike a landscape or a portrait there is a momentary hesitation, a second of uncertainty, as we ponder what it is that we are seeing. Abstraction demands engagement; the viewer must work to see and recognise. Why is this picture only almost an abstract? more