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Joe Cornish and David Ward Discuss Photos
Last week we ran a webinar with David Ward and Joe Cornish where each photographer chose three of their colleagues images to discuss. The video is now available on You Tube but we've transcribed the content and included the images at higher resolution here. https://www.youtube.com/watch?v=fzTMr1JClrU Tim: Hello and welcome to ‘On Landscape’ and we’re here with Joe Cornish and David Ward. David/Joe: Good evening. Tim: And we are doing something fairly new in a way. Normally we’re critiquing other people’s work but you’re more
Route 66
Route 66, The Mother Road. Taking in eight states, the route once epitomised the American dream. In the forties and fifties it’s travellers would journey from Chicago in the east to Los Angles in the west. The reason for the journey was the journey itself. The image of Route 66 was its cars, hotels, diners, gas stations and the people that made the experience remarkable. Roll forward more than half a century and things are now very different. In the more
Endframe
I must say, sitting at my desk at work completely absorbed in some unmemorable task, it was a welcome diversion to hear my mobile go ping and then see a message from Tim pop up on the screen. With the message saying ‘favourite image’, my concentration was immediately broken and interest piqued sufficiently to want to see what little morsel of information he was about to divulge. On this occasion though, not information about a great little book he more
Issue 73 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 73 more
Charlie Waite Interview
Whilst attending the Year of the Print we were also able to interview Charlie Waite and also Diana Leppard, Charlie's assistant, about the exhibition and the ideas behind it. Tim: Well thank for agreeing to interview first of all about the exhibition. What made you made think about having the year of the “Year of the Print” and an exhibition like this? Charlie: Let's see if I can be coherent. I more
The Burn – Jane Fulton Alt
When I first started looking at photos and photo books I vividly remember that visceral thrill of finding a new body of work sparked the imagination and thrilled with the sheer brilliance of seeing and execution. Over time I’ve been encountering this feeling less and less - I still get a thrill from seeing great photography but only a few times a year do I encounter something that reminds me of that original feeling. Jane Fulton Alt’s “The Burn” more
Issue 72 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 72 more
Quiet Imagery
The older I am getting ( now 58 ) the more I tend to love less spectacular and quiet imagery. When I was young, mountains where the hot stuff on the menu and I made long hikes in the Swedish national parks in the High North. My strategies were all in the direction of catching the mountains in the most dramatic light as possible. I still like images of grand landscapes, but more so when they are interpreted in more
Land|Sea – A Collaboration between Triplekite and On Landscape
Although On Landscape was always intended as a ‘virtual’ magazine for various reasons - cost being an important one but print quality and the possible advantages of video and interactive content being others – the idea of seeing great photography printed well is still one which we think is incredibly important. Seeing photography on a screen is something that is working better and better, especially when people are using tablets such as the Ipad with retina display, more
Grouped Masks
We’ve written about using masks in Photoshop before now (see links) and we’re still of the opinion that, combined with curves and hue/saturation adjustments, masks are the key building blocks of post production. Quite often it’s difficult to make the right mask selection though and we’d like to introduce a technique that allows a more fine grained control combining different masks together; and also over the way colour, tone and saturation can be adjusted together. First of more
Issue 71 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 71 more
Issue 70 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 70 more
Issue 67 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 67 more
Michael Lange
Some of the images I worked a long time on, so I went and revisited on multiple occasions and fiddled with them and I like to make myself really familiar with, almost at home with a location before I create an image. more
Issue 66 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 66 more