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Acontius Project
These four images are part of a new project on emotional responses to trees in the (literary/artistic) landscape via forays locally to me in Oxfordshire and Warwickshire, and sometimes elsewhere too. more
Island Seas
The images were taken on Orkney, Harris & Islay. Inspired by a love of the sea. more
An exploration of Brian Eno’s ‘Ambient 4 : On Land’
The album includes tracks titled, ‘Lizard Point’, ‘Lantern Marsh’ and ‘Dunwich Beach, Autumn 1960’. My interest was piqued. Where were these places, and what did they have to do with the music? more
Monochromatic Lens
Monochromatic Lens is the system I use and teach photographers wishing to explore monochrome photography. more
Stephen Segasby
Early in the interview, Stephen mentions that as well as needing time to attune ourselves to a new place, leaving the familiar allows us to re-evaluate what we have done there. more
On the Edge – Combahee to Winyah
On the Edge is a collaboration between J Henry Fair and the Coastal Conservation League who, in this project, bring our attention to the beauty of, and the impending threats to, our coastal regions. more
Creation by Passing Ducks and The Representation of Reality
I suggest only that if an image is to have any deeper meaning in the realist sense, then keeping a strong link between image and the real landscape is important. more
End frame: Torridonian Sandstone by Alex Nail
For me, it represents the darker and more foreboding side of Scotland and perhaps one which I should embrace more when I encounter it, rather than just purely seeking those wow moment – just one reason I have moved up here. more
Beyond Equivalence
The Equivalent is one of those ideas that in practice grows by the efforts and accomplishments of the people who explore it. ~ Minor White more
Quiet
The landscapes I capture on the remote Scottish Islands are a reflection of solo time in nature, being still and embracing quiet . more
Graeme Green
A great landscape photo should have some kind of emotional power and get a response from the person looking at it, rather than just being a representation of a location. more
Dingle Peninsula
My friends are passionate photographers, primarily landscapers, yet with differing photographic interests and different ways of seeing and making images. more
The Uninvited Guest
The guest we carry around with us is fear; fear of failure, of not fitting in, of not living up to our expectations, the vision of our perfect self, doubting ourselves, even when in our own minds we are clear as crystal. more
‘Monochrome’
An exhibition by the Society of Scottish Landscape Photographers which consists entirely of black and white images, based on a mix of traditional landscapes and images with a more ‘creative’ edge. more
